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The star of the cult classic Withnail and I offers “a refreshing combination of comedy, confession, and coruscation” in this memoir of the movie business (Kirkus Reviews). Richard E. Grant’s acting career has included memorable roles in some of Hollywood’s most critically acclaimed films, including Robert Altman’s Gosford Park and Francis Ford Coppola’s Dracula. But he attributes his success to his first film role, starring as a flamboyantly pathetic Shakespearean in the underground hit Withnail and I. As Grant explains, “I had no notion that, almost without exception, every film offered since would be the result of playing an alcoholic out-of-work actor.” In With Nails, Grant shares his long, maddening, and immensely rewarding journey through the world of film. From the hell of making Hudson Hawk to befriending Steve Martin on the set of L.A. Story; and from eating spaghetti with the Coppolas, to window-shopping with Sharon Stone, and working with and learning from the best actors and directors in the business, Grant’s unvarnished memoir “is a biting and wonderfully funny look at the movie business by an actor who is as clear-eyed and observant about himself as he is about the craziness surrounding him” (Publishers Weekly, starred review).
This remarkable memoir of the legendary Vivian Mackerrell, on whom the character Withnail in Bruce Robinson's iconic film was largely based, is also an attempt to capture the essence of growing up as part of the 'Baby Boom' generation.
For over a hundred years, the mystery of Jack the Ripper has been a source of unparalleled fascination and horror, spawning an army of obsessive theorists and endless volumes purporting to finally reveal the identity of the brutal murderer who terrorized Victorian England. But what if there was never really any mystery at all? What if the Ripper was always hiding in plain sight, deliberately leaving a trail of clues to his identity for anyone who cared to look, while cynically mocking those who were supposedly attempting to bring him to justice? In They All Love Jack, the award-winning film director and screenwriter Bruce Robinson exposes the cover-up that enabled one of history's most notorious serial killers to remain at large. More than twelve years in the writing, this is no mere radical reinterpretation of the Jack the Ripper legend and an enthralling hunt for the killer. A literary high-wire act reminiscent of Tom Wolfe or Hunter S. Thompson, it is an expressionistic journey through the cesspools of late-Victorian society, a phantasmagoria of highly placed villains, hypocrites, and institutionalized corruption. Polemic forensic investigation and panoramic portrait of an age, underpinned by deep scholarship and delivered in Robinson's inimitably vivid and scabrous prose, They All Love Jack is an absolutely riveting and unique book, demolishing the theories of generations of self-appointed experts—the so-called Ripperologists—to make clear, at last, who really did it; and, more important, how he managed to get away with it for so long.
Introduction -- The Rocky horror picture show (1975) -- Performance (1970); Case study 1: Get Carter -- A clockwork orange (1971) -- The wicker man (1973); Case study 2: Monty Python and the holy grail (1975) -- Tommy (1975) -- The man who fell to earth (1976); Case study 3: Quadrophenia (1979) -- Withnail & I (1986); Case study 3: Trainspotting (1996) -- Conclusion.
Withnail and I sank almost without a trace when it was first released in 1987. Financed by HandMade Films, the late George Harrison's production company, and drawing heavily on first-time writer-director Bruce Robinson's experiences, this virtually plot-free story follows two out-of-work actors (Withnail, played by Richard E. Grant, and 'I', played by Paul McGann), eking out a living in a run-down London of the late 1960s, and embarking on a booze-fuelled weekend in the country which takes various unexpected turns. Although it initially failed to find an audience, it did not take long for the film to attract a dedicated cult following which still persists today. Lines from the film such as 'we've gone on holiday by mistake!' and 'Bring me the finest wines known to humanity!' have become popular favourites and the subject of countless internet memes. Kevin Jackson's in-depth study gives a full account of the film's origins and production history. But his main focus is the mood and magic of the film, its aesthetics and sensibility, seeking to show, without ever detracting from the film's comic brilliance, just how much more there is to Withnail and I than drunkenness and swearing. 'It is an outstandingly touching yet witheringly unsentimental drama of male friendship,' Jackson writes, 'a bleak up-ending of the English pastoral dream, a piece of ferocious verbal inventiveness' - and, without question, one of the greatest of all British films. In his new foreword to this edition, writer Bharat Tandon pays tribute to to both Withnail's peculiar genius and enduring appeal, and to his close friend Kevin Jackson.
Bruce Robinson's celebrated cult comedy. This original screenplay is the sourcebook for these ubiquitous quotes about Withnail and his unnamed house-mate "I" (or "Marwood", as he appears in the script), acting students in the late 1960s, bombed from too many drugs and bummed out by too much poverty. They decide that some time in the country to rejuvenate (in the run-down holiday cottage of rich Uncle Monty) is the best remedy. After a drunken ride through interminable rain they get to the cottage... Bruce Robinson has proved in his hugely enjoyable novel The Peculiar Memories of Thomas Penman what a fantastic writer he is and access to the screenplay only confirms that it was the quality of his dialogue that makes "Withnail" such a peerless classic. An essential companion to one of the funniest films ever made. Screenplay of the classic cult film by Bruce Robinson, with an introduction by the director
_______________________ 'Hums with particularity and vision' - Observer 'Never before has the painful, knotty journey to maturity been depicted with such gusto, and never has the venerable Bildungsroman received such riotously profane treatment' - New York Times _______________________ The acclaimed autobiographical debut novel by Oscar-winning screenwriter Bruce Robinson, the author of Withnail and I This is the story of a dysfunctional family. It is about a boy and his grandpa, life and death, sex and hate, dog's meat and cancer. It is also about pornography, enemas, Morse codes, puberty, secrets, God and loathing. It is also about love.
A richly illustrated, beautifully designed and now updated and extended book celebrating the music and art of the legendary Talk Talk. This edition includes interviews with Paul Webb and Lee Harris as well as the full transcript of Mark Hollis's final interview about the band.
Talks about Richard E Grant's debut behind the camera, as writer and director of his autobiographical movie. This title offers an insight into agonies he encounters along the way, and it is also a portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire.
A group of current and former students of A363, The Open University's* ""Advanced creative writing"" module, presents a collection of work originally written for their course assignments. 'This is wonderful news, ' said Dr Derek Neale, the OU's Chair of Advanced Creative Writing and Director of English Teaching, when he heard about the project, 'encapsulating the aims, ideals and spirit of the course and OU CW teaching...your project offers evidence of imaginative adventure and writing output, but also testifies to the collaborative and interactive spirit of the OU writing courses.'** There's something here to suit most tastes: Travel writing, film scripts, life and historical writing, and fiction of all types from horror, to romance, to urban fantasy. * Neither 578 Publishing, its writers, or this anthology are in any way affiliated with The Open University. ** Quotation reproduced with the kind permission of Dr D Neale.