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Jewish anarchism has long been marginalized in histories of anarchist thought and action. Anna Elena Torres and Kenyon Zimmer edit a collection of essays which recovers many aspects of this erased tradition. Contributors bring to light the presence and persistence of Jewish anarchism throughout histories of radical labor, women’s studies, political theory, multilingual literature, and ethnic studies. These essays reveal an ongoing engagement with non-Jewish radical cultures, including the translation practices of the Jewish anarchist press. Jewish anarchists drew from a matrix of secular, cultural, and religious influences, inventing new anarchist forms that ranged from mystical individualism to militantly atheist revolutionary cells. With Freedom in Our Ears brings together more than a dozen scholars and translators to write the first collaborative history of international, multilingual, and transdisciplinary Jewish anarchism.
Harriet Hemings, rumored to be the daughter of Thomas Jefferson and Sally Hemings, one of his black slaves, struggles with the problems facing her: to escape from the velvet cage that is Monticello, or to stay, and thus remain a slave
The forgotten legacy of religious Jewish anarchism, and the adventures and ideas of its key figures, finally comes to light in this book. Set in the decades surrounding both world wars, No masters but God identifies a loosely connected group of rabbis and traditionalist thinkers who explicitly appealed to anarchist ideas in articulating the meaning of the Torah, traditional practice, Jewish life and the mission of modern Jewry. Full of archival discoveries and first translations from Yiddish and Hebrew, it explores anarcho-Judaism in its variety through the works of Yaakov Meir Zalkind, Yitshak Nahman Steinberg, Yehudah Leyb Don-Yahiya, Avraham Yehudah Heyn, Natan Hofshi, Shmuel Alexandrov, Yehudah Ashlag and Aaron Shmuel Tamaret. With this ground-breaking account, Hayyim Rothman traces a complicated story about the modern entanglement of religion and anarchism, pacifism and Zionism, prophetic anti-authoritarianism and mystical antinomianism.
“A novel that vividly examines the struggle of enslaved people to find their freedom, dignity and self-worth as our country struggled.” —Michael Glaser, former Poet Laureate of Maryland We have the wolf by the ears, and we can neither hold him, nor safely let him go. —Thomas Jefferson During the War of 1812, thousands of enslaved people from plantations across the Tidewater rallied to the British side, turning against an American republic that had barred them from the promises of freedom and democracy. Set against the backdrop of rebellion and war, Wayne Karlin’s A Wolf by the Ears follows the interconnected stories of Towerhill and Sarai, two African slaves, and their master, Jacob Hallam. Educated side-by-side and inseparable as children, the three come of age as they are forced to grapple with—and break free of—the fraught linkage of black and white Americans and how differently each defines what it means to fight for freedom. Sarai and Jacob are caught in the tension between the dream of equality, the reality of slavery, and their own hearts, while Towerhill sits at the head of a company of black marines that is part of the force that takes Washington and watches the White House burn. “Wayne Karlin gives us a universe of well-honed, well-realized characters who . . . offer a new dimension about American slavery and what it did to us . . . He shows us war in language that makes him seem not just a storyteller but a witness. Karlin’s work is inspired, a gift, and a pure treasure.” —Edward P. Jones, winner of the Pulitzer Prize for The Known World
Davey, a blind student, refuses all help from his new classmates, even while playing kickball at recess, until they find a way to help without doing everything for him.
An innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States.
Vividly told and richly illustrated with more than 160 photos, this fascinating history of the cultural, religious, fraternal, economic, and everyday life of Chicago's Jews brings to life the people, events, neighborhoods, and institutions that helped shape today's Jewish communities. 15 maps. Graphs & tables.
Long a bastion of Jewish labor power, garment unions provided financial and political aid essential to founding and building the nation of Israel. Throughout the project, Jewish labor often operated outside of official channels as non-governmental organizations. Adam Howard explores the untold story of how three influential garment unions worked alone and with other Jewish labor organizations in support of a new Jewish state. Sewing the Fabric of Statehood reveals a coalition at work on multiple fronts. Sustained efforts convinced the AFL and CIO to support Jewish development in Palestine through land purchases for Jewish workers and encouraged the construction of trade schools and cultural centers. Other activists, meanwhile, directed massive economic aid to Histadrut, the General Federation of Jewish Workers in Palestine, or pressured the British and American governments to recognize Israel's independence. What emerges is a powerful account of the motivations and ideals that led American labor to forge its own foreign policy and reshape both the postwar world and Jewish history.
News reports bring to our ears daily stories of further intrusion in our lives and increased regulations too many to number. America is losing its heritage of God-given freedoms, which were originally derived from biblical teaching. We sense that our well-sung liberties are being lost to a point of no return. The Liberty Book examines the Christian roots of liberty, idolatry, taxation, foundations for freedom, the right to bear arms, the great freedom documents in history, pro-life and liberty, land rights, social involvement, and more. With God’s help freedom can be revived. We must all work to pull America back from the cliffs-edge fall into tyranny. Our nation is again in search of genuine liberty under God. Discover what Bible-based liberty looks like and how it can be won for you and your children.
ONE OF TIME'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR, Bustle, Good Housekeeping, the New York Public Library, Library Journal, Lit Hub, Electric Literature, and Tor.com "As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” —Sigrid Nunez, author of The Friend, winner of the 2018 National Book Award for Fiction An urgent and unsettling collection of women on the verge from Laura van den Berg, author of The Third Hotel I Hold a Wolf by the Ears, Laura van den Berg’s first story collection since her prizewinning book The Isle of Youth, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves. In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother. I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.