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Scandal, secrets, and heartbreak abound in this juicy, modern girl-meets-prince story—perfect for fans of Stephanie Perkins and Jennifer E. Smith. "Maybe sisters aren’t supposed to fall for the same guy, but who can mess with chemistry? A divine romantic comedy" (Brightly.com). For the first time ever, the Weston sisters are at the same boarding school. After an administration scandal at Libby’s all-girls school threatens her chances at a top university, she decides to join Charlotte at posh and picturesque Sussex Park. Social-climbing Charlotte considers it her sisterly duty to bring Libby into her circle: Britain’s young elites, glamorous teens who vacation in Hong Kong and the South of France and are just as comfortable at a polo match as they are at a party. It’s a social circle that just so happens to include handsome seventeen-year-old Prince Edward, heir to Britain’s throne. If there are any rules of sisterhood, “Don’t fall for the same guy” should be one of them. But sometimes chemistry—even love—grows where you least expect it. In the end, there may be a price to pay for romancing the throne...and more than one path to happily ever after.
Four Views on the Book of Revelation are presented, critiqued, and defended: preterist, idealist, and the classical dispensationalist and progressive dispensationalist forms of the futurist approach.
Joel M. Rothman considers the significance of cosmology in biblical and extra-biblical texts, and the role of the cosmic journey in many apocalyptic narratives. He posits that Revelation's narrative likewise takes the hearer on a virtual journey, through a cosmic story-space of great theological significance. While scholarship commonly assumes a three-tiered cosmos in Revelation, Rothman argues that Revelation's narrative operates in a four-tiered cosmos, with the hyper-heaven sitting above the sky-heaven, earth, and abyssal depths; a cosmic story-space that is recreated in the imagination of the hearers. Beginning with a methodology of visual narrative reading, Rothman then discusses the assumptions and existing conceptions regarding heaven and earth. He stresses that Revelation does not exhibit tension in its portrayal of heaven - between heaven as a site of conflict and heaven as the realm in which God truly reigns - but rather shows readers a sky-heaven characterised by archetypal conflict between powerful sky-beings and a hyper-heaven defined by full recognition of the Throne. In journeying through the sky-structure and God-space and by analysing the four cosmic layers in operation, the distinct nature of the two sky-spaces, cosmic change and the ideological import of the cosmic structure, Rothman demonstrates that the existence of the hyper-heaven - in contradistinction with the limited lived-cosmos of earth and sky-heaven - is a present guarantee of the final cosmic transformation that creates a new space for human life, exclusive of imperial draconian elements.