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From the bestselling author of the Blue Bloods and The Descendants series comes a fun primer on the witches of East End! The first in the Beauchamp Series, the book features a brand-new cast of characters, a fascinating and fresh world to discover, and a few surprise appearances from some of the Blue Blood fan favorites. It's a page-turning, heart-stopping, magical summer read, fraught with love affairs, witchcraft, and an unforgettable battle between good and evil. But before you read the book, meet the Witches! In this primer, you'll meet the three Beauchamp women -- Joanna, Ingrid, and Freya -- learn a little bit about their special powers, and even get some tips so you can cast a few spells of your own.
You could be the target of a spell or curse and not even know it! All people, witches or not, are susceptible to these attacks. The difference: witches and magicians can do something about it. Now you can too. Protection & Reversal Magick is a complete how-to manual on preventing, defending, and reversing magickal attacks of any kind. You will learn to: Set up early-warning systems. Appease angry spirits through offerings. Perform daily banishings and make amulets that will prevent most attacks. Make magickal “decoys” to absorb attacks against you Summon guardian spirits or gods for help. Bind, confuse, or expel a persistent enemy who will not leave you be. These techniques aren't just for witches, either, but for ceremonial magicians, rootdoctors, and anyone else who puts magick to a practical use. Like the cunning men and women of old, now you can defend yourself and your loved ones against even the strongest attacks! “This book is not only one of my favorite books on ‘defense against the dark arts’, but is actually one of my favorite books in my whole library. Throughout the book Jason provides not only on protection, but also on recognizing the symptoms of attack and creating early warning system to alert you of magickal attacks.” —Mat Auryn, author of Psychic Witch
Magical phenomenon, pagan worship, sorcery, and religion have all at one time been thought of as witchcraft. Witches, were labeled magical wizards, or sorcerers who had powers to conjure ill feeling or will toward non-magical people. These ideas predate the Anglo-Saxon period. This engaging and meticulously illustrated atlas reveals cultural ideas, from a global perspective, about witches and witchcraft, their place in their society, and the sometimes cruel punishments they were subjected to. Sidebars and boxes highlight interesting facts, glossary, an index, and resources for further study conclude this fascinating book.
In Sanctifying Misandry, Katherine Young and Paul Nathanson challenge an influential version of modern goddess religion, one that undermines sexual equality and promotes hatred in the form of misandry - the sexist counterpart of misogyny. To set the stage, The authors discuss two massively popular books - Dan Brown's the Da Vinci Code and Riane Eisler's the Chalice And The Blade - both of which rely on a feminist conspiracy theory of history. They then show how some goddess feminists and their academic supporters have turned what Christians know as the Fall of Man into the fall of men. In the beginning, according to three "documentary" films, our ancestors lived in an egalitarian paradise under the aegis of a benevolent great goddess. But men either rebelled or invaded, replacing the goddess with gods and establishing patriarchies that have oppressed women ever since. In the end, however, women will restore the goddess and therefore paradise as well. The book concludes with several case studies of modern goddess religion and its effects on mainstream religion. Young and Nathanson show that we can move beyond not only both gynocentrism and androcentrism but also both misandry and misogyny.
From the shelves of mainstream bookstores and the pages of teen magazines, to popular films and television series, contemporary culture at the turn of the twenty-first century has been fascinated with teenage identity and the presence of magic and the occult. Alongside this profusion of products and representations, a global network of teenage Witches has emerged on the margins of adult neopagan Witchcraft communities, identifying themselves through various spiritual practices, consumption patterns and lifestyle choices. The New Generation Witches is the first published anthology to investigate the recent rise of the teenage Witchcraft phenomenon in both Britain and North America. Scholars from Theology, Cultural Studies, Sociology, History and Media Studies, along with neopagan commentators outside of the academy, come together to investigate the experiences of thousands of adolescents constructing an enabling, magical identity through a distinctive practice of Witchcraft. The contributors discuss key areas of interest, inspiration and development within the teen Witch communities from the mid 1990s onward, including teenage Witches' magical practices and beliefs, gender politics, the formation and identification of communities, forums and modes of expression, media representation and new media outlets. Demonstrating the diversification and expansion of neopaganism in the twenty-first century, this anthology makes an exciting contribution to the field of Neopagan Studies and contemporary youth cultures.
In Medieval Worlds: Barbarians, Heretics, and Artists, medieval historian Arno Borst offers at once an imaginatively narrated tour of medieval society. Issues of language, power, and cultural change come to life as he examines how knights, witches and heretics, monks and kings, women poets, and disputatious university professors existed in the medieval world. Clearly interested in the forms of medieval behavior which gave rise to the seeds of modern society, Borst focuses on three in particular that gave momentum to medieval religious, social, and intellectual movements: the barbaric, heretical, and artistic. Borst concludes by reflecting on his own life as a scholar and draws out lessons for us from the turbulence of the Middle Ages.
Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.
Daughters of Hecate unites for the first time research on the problem of gender and magic in three ancient Mediterranean societies: early Judaism, Christianity, and Graeco-Roman culture. The book illuminates the gendering of ancient magic by approaching the topic from three distinct disciplinary perspectives: literary stereotyping, the social application of magic discourse, and material culture. The authors probe the foundations of, processes, and motivations behind gendered stereotypes, beginning with Western culture's earliest associations of women and magic in the Bible and Homer's Odyssey. Daughters of Hecate provides a nuanced exploration of the topic while avoiding reductive approaches. In fact, the essays in this volume uncover complexities and counter-discourses that challenge, rather than reaffirm, many gendered stereotypes taken for granted and reified by most modern scholarship. By combining critical theoretical methods with research into literary and material evidence, Daughters of Hecate interrogates a false association that has persisted from antiquity, to early modern witch hunts, to the present day.
This comprehensive resource explores the intersection of religion, politics, and the supernatural that spawned the notorious witch hunts in Europe and the New World. Witch Hunts in the Western World: Persecution and Punishment from the Inquisition through the Salem Trials traces the evolution of western attitudes towards magic, demons, and religious nonconformity from the Roman Empire through the Age of Enlightenment, placing these chilling events into a wider social and historical context. Witch hunts are discussed in eight narrative chapters by region, highlighting the cultural differences of the people who incited them as well as the key reforms, social upheavals, and intellectual debates that shaped European thought. Vivid accounts of trials and excerpts from the writings of both witch hunters and defenders throughout the Holy Roman Empire, France, the British Isles and colonies, Southern Europe, Scandinavia, and Eastern Europe bring to life one of the most intriguing and shocking periods in Western history. This in-depth and comprehensive resource explores the intersection of religion, politics, and the supernatural that spawned the notorious witch hunts in Europe and the New World. Witch Hunts in the Western World traces the evolution of western attitudes towards magic, demons, and religious nonconformity from the Roman Empire through the Age of Enlightenment, placing these chilling events into a wider social and historical context. Witch hunts are discussed in fascinating detail by region, highlighting the cultural differences of the people who incited them as well as the key reforms, social upheavals, and intellectual debates that shaped European thought. Vivid accounts of trials and excerpts from the writings of both witch hunters and defenders throughout the Holy Roman Empire, France, the British Isles and colonies, Southern Europe, Scandinavia, and Eastern Europe bring to life one of the most intriguing and shocking periods in Western history. Accessible narrative chapters make this a fascinating volume for general readers while offering a wealth of historic information for students and scholars. Features include a complete glossary of terms, timeline of major events, recommended reading selections, index, and black and white illustrations.
A popular new image of Witches has arisen in recent years, due largely to movies like The Craft, Practical Magic, and Simply Irresistible and television shows such as Buffy the Vampire Slayer, Sabrina the Teenage Witch, and Charmed. Here, young sexy Witches use magic and Witchcraft to gain control over their lives and fight evil. Then there is the depiction in the Harry Potter books: Witchcraft is a gift that unenlightened Muggles (everyday people) lack. In both types of portrayals, being a Witch is akin to being a superhero. At the other end of the spectrum, wary adults assume that Witches engage in evil practices that are misguided at best and dangerous at worst. Yet, as Helen A. Berger and Douglas Ezzy show in this in-depth look into the lives of teenage Witches, the reality of their practices, beliefs, values, and motivations is very different from the sensational depictions we see in popular culture. Drawing on extensive research across three countries--the United States, England, and Australia--and interviews with young people from diverse backgrounds, what they find are highly spiritual and self-reflective young men and women attempting to make sense of a postmodern world via a religion that celebrates the earth and emphasizes self-development. The authors trace the development of Neo-Paganism (an umbrella term used to distinguish earth-based religions from the pagan religions of ancient cultures) from its start in England during the 1940s, through its growing popularity in the decades that followed, up through its contemporary presence on the Internet. Though dispersed and disorganized, Neo-Pagan communities, virtual and real, are shown to be an important part of religious identity particularly for those seeking affirmation during the difficult years between childhood and adulthood.