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No genre manifests the pleasure of reading—and its power to consume and enchant—more than romance. In suspending the category of the novel to rethink the way prose fiction works, Without the Novel demonstrates what literary history looks like from the perspective of such readerly excesses and adventures. Rejecting the assumption that novelistic realism is the most significant tendency in the history of prose fiction, Black asks three intertwined questions: What is fiction without the novel? What is literary history without the novel? What is reading without the novel? In answer, this study draws on the neglected genre of romance to reintegrate eighteenth-century British fiction with its classical and Continental counterparts. Black addresses works of prose fiction that self-consciously experiment with the formal structures and readerly affordances of romance: Heliodorus’s Ethiopian Story, Cervantes’s Don Quixote, Fielding’s Tom Jones, Sterne’s Tristram Shandy, and Burney’s The Wanderer. Each text presents itself as a secondary, satiric adaptation of anachronistic and alien narratives, but in revising foreign stories each text also relays them. The recursive reading that these works portray and demand makes each a self-reflexive parable of romance itself. Ultimately, Without the Novel writes a wider, weirder history of fiction organized by the recurrences of romance and informed by the pleasures of reading that define the genre.
"Searching, soulful Without Grace is a heartfelt exploration of that small town in all of us, our bittersweet Place of Angels." -Arthur Kent, journalist, documentary filmmaker, and author of Warlord Reborn "Like Scout Finch and Mattie Ross and Ellen Foster before her, Vicky Finley has grit and will and insight, a wry eye for the world around her, and a deeply engaging way of finding there a place of her own." -Michael Malone, author of Handling Sin After the death of her grandmother, Vicky Finley is left to create a place for herself in a houseful of men and becomes consumed by the notion of finding Grace, the mother who abandoned the family when Vicky was just a baby. Vicky's devoted and protective older brother Kevin does his best to look after her while fighting to keep their land and spare their farming community from a ruthless developer who threatens to forever change the world they know. The Finleys learn firsthand how memories can betray us, how secrets of the past can burden the present, and how tragedy can test our resolve. And as Vicky ambitiously pursues her passion for cooking, honors a promise to her brother, and manages to bring a struggling community together, she discovers what really makes a family. Without Grace is a heartening portrait of small-town life and a tender and triumphant coming-of-age tale about the complexities and comforts of family and the healing that comes with letting go of the past.
COSTA BOOK OF THE YEAR AWARD WINNER LONGLISTED FOR THE 2017 MAN BOOKER PRIZE "A true leftfield wonder: Days Without End is a violent, superbly lyrical western offering a sweeping vision of America in the making."—Kazuo Ishiguro, Booker Prize winning author of The Remains of the Day and The Buried Giant From the two-time Man Booker Prize finalist Sebastian Barry, “a master storyteller” (Wall Street Journal), comes a powerful new novel of duty and family set against the American Indian and Civil Wars Thomas McNulty, aged barely seventeen and having fled the Great Famine in Ireland, signs up for the U.S. Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.
NOW A MAJOR MOTION PICTURE STARRING MICHAEL B. JORDAN—WATCH NOW ON PRIME VIDEO! From Tom Clancy, the celebrated author of the Jack Ryan series, comes the #1 New York Times bestseller that puts CIA operative John Clark front and center.... His code name is Mr. Clark. His work for the CIA is brilliant, cold-blooded and efficient...But who is he really? In a harrowing tour de force, Tom Clancy shows how an ordinary man named John Kelly crossed the lines of justice and morality to become the CIA legend, Mr. Clark. It is an unforgettable journey into the heart of darkness. Without mercy. Without guilt. Without remorse.
A lush, gripping, psychologically complex novel that asks: How much do siblings owe one another? At the edge of a woods, on the grounds of a defunct “free school,” Ava and her brother, Fred, share a dreamy and seemingly idyllic childhood—a world defined largely by their imaginations, a celebration of curiosity and the natural environment, and each other’s presence. Their parents, progressive educators, believe passionately that children develop best without formal instruction or societal constraint. Everyone is aware of Fred’s oddness—the word “autism” is whispered—but his parents’ fierce disapproval of labels keeps him free of clinical evaluation, diagnosis, or intervention, and constantly at Ava’s side. Decades later, Fred is arrested for a shocking crime, and Ava is frantic to piece together the story of what actually happened. A boy is dead. Fred is held in a county jail. But could he really have done what he’s accused of? By now their parents are long gone, and the siblings have fallen out of touch, which causes Ava considerable guilt. Who is left to reach Fred? To explain him and his innocence to the world? Convinced that she alone can ensure he is regarded with sympathy, Ava tells their enthralling story. A writer of enormous craft, Leah Hager Cohen brings her trademark intelligence and storytelling to a psychologically gripping, richly ambiguous novel that suggests we may ultimately understand one another best not with facts alone, but through our imaginations.
"Trees without wind takes place in a remote Shanxi village during the Cultural Revolution. A rare affliction has left the residents physically stunted, and the deformed villagers, echoing the manipulated masses of China, become pawns in the Party's factional infighting."--Book cover.
"And who among us would deny Jane Austen her happy endings or insist that Cary Grant and Irene Dunne should get back together at the end of The Awful Truth? There are tragedies and there are comedies, aren't there? And they are often more the same than different, rather like men and women, if you ask me. A comedy depends on stopping the story at exactly the right moment." Mia Fredrickson, the wry, vituperative, tragic comic, poet narrator of The Summer Without Men, has been forced to reexamine her own life. One day, out of the blue, after thirty years of marriage, Mia's husband, a renowned neuroscientist, asks her for a "pause." This abrupt request sends her reeling and lands her in a psychiatric ward. The June following Mia's release from the hospital, she returns to the prairie town of her childhood, where her mother lives in an old people's home. Alone in a rented house, she rages and fumes and bemoans her sorry fate. Slowly, however, she is drawn into the lives of those around her—her mother and her close friends,"the Five Swans," and her young neighbor with two small children and a loud angry husband—and the adolescent girls in her poetry workshop whose scheming and petty cruelty carry a threat all their own. From the internationally bestselling author of What I Loved comes Siri Hustvedt's provocative, witty, and revelatory novel about women and girls, love and marriage, and the age-old question of sameness and difference between the sexes.
In this gripping thriller, psychiatrist Zoe Goldman, a "smart, heartbreakingly vulnerable, and laugh-out-loud funny" heroine, rushes to uncover the dark and twisted past of a mysterious young patient who can't even remember her own name (Lisa Scottoline, New York Times bestselling author). In what passes for an ordinary day in a psych ward, Dr. Zoe Goldman is stumped when a highly unusual case arrives. A young African American girl, found wandering the streets of Buffalo in a catatonic state, is brought in by police. No one has come forward to claim her, and all leads have been exhausted, so Zoe's treatment is the last hope to discover the girl's identity. When drugs prove ineffective and medical science seems to be failing, Zoe takes matters into her own hands to track down Jane Doe's family and piece together their checkered history. As she unearths their secrets, she finds that monsters hide where they are least expected. And now she must solve the mystery before it is too late. Because someone wants to make sure this young girl never remembers. The Girl Without a Name is a powerful novel of memory and forgetting, of unexpected friendship and understanding...and of the secrets we protect no matter the consequences./DIV
#1 New York Times Bestseller In 1989, Ken Follett astonished the literary world with The Pillars of the Earth, a sweeping epic novel set in twelfth-century England centered on the building of a cathedral and many of the hundreds of lives it affected. World Without End is its equally irresistible sequel—set two hundred years after The Pillars of the Earth and three hundred years after the Kingsbridge prequel, The Evening and the Morning. World Without End takes place in the same town of Kingsbridge, two centuries after the townspeople finished building the exquisite Gothic cathedral that was at the heart of The Pillars of the Earth. The cathedral and the priory are again at the center of a web of love and hate, greed and pride, ambition and revenge, but this sequel stands on its own. This time the men and women of an extraordinary cast of characters find themselves at a crossroads of new ideas—about medicine, commerce, architecture, and justice. In a world where proponents of the old ways fiercely battle those with progressive minds, the intrigue and tension quickly reach a boiling point against the devastating backdrop of the greatest natural disaster ever to strike the human race—the Black Death. Three years in the writing and nearly eighteen years since its predecessor, World Without End is a "well-researched, beautifully detailed portrait of the late Middle Ages" (The Washington Post) that once again shows that Ken Follett is a masterful author writing at the top of his craft.
SOON TO BE A MAJOR MOTION PICTURE • From the author of the acclaimed international bestseller Silk, an unforgettable fable about the brutality of war – and one girl's quest for revenge and healing. “Baricco continues to blend the best elements of cinema and poetry. . . . Without Blood applies the delicacy of Baricco's style to dark territory: war, human cruelty and revenge” —San Franciso Chronicle When – in an unnamed place and time – Manuel Roca's enemies hunt him down to kill him, they fail to discover Nina, his youngest child, hidden in a hole beneath his farmhouse floor. After this carnage Tito, one of the murderers, discovers Nina's trapdoor. Enthralled by the sight of Nina's perfect innocence, he keeps quiet. By the time she has grown up, Nina's innocence will have bloomed into something else altogether, and one by one the wartime hunters will become the peacetime hunted. But not until a striking old woman calls upon a familiar old man selling newspapers in town can we know what Nina will ultimately make of her brutal legacy.