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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
This beautifully illustrated catalogue accompanies the first major museum retrospective of the painter Norman Lewis (1909Ð1979). Lewis was the sole African American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory. His art derived inspiration from music (jazz and classical) and nature (seasonal change, plant forms, the sea). Also central to his work were the dramatic confrontations of the civil rights movement, in which he was an active participant among the New York art scene. Bridging the Harlem Renaissance, Abstract Expressionism, and beyond, Lewis is a crucial figure in American abstraction whose reinsertion into the discourse further opens the field for recognition of the contributions of artists of color. Bringing much-needed attention to LewisÕs output and significance in the history of American art, Procession is a milestone in Lewis scholarship and a vital resource for future study of the artist and abstraction in his period. Published in association with Pennsylvania Academy of the Fine Arts, Philadelphia. Exhibition dates: Pennsylvania Academy of the Fine Arts, Philadelphia: November 13, 2015ÐApril 3, 2016 Amon Carter Museum of American Art, Fort Worth: June 4ÐAugust 21, 2016 Chicago Cultural Center: September 17, 2016ÐJanuary 8, 2017 Ê
In some countries, they call them the "abandonados," the abandoned ones. They're the impoverished mentally ill and mentally disabled patients being warehoused in psychiatric asylums that are more run-down, more uncaring than the most brutal American prisons. Confined in cage-like cells, tied to beds soiled with human waste, medicated to the point of senselessness, or wandering naked in unheated and garage-like wards, they live in what can only be called the shadows, their plight unseen and too easily ignored by the rest of the human family. Working first as a journalist, later as a volunteer for the human rights organization Mental Disability Rights International, photographer Eugene Richards gained access to psychiatric institutions in Mexico, Argentina, Armenia, Hungary, Paraguay, and Kosovo. His wrenchingly intimate images reveal the often inhumane treatment suffered by the mentally disabled. Offered little that would qualify as effective care, patients are denied even the most basic human amenities: privacy, protection from harm, clean clothing. Accompanying the book, A Procession of Them, is a DVD of a short film of the same name. Directed and narrated by Richards, this unique and expressionistic film speaks of the chaos, claustrophobia, and loneliness of these living hells. Making us face some hard truths, A Procession of Them drives home the point that when it comes to the plight of the mentally disabled, "no one much cares." As Richards concludes, it's "as if there is a kind of worldwide agreement that once people are classified as mentally ill or mentally retarded, you're free to do to them what you want."
Tess Garritsen calls this one "my favorite book of the year!" In 1176, King Henry II sends his daughter Joanna to Palermo to marry his cousin, the king of Sicily. Henry chooses Adelia Aguilar to travel with the princess and safeguard her health. But when people in the wedding procession are murdered, Adelia and Rowley must discover the killer's identity, and whether he is stalking the princess or Adelia herself.
New York Times bestselling YA author Darren Shan makes his adult fiction debut with this first book in a new series set in a darkly imagined world called the City. What had I done before coming to the city? I couldn't remember. It sounded crazy but my past was a blank. I could recall every step since alighting from the train, but not a single one before. Young, quick-witted and cocksure, Capac Raimi arrives in the City determined to make his mark in a world of sweet, sinister sin. He finds the City is a place of exotic dangers: a legendary assassin with snakes tattooed on his face who moves like smoke, blind Incan priests that no one seems to see, a kingpin who plays with puppets, and friends who mysteriously disappear as though they never existed. Then Capac crosses paths with The Cardinal, and his life changes forever. The Cardinal is the City, and The City is The Cardinal. They are joined at the soul. Nothing moves on the streets, or below them, without the Cardinal's knowledge. His rule is absolute. When Capac discovers the extent of The Cardinal's influence on his own life, he is faced with hard choices and his own soaring ambition. To find his way, Capac must know himself and what he is capable of. But how can you trust yourself when you can't remember your past?
Originally published: New York: Harcourt, Brace & World, Inc., 1922.
On the morning of Sunday, June 23, 2002, 100 participants gathered at The Museum of Modern Art in midtown Manhattan, along with a 12-person Peruvian brass band, and a horse, dogs, and numerous palanquins, atop which sat replicas of three masterpieces from the museum's collection--Picasso's "Les Demoiselles d'Avignon," Duchamp's ready-made "Bicycle Wheel" and a Giacometti--and a living representative of contemporary art, Kiki Smith. Three hours later they ended their procession at the museum's new temporary home, in Queens. Along the way, which ran from 11 West 53 Street, over the Queensboro Bridge, and up Queens Boulevard, the procession absorbed 100 additional participants, and enacted a very public spectacle--part saint's day procession and part secular celebration--of the museum's historic move to MoMA QNS.
An American Procession is a study, on the largest scale, of the major American writers at work during the historically and literarily crucial century that began in the early 1830s, when Ralph Waldo Emerson founded a national literature on the basis of a metaphysical revolution, and ended on the eve of the 1930s with the triumph of modernism and the critical recognition of the “postponed power” of those who had been modern before their time. These one hundred years encompassed a period of unprecedented expansion and promise in the United States, and the work of our novelists, essayists, poets, and historians was the mirror of the nation’s spirit. The thirty years preceding the Civil War produced the transcendental idealism of Emerson, Thoreau, and Whitman and the dark romanticism of Hawthorne, Poe, and Melville. In the years just after World War I, modernism reached its exemplary form in the work of Eliot, Pound, Hemingway, Dos Passos, and Fitzgerald, and between the two wars emerged the great realists: Mark Twain, Henry James, Crane, and Dreiser. It is through an exploration of the lives and works of these writers—together with Emily Dickinson, William James, Henry Adams, and Faulkner—that Kazin maps out a great literary procession shaped by individual genius, by history, and by the implacable American sense of self. With each writer, Alfred Kazin illuminates for us the work, the influences that informed it, and its influence on the work of others. Each figure seems revitalized for us by Kazin’s acuity and powerful sympathy for his subject. An American Procession, with its intellectual energy, its clarity and breadth, is the brilliantly executed capstone of Kazin’s already illustrious career and will stand as the most important study of American literature in our time.