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“This richly layered novel” from the acclaimed author of The Dress Lodger explores Americana, witchcraft, love, and betrayal (People, starred review). As a child growing up in Depression-era rural Virginia, Eddie Alley’s quiet life is rooted in the rumors of his mother’s witchcraft. But when an outsider violently disrupts the spell of his mother’s unorthodox life, Eddie is inspired to pursue a future beyond the confines of his dead-end town. He leaves for New York and becomes a television horror-movie presenter beloved for his kitschy comedy. When he opens his family’s door to a homeless teenager working as an intern at the TV station, the boy’s presence not only awakens something in Eddie, but also in his twelve-year-old daughter, Wallis, who has begun to feel a strange kinship to her notorious grandmother. As the ghost stories of one generation infiltrate the next, Wallis and Eddie grapple with the sins of the past in this gripping novel that “explores the dark vein of magic that runs just beneath our real lives” (The New York Times Book Review). “Holman is a master of the miniature. She uses tiny, achingly accurate details to bring each moment to life on the page; her sentences sing . . . [her] most ambitious and successful yet.” —People, starred review “Holman has an imagination that is both capacious and meticulous, and by turns somber and antic . . . Witches on the Road Tonight is a path into her work that beckons, with strange lights and mysterious apparitions.” —Jane Smiley, Los Angeles Review of Books “Mysterious, beautiful, and immediately engrossing . . . A tour de force of meticulous research brought urgently to life by headlong, transporting prose.” —Jennifer Egan, author of Manhattan Beach and A Visit From the Goon Squad
“This richly layered novel” from the acclaimed author of The Dress Lodger explores Americana, witchcraft, love, and betrayal (People, starred review). As a child growing up in Depression-era rural Virginia, Eddie Alley’s quiet life is rooted in the rumors of his mother’s witchcraft. But when an outsider violently disrupts the spell of his mother’s unorthodox life, Eddie is inspired to pursue a future beyond the confines of his dead-end town. He leaves for New York and becomes a television horror-movie presenter beloved for his kitschy comedy. When he opens his family’s door to a homeless teenager working as an intern at the TV station, the boy’s presence not only awakens something in Eddie, but also in his twelve-year-old daughter, Wallis, who has begun to feel a strange kinship to her notorious grandmother. As the ghost stories of one generation infiltrate the next, Wallis and Eddie grapple with the sins of the past in this gripping novel that “explores the dark vein of magic that runs just beneath our real lives” (The New York Times Book Review). “Holman is a master of the miniature. She uses tiny, achingly accurate details to bring each moment to life on the page; her sentences sing . . . [her] most ambitious and successful yet.” —People, starred review “Holman has an imagination that is both capacious and meticulous, and by turns somber and antic . . . Witches on the Road Tonight is a path into her work that beckons, with strange lights and mysterious apparitions.” —Jane Smiley, Los Angeles Review of Books “Mysterious, beautiful, and immediately engrossing . . . A tour de force of meticulous research brought urgently to life by headlong, transporting prose.” —Jennifer Egan, author of Manhattan Beach and A Visit From the Goon Squad
"Remarkable.… Ekirch has emptied night's pockets, and laid the contents out before us." —Arthur Krystal, The New Yorker Bringing light to the shadows of history through a "rich weave of citation and archival evidence" (Publishers Weekly), scholar A. Roger Ekirch illuminates the aspects of life most often overlooked by other historians—those that unfold at night. In this "triumph of social history" (Mail on Sunday), Ekirch's "enthralling anthropology" (Harper's) exposes the nightlife that spawned a distinct culture and a refuge from daily life. Fear of crime, of fire, and of the supernatural; the importance of moonlight; the increased incidence of sickness and death at night; evening gatherings to spin wool and stories; masqued balls; inns, taverns, and brothels; the strategies of thieves, assassins, and conspirators; the protective uses of incantations, meditations, and prayers; the nature of our predecessors' sleep and dreams—Ekirch reveals all these and more in his "monumental study" (The Nation) of sociocultural history, "maintaining throughout an infectious sense of wonder" (Booklist).
This whip-smart piece of pop culture details the life of the cult horror figure, as well as the much wider story of 1950s America, its treatment of women and sex, and a fascinating swath of Hollywood history. In Vampira, Poole gives us the eclectic life of the dancer, stripper, actress, and artist Maila Nurmi, who would reinvent herself as Vampira during the backdrop of 1950s America, an era of both chilling conformity and the nascent rumblings of the countercultural response that led from the Beats and free jazz to the stirring of the LGBT movement and the hardcore punk scene in the bohemian enclave along Melrose Avenue. A veteran of the New York stage and late nights at Hollywood's hipster hangouts, Nurmi would eventually be linked to Elvis, Orson Welles, and James Dean, as well as stylist and photographer Rudi Gernreich, founder of the Mattachine Society and designer of the thong. Thanks to rumors of a romance between Vampira and James Dean, his tragic death inspired the circulation of stories that she had cursed him and, better yet, had access to his dead body for use in her dark arts. In Poole's expert hands, Vampira is more than the story of a highly creative artist continually reinventing herself, but a parable of the runaway housewife bursting the bounds of our straight-laced conventions with an exuberant display of camp, sex, and creative individuality that owed something to the morbid New Yorker cartoons of Charles Addams, the evil queen from Disney's Snow White, and the popular, underground bondage magazine Bizarre, and forward to the staged excesses of Madonna and Lady Gaga. Vampira is a wildly compelling tour through a forgotten piece of pop cultural history, one with both cultish and literary merit, sure to capture the imagination of Vampira fans new and old.
SHORTLISTED for the 2011 Man Booker Prize for Fiction A thrilling and powerful novel about a young boy lured to sea by the promise of adventure and reward, with echoes of Great Expectations, Moby-Dick, and The Voyage of the Narwhal. Jamrach’s Menagerie tells the story of a nineteenth-century street urchin named Jaffy Brown. Following an incident with an escaped tiger, Jaffy goes to work for Mr. Charles Jamrach, the famed importer of exotic animals, alongside Tim, a good but sometimes spitefully competitive boy. Thus begins a long, close friendship fraught with ambiguity and rivalry. Mr. Jamrach recruits the two boys to capture a fabled dragon during the course of a three-year whaling expedi­tion. Onboard, Jaffy and Tim enjoy the rough brotherhood of sailors and the brutal art of whale hunting. They even succeed in catching the reptilian beast. But when the ship’s whaling venture falls short of expecta­tions, the crew begins to regard the dragon—seething with feral power in its cage—as bad luck, a feeling that is cruelly reinforced when a violent storm sinks the ship. Drifting across an increasingly hallucinatory ocean, the sur­vivors, including Jaffy and Tim, are forced to confront their own place in the animal kingdom. Masterfully told, wildly atmospheric, and thundering with tension, Jamrach’s Mena­gerie is a truly haunting novel about friendship, sacrifice, and survival.
A Barnes & Noble Discover Great New Writers Selection * An Indie Next Pick * An Indies Introduce Selection * One of Reader’s Digest’s Best Summer Books of 2019 * One of The Millions’ Most Anticipated Books of 2019 * One of Real Simple’s Best Books of 2019 “[This] might be the most optimistic post-apocalyptic story ever written. It’s Sleepless in Seattle meets Station Eleven.” —The A.V. Club Carson is on the East Coast when the electrical grid goes down. Desperate to find Beatrix, a woman on the West Coast who holds his heart, he sets off along a cross-country railroad line, where he encounters lost souls, clever opportunists, and those seeking salvation. Meanwhile, Beatrix and her neighbors begin to construct a cooperative community, working to turn the end of the world into the possibility of a bright beginning. Without modern means of communication, will Beatrix and Carson be able to find their way to each other? The answer may lie with one fifteen-year-old girl, whose actions could ultimately decide the fate of the lovers. The Lightest Object in the Universe is a moving story about adaptation and the power of community, imagining a world where our best traits, born of necessity, can begin to emerge.
Welcome to Witches Mountain. Streetwise Rick Johnson takes a detour suggested by a strange hillbilly, forcing him to leave the trusted highway and onto a virtually unknown mountain road. This leads him to the Black Mountain, a part of the world he has never before visited. The path of his journey challenges everything he thinks he knows of the world. Who would ever contemplate traveling back into the history of a mountain and its people? Who would expect to meet and talk to people long dead or nearly get himself killed by a phantom truck or come face-to-face with unworldly creatures intent on tasting his blood? Then there is his experience of a supernatural cleansing inferno. How can he deal with traveling back and forth in time without going just a little crazy? Maybe its Kate, the beautiful green-eyed blonde in the old township who makes it possible, or is it the influence of the Spirit of Good on the mountain in its battle with the evil forces there? What is all the talk of a direct line of females since the seventeenth century who have the Talent, and does the lovely Kate have it too? Who is Granma Roberta? What has she to do with things? Is there really a contact back to Salem? Things soon become apparent as to why Rick finds himself on The Mountain, as its residents reverentially refer to it. To the distant valley dwellers, it is known as something rather more mysterious: Witches Mountain.
DIVUncommonly smart, uncommonly strange, Hannah is determined to become a success/divDIV In the one-room schoolhouse at Chadds Ford, Hannah Bennett is a sensation. She is a whiz at math—so adept that she teaches the other students—but in reading, she is a flop. Give her a piece of poetry and she can tell you how many As, how many Es, how many Rs there are in it—but she cannot read a word. Her talent is amazing, but in this small town during the Great Depression, people think that girls will only use math for household budgeting./divDIV /divDIVAll at once, everything changes for Hannah when she is invited to study math in the big city of Philadelphia. This illiterate farm girl will undertake the adventure of a lifetime, in hopes of winning a university scholarship. As long as she stays true to herself, there is nothing—not reading, writing, or the city of Philadelphia—that is beyond Hannah’s reach./divDIV /divDIVThis ebook features a personal history by Adele Griffin including rare images and never-before-seen documents from the author’s own collection./div
“A thrilling story of seduction, betrayal, and loss, Freud’s Mistress will titillate fans of Memoirs of a Geisha and The Other Boleyn Girl.”—Booklist In fin-de-siècle Vienna, it was not easy for a woman to find fulfillment both intellectually and sexually. But many believe that Minna Bernays was able to find both with one man—her brother-in-law, Sigmund Freud. At once a portrait of two sisters—the rebellious, independent Minna and her inhibited sister, Martha—and of the compelling and controversial doctor who would be revered as one of the twentieth century’s greatest thinkers, Freud’s Mistress is a novel rich with passion and historical detail and “a portrait of forbidden desire [with] a thought-provoking central question: How far are you willing to go to be happy?”* *Publishers Weekly
Doors open at 7. The sacrifice is at 9. The dress code is, as usual, black tie. It's the winter solstice in a Philadelphia that has been eroded by extreme weather, economic collapse, and disease-carrying mosquitoes. The Saturnalia carnival is about to begin - an evening on which nearly everyone, rich or poor, forgets their troubles for a moment. For Nina, Saturnalia is simply a cruel reminder of the night that changed everything for her. It's now three years since she walked away from the elite Saturn Club, with its genteel debauchery, arcane pecking order, and winking interest in alchemy and the occult. Since then, she's led an isolated life, eking out a living telling fortunes with her Saturn Club tarot deck. But when she gets a chance call from Max, her last remaining friend from the Saturn Club, Nina will put on a dress of blackest black and attend the Club's wild solstice masquerade, the biggest party of the year, on a mysterious errand she can't say no to. Before the night is over, she will become the custodian of a horrifying secret - and the target of a mysterious hunter. As Nina runs across an alternate Philadelphia balanced on a knife's edge between celebration and catastrophe - through parades, worship houses, museums, hidden mansions, and the place she once called home - she's forced to confront her past so she can finally take charge of her own, and perhaps everyone else's, future. A wholly original blend of feminism, cli-fi, suspense and magical realism, Saturnalia is a story about environmental collapse and class warfare, trauma and rebirth, and magic – the extraordinary, ancient magic of alchemy and the ordinary, timeless magic of bravery and forgiveness. 'A heady mix of the most terrifying elements of our troubled past and inevitable future; an eerie, propulsive novel - Carmen Maria Machado 'An unusual blend of thriller, alchemical fantasy and climate apocalypse, it's a wild, entertaining ride' - Guardian 'October demands that gothic, autumnal read and Saturnalia is it... This has it all: magic, mystery, a fierce female protagonist, and a fact paced plot that will keep you turning the pages' - Glamour (Best New Books for October) 'A propulsive mystery-thriller... Future Philly falls somewhere between steampunk and cyberpunk - baroque, pungent, stratified, crumbling - and Feldman gives its plight considerable emotional charge by making it feel real and lived-in' - SFX Magazine 'A chilling tale of alchemy and corruption... Saturnalia is both dazzlingly inventive and full of spine-tingling menace' - Washington Post 'Taking place over one evening, this book should be devoured quickly, like the sinful treat that it is' - CrimeReads 'Saturnalia was worth the wait. Feldman spins a web of intrigue and wonder across a city beset by dark powerbrokers, climate upheaval, deadly mosquitos, and lavishly costumed pagan social clubs marching down Broad Street in celebration of the winter solstice' - Philadelphia Inquirer 'Tense and suspenseful, Saturnalia features strong world-building and a fully realized heroine... It will appeal to fans of Leigh Bardugo’s Ninth House, while the book may also draw in readers of climate horror such as Omar El Akkad's American War or Jeff VanderMeer's Southern Reach trilogy' - Booklist