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A “sparkling social history” that brings the twilight of the Edwardian era to life (Entertainment Weekly). The Perfect Summer chronicles a glorious English summer just over a century ago, when the world was on the cusp of irrevocable change. That summer of 1911, a new king was crowned and the aristocracy was at play, bounding from one house party to the next. But perfection was not for all. Cracks in the social fabric were showing. The country was brought to a standstill by industrial strikes. Temperatures rose steadily to more than 100 degrees; by August, deaths from heatstroke were too many for newspapers to report. Drawing on material from intimate and rarely seen sources and narrated from the viewpoints of a series of exceptional individuals—among them a debutante, a choirboy, a politician, a trade unionist, a butler, and the queen—The Perfect Summer is a vividly rendered glimpse of a bygone time and place. “Brimming with delectable information and little-known facts . . . manages to describe every stratum of English society . . . Where Nicolson is especially good, however, is with the royals and the aristocracy, whose country estates, salons, entertainments, and affairs—discreet and indiscreet—she describes with accuracy and humor.” —The Providence Journal “A hugely interesting portrait of a society teetering on a precipice both nationally and internationally . . . As page turning as a novel.” —Joanna Trollope
A survey of the tournament in England from its first emergence in the 12th century to the beginning of the 15th, when technical changes altered its very nature. Juliet Barker surveys the tournament in England from its first emergence in the twelfth century to the beginning of the fifteenth, when it was revolutionised by the emergence of technical changes which altered its very nature. Theoriginal publication of this study, deriving from Juliet Barker's PhD thesis supervised by Maurice Keen, reestablished the importance of the tournament at the heart of medieval chivalric culture. The first serious scholarly publication for over half a century, it dramatically reawakened interest in the historical context of tournaments, and is especially valuable for its detailed evidence on the early years. Tournaments are shown as far more than just sport. They had wide political, social and military implications; in England their potential as a political instrument was quickly realised: for the disaffected they became a means of rebellion and feuding, but for the king and court they were a powerful propaganda machine. Participation in tournaments was also a way to earn a coveted reputation for chivalry; the passion for tourneying could bring knights lasting fame. Military demands accounted for the increasing sophistication of armour and weapons, partly in response to the demands of the tourneyers, who needed military training that reflected their role in actual combat. This wide-ranging study looks at the tournament fromall these angles, and in so doing produces an exemplary history of the first three hundred years of their development. JULIET BARKER is a well-known broadcaster and writer, whose other books include The Brontesand Wordsworth: A Life in Letters.
How did it feel to hear Macbeth's witches chant of "double, double toil and trouble" at a time when magic and witchcraft were as real as anything science had to offer? How were justice and forgiveness understood by the audience who first watched King Lear; how were love and romance viewed by those who first saw Romeo and Juliet? In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard's era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare's audiences would have recognized. These moments of recognition often reflected the audience's own experiences of what it was to, as Hamlet says, "grunt and sweat under a weary life." Black's clear and sweeping approach seeks to reclaim Shakespeare from the ivory tower and make the plays' histories more accessible to the public for whom the plays were always intended.
"Two armies face off across a sodden plateau in northeastern France, each waiting for the other to make the first move. On one side are the English, suffering from dysentery and starvation, their numbers devastated. Arrayed against them is a rested and well-fed French army, a sea of burnished armor and menacing weaponry primed to slaughter the foolish invaders. Nevertheless, the charismatic and brilliant English king, twenty-eight-year-old Henry V, defies conventional military wisdom and leads his "band of brothers" forward. His troops are outnumbered six to one." "What follows is one of the most remarkable battles in history, celebrated for almost six centuries as the classic triumph of the underdog in the face of seemingly insurmountable odds. Immortalized by Shakespeare and by contemporary historians, the battle of Agincourt has been embellished and edited by the quill of unbridled nationalism. Now, drawing on a wide range of primary sources and original research, medievalist Juliet Barker casts aside the myth and shows us the truth behind Henry's invasion of France and the showdown at Agincourt. She paints a narrative of the entire campaign, from the preparations to the reaping of the spoils. We are there in the English camps as common men struggle to secure buckles and laces with numb fingers; in the French front lines as petulant noblemen squabble over positions in the vanguard; and in the deep mud as heavily armed knights stumble and struggle under a barrage of arrows so thick and fast that it darkens the skies." "Barker also takes us beyond the battlefield to bring into focus the dynamics of medieval life in peace and war. We meet ordinary and extraordinary people such as Margaret Merssh, a female blacksmith who forges arms in the Tower of London; Lord Grey of Codnor, who pawns his own armor to pay his soldiers' wages; and Raoul de Gaucourt, the gallant French knight who surrenders himself into English custody simply because the code of chivalry compels him to do so."--BOOK JACKET. Also includes information on archers, armour, chivalry, coats of arms, gunpowder, heralds, horses, knights, men at arms, prisoners, ships, tournaments, Tower of London, wine, women, etc.
This account of British life in the wake of World War I is “social history at its very best . . . insightful and utterly absorbing” (Minneapolis Star-Tribune). As the euphoria of Armistice Day in 1918 quickly subsided, there was no denying the carnage that the Great War had left in its wake. Grief and shock overwhelmed the psyche of the British people—but from their despair, new life would slowly emerge. For veterans with faces demolished in the trenches, surgeon Harold Gillies brings hope with his miraculous skin-grafting procedure. Women win the vote, skirt hems leap, and Brits forget their troubles at packed dance halls. And two years later, the remains of a nameless combatant would be laid to rest in the Tomb of the Unknown Soldier at Westminster Abbey, as “The Great Silence,” observed in memory of the countless dead, halted citizens in silent reverence. This history of two transformative years in the life of a nation features countless characters, from an aging butler to a pair of newlyweds, from the Prince of Wales to T. E. Lawrence, the real-life Lawrence of Arabia. The Great Silence depicts a nation fighting the forces that threaten to tear it apart and discovering the common bonds that hold it together. “A pearl of anecdotal history, The Great Silence is a satisfying companion to major studies of World War I and its aftermath . . . as Nicolson proceeds through the familiar stages of grief—denial, anger and acceptance—she gives you a deeper understanding of not only this brief period, but also how war’s sacrifices don’t end after the fighting stops.” —The Seattle Times “It may make you cry.” —The Boston Globe
THE TIMES NATURE BOOK OF THE YEAR 2019!Shortlisted for the Wainwright Golden Beer Book Prize!Shortlisted for the East Anglian Book Award 2019!If you enjoyed Raynor Winn's The Salt Path, Amy Liptrot's The Outrun, Chris Packham's Fingers in the Sparkle Jar or Helen MacDonald's H is for Hawk, you'll love The Easternmost House.Within the next few months, Juliet Blaxland's home will be demolished, and the land where it now stands will crumble into the North Sea. In her numbered days living in the Easternmost House, Juliet fights to maintain the rural ways she grew up with, re-connecting with the beauty, usefulness and erratic terror of the natural world.The Easternmost House is a stunning memoir, describing a year on the Easternmost edge of England, and exploring how we can preserve delicate ecosystems and livelihoods in the face of rapid coastal erosion and environmental change.With photographs and drawings featured throughout, this beautiful little book is a perfect gift for anyone with an interest in sustainability, nature writing or the Suffolk Coast.
The dramatic and shocking events of the Peasants' Revolt of 1381 are to be the backdrop to Juliet Barker's latest book: a snapshot of what everyday life was like for ordinary people living in the middle ages. The same highly successful techniques she deployed inAgincourt and Conquest will this time be brought to bear on civilian society, from the humblest serf forced to provide slave-labour for his master in the fields, to the prosperous country goodwife brewing, cooking and spinning her distaff and the ambitious burgess expanding his business and his mental horizons in the town. The book will explore how and why such a diverse and unlikely group of ordinary men and women from every corner of England united in armed rebellion against church and state to demand a radical political agenda which, had it been implemented, would have fundamentally transformed English society and anticipated the French Revolution by four hundred years. The book will not only provide an important reassessment of the revolt itself but will also be an illuminating and original study of English medieval life at the time.
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The war of 1812 is over, but for the inmates at Dartmoor Prison, peace—like home—is still a long way away.On New Year’s Eve 1814, the American sailors of the Eagle finally arrive at Dartmoor prison, bedraggled, exhausted, but burning with hope. They’ve only had one thing to sustain them during the har- rowing voyage—a snatched whisper overheard along the way. The war is finally over.Joe Hill thought he’d left the war outside these walls but it’s quickly clear that there’s a different type of fight to be had within. The seven prison blocks surrounding him have been segregated; six white and one black.Inspired by true events, this novel recounts the remarkable story of the first ever all-black Shakespeare production, staged by segregated American prisoners of war. It is a story of hope and freedom, of loss and suffering. It is a story about how sometimes, in our darkest hour, it can be the most unlikely of things that see us through.