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_______________ 'If you have a budding fashionista at home, and want to encourage creativity as well as reading, this is a perfect book to do just that and a great, fun read' - Reading Activist _______________ Your favourite Witch Wars witches (and Fran the fairy!) are back to take you behind the scenes in this brilliant companion to the series... This hilarious companion story sits alongside the main Witch Wars series as a standalone title, and is full of character profiles, facts and activities to fascinate fans and give them everything they need to create their very own Witch Wars party. Tiga and friends are famous throughout Sinkville for their part in the Witch Wars competition, but there's so much more of Sinkville to discover! Now, Ritzy City's Top Witch Peggy Pigwiggle has asked Tiga and Fran to make a TV documentary about the most interesting witches in town – with Fluffanora helping out as fashion adviser. But whilst Tiga enjoys making the documentary, she can't help but feel there's something going on behind her back ...
A small percentage of people have clear pronunciation in oral communication. Everyone knows about its importance, but are unable to put required efforts to improve their pronunciation in their spoken language. Most people also lack the required tools and techniques to bring clarity in their speech.This book would act as one of the tools to bridge the gap to achieve exceptional oratory from basic or below average levels.
A small percentage of people have clear pronunciation in oral communication. Everyone knows about its importance, but are unable to put required efforts to improve their pronunciation in their spoken language. Most people also lack the required tools and techniques to bring clarity in their speech. This book would act as one of the tools to bridge the gap to achieve exceptional oratory from basic or below average levels. Quality in words pronunciation is appreciated by all, irrespective of the spoken language. That is necessary for fine and effective speech, which is required in all professional and personal endeavors. Many capable people fail to achieve their potential due to lack of good communication skills. An effective way to deliver the ideas and messages is a must for personal and professional success. This fact had always been correct, it is true now and it will remain valid in the distant future. According to Oxford dictionary a ‘Tongue Twister’ is “a sequence of words or sounds, typically of an alliterative kind, that is difficult to pronounce quickly and correctly, as, for example, ‘tie twine to three tree twigs’.” We have created and collected a large list of alliteration and tongue twisters for the readers looking for speech challenges and fun.
How much squash could a Sasquatch squish, if a Sasquatch could squish squash? How much juice does a fruit juice producer produce when a fruit juice producer produces fruit juice? We can deduce a fruit juice produces as much juice as a fruit juice produce can seduce from the fruit that produces juice. This LOL Tongue Twisters Collection book is an unmatched collection of funny phrases, ridiculous rhymes and silly sentences that will have kids playing and laughing for hours. Tongue twisters are phrases that are challenging to properly articulate which is what makes them so much fun! Tongue twisters are also excellent vehicles for word, phrase and language practice but much more fun than traditional means of learning. The perfect gift idea for any child to further inspire reading and laughter with friends and family. This new collections contains over 250 tongue twisters and a bonus riddles section with 101 Riddles. Recommended for ages 7 – 12 and big kids (adults) who don’t take themselves too seriously!
Tongue twisters are usually a set of words arranged in a particular way so as to make the movement of tongue, jaws and lips, making it difficult to read. Tongue twisters when read swiftly might end up in mispronunciations, confusions and mistakes by the speaker which will make the listeners giggle. Beside the fun side, they are of great help to improve your pronunciation and fluency over the language. Lets have a journey through some beautiful tongue twisters...
“Oh moon so full, round, and bright We beg one favor of you tonight For witches who tattle, witches who snitch, Tie their tongues, zip their lips! No witch shall squeal or tell on friends. This spell will be broken when the snitching ends!” Tattling is an all too familiar occurrence among children that can have harmful impacts on friends and relationships. This spellbinding story encourages children to examine the difference between snitching and telling, and the impact of their words on others. Includes a Note to Parents and Caregivers with more information about snitching versus telling and what adults can do to help.
Dive back into the UNIverse with Neon for another goo-tastic adventure from Sibéal Pounder, the bestselling author of the Witch Wars and Bad Mermaids series Now a fully-fledged unicorn (no, not the horse kind, the ultra-powerful human-looking kind), Neon Gallup is LOVING her secret double life in the extraordinary UNIverse, creating goo-powered magic and going on adventures with her unicorn friends. Little does she know that she has been spotted opening a portal by none other than the neighbourhood unicorn hunter, Priscilla. Now that she's seen Neon's portal opener, Priscilla is determined to steal it and destroy unicorns once and for all. With the unicorn hunters closing in on all sides, will Neon discover the sinister plot in time to save the day once again?
_______________ 'I adored not-at-all normal Neon and her madcap adventure' - Joanna Nadin, author of The Worst Class in the World series 'Fun, funny, magical and fizzing with imagination' - Sophie Anderson, author of The House with Chicken Legs _______________ Get ready to discover the real story behind unicorns in the first in a brilliant new series from Sibéal Pounder, bestselling author of the Witch Wars and Bad Mermaids series Unicorns are NOT horse creatures with horns. In fact, they are the most powerful magical beings on the planet and they look just like you and me. They live in a secret realm known as the Universe, and the horse with a horn thing was just something a unicorn called Greg made up to distract the humans – and it really worked! But a young human girl called Neon Gallup is about to find the last remaining Universe portal opener (an old, battered green lipstick) and step into a zany world where magic is made with goo and the possibilities are endless! Unfortunately, if there was one person you wouldn't want keeping the greatest magical secret of all time, it would be Neon Gallup ...
_______________ 'You'll laugh your tail off' - Rob Biddulph _______________ The fourth book in the hilarious Bad Mermaids series for kids aged 7+, from the bestselling author of Witch Wars Meri Pebble, professional spy mermaid, has a new mission. She's going to be a personal assistant to the Sushi Sisters (famous for their notorious appearance on reality TV programme Catwalk Prawn, and for driving around in a submarine shaped like a giant bit of sushi). Beattie, Mimi, Zelda and Steve the talking seahorse are coming along for the ride as the least convincing glam squad ever. Meanwhile, on land, their human friend Paris is moving from California to a castle in Scotland complete with a loch rumoured to be haunted by a mermaid. The gang soon realise there's something o-fish-ally fishy about the Sushi Sisters – but could it lead them all the way to Paris's loch? And what has the loch got to do with things like mercats and hamstars (half hamster, half starfish)? Things are getting sea-riously weird in the fourth book in Sibéal Pounder's Bad Mermaids series!
For most people in rural South Africa, traditional justice mechanisms provide the only feasible means of accessing any form of justice. These mechanisms are popularly associated with restorative justice, reconciliation and harmony in rural communities. Yet, this ethnographic study grounded in the political economy of rural South Africa reveals how historical conditions and contemporary pressures have strained these mechanisms’ ability to deliver the high normative ideals with which they are notionally linked. In places such as Msinga access to justice is made especially precarious by the reality that human insecurity – a composite of physical, social and material insecurity – is high for both ordinary people and the authorities who staff local justice forums; cooperation is low between traditional justice mechanisms and the criminal and social justice mechanisms the state is meant to provide; and competition from purportedly more effective ‘twilight institutions’, like vigilante associations, is rife. Further contradictions are presented by profoundly gendered social relations premised on delicate social trust that is closely monitored by one’s community and enforced through self-help measures like witchcraft accusations in a context in which violence is, culturally and practically, a highly plausible strategy for dispute management. These contextual considerations compel us to ask what justice we can reasonably speak of access to in such an insecure context and what solutions are viable under such volatile human conditions? The book concludes with a vision for access to justice in rural South Africa that takes seriously ordinary people’s circumstances and traditional authorities’ lived experiences as documented in this detailed study. The author proposes a cooperative governance model that would maximise the resources and capacity of both traditional and state justice apparatus for delivering the legal and social justice – namely, peace and protection from violence as well as mitigation of poverty and destitution – that rural people genuinely need.