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Excerpt from With Three Armies: On and Behind the Western Front Of books about the war there is no end. That is my ex cuse for perpetrating one. Had there been one book, or even a dozen books, I should have hesitated long to thrust my effort into so select and easily identified a company. But the numbers that have appeared have included some so unusually hasty and badly done, I dare cherish hope for a comfortable nonentity such as the present volume. Moreover, the sanguine reader may be assured of certain soothing things. Here is nothing official. No luminary of any War Cabinet has endorsed anything I write, or prefaced it by any eulogistic foreword. The views pre sented and the things seen are the views and observations merely of an ordinarily intelligent layman, not in the least concerned with the purely military or strategic aspects of the deadly game. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A SUNDAY TIMES BOOK OF THE YEAR A TELEGRAPH BOOK OF THE YEAR 'A tour de force of scholarship, analysis and narration . . . Lloyd is well on the way to writing a definitive history of the First World War' Lawrence James, The Times 'This well-researched, well-written and cogently argued new analysis . . . will undoubtedly now take its rightful place as the standard account of this vital theatre of the conflict' Andrew Roberts, author of Churchill: Walking with Destiny _________________ In the annals of military history, the Western Front stands as an enduring symbol of the folly and futility of war. However, as bestselling military historian Nick Lloyd reveals in this highly-praised history - the first of an epic trilogy -- the story is not one of pointlessness and stupidity, but rather a heroic triumph against the odds. With a cast of hundreds and a huge canvas of places and events, Lloyd tells the whole tale, revealing what happened in France and Belgium between August 1914 and November 1918 from the perspective of all the main combatants - including French, British, Belgian, US and, most importantly, German forces. Lloyd examines the most decisive campaigns of the Great War and explains the unprecedented innovation, adaptation and tactical development that have been too long obscured by legends of mud, blood and futility, drawing upon the latest scholarship on the war, wrongly overlooked first-person accounts, and archival material from every angle. Conveying the visceral assault of the battlefield with vivid detail, Lloyd ultimately redefines our understanding of a crucial theatre in this monumental tragedy. _________________ 'Excellent on detail . . . Lloyd's book will be cherished by military history buffs' Max Hastings, Sunday Times 'It is the best modern single-volume history of war on the Western Front and is likely to remain the standard account for some time' Jonathan Boff, The Spectator
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The story of First World War deserters who were shot at dawn, then pardoned nearly a century later has often been told, but these 306 soldiers represent a tiny proportion of deserters. More than 80,000 cases of desertion and absence were tried at courts martial on the home front but these soldiers have been ignored. Andrea Hetherington, in this thought-provoking and meticulously researched account, sets the record straight by describing the deserters who disappeared from camps and barracks within Great Britain at an alarming rate. She reveals how they employed a range of survival strategies, some ridding themselves of all connection with the military while others hid in plain sight. Their reasons for desertion varied. Some were already living a life of crime whilst others were conscientious objectors who refused to respond to their call-up papers. Boredom, protest, troubles at home or physical and mental disabilities all played their part in men deciding to go on the run. Andrea Hetherington’s timely book gives us a vivid insight into a hitherto overlooked aspect of the First World War.
Historians have portrayed British participation in World War I as a series of tragic debacles, with lines of men mown down by machine guns, with untried new military technology, and incompetent generals who threw their troops into improvised and unsuccessful attacks. In this book a renowned military historian studies the evolution of British infantry tactics during the war and challenges this interpretation, showing that while the British army's plans and technologies failed persistently during the improvised first half of the war, the army gradually improved its technique, technology, and, eventually, its' self-assurance. By the time of its successful sustained offensive in the fall of 1918, says Paddy Griffith, the British army was demonstrating a battlefield skill and mobility that would rarely be surpassed even during World War II. Evaluating the great gap that exists between theory and practice, between textbook and bullet-swept mudfield, Griffith argues that many battles were carefully planned to exploit advanced tactics and to avoid casualties, but that breakthrough was simply impossible under the conditions of the time. According to Griffith, the British were already masters of "storm troop tactics" by the end of 1916, and in several important respects were further ahead than the Germans would be even in 1918. In fields such as the timing and orchestration of all-arms assaults, predicted artillery fire, "Commando-style" trench raiding, the use of light machine guns, or the barrage fire of heavy machine guns, the British led the world. Although British generals were not military geniuses, says Griffith, they should at least be credited for effectively inventing much of the twentieth-century's art of war.