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"Humor enriches our lives, but it can also raise moral trouble. Is humor that relies on deception, maliciousness, or stereotyping always immoral? Does motive matter in determining the moral value of a joke? Why are certain topics out of bounds for humor? In Wisecracks, philosopher David Shoemaker delves into the fascinating relationship between humor and morality in our everyday lives. In this book, Shoemaker sets aside the crafted forms of humor we find in comedy specials, TV skits, and more and focuses on the informal, improvised wit that occurs in interpersonal relationships-such as teasing, mockery, and pranks-known as wisecracks. The key difference between wisecracks and jokes? Jokes are told, whereas wisecracks are made. Sometimes wisecracks involve lying, sometimes they are mean, and sometimes they play on racial or sexual stereotypes. Shoemaker untangles the intricate threads of when and why these immoral qualities are or aren't acceptable in humor. In showing how a well-developed sense of morality is central to a good sense of humor (and how to develop each), Wisecracks makes the case for how humor can heal, even when it takes a hurtful form"--
Although Hollywood did not invent the wisecrack, moviemakers, screenwriters, and actors have crafted pinpoint put-downs and split-second come-ons into an art form. This thematically arranged (and thoroughly indexed) collection of classic, comic one-liners features hundreds of celluloid icons, including Mae West, W. C. Fields, and Groucho Marx. Encompassing all film genres from frothy musicals to hard-boiled noir, run-of-DeMille epics to Looney Tunes cartoons, Wisecracks features the finest of classic film comebacks that are guaranteed to delight every film fan.
Humorous animal photos are captioned with witty one-liners that touch on virtually every aspect of our lives. The threefold purpose of this clever little gift book is to provoke a smile, remind the reader of typical human foibles, and inspire readers to recognize something of themselves in the humorous phrases. For instance, a typical photo shows a family of lazy walruses lounging at the seashore, and the accompanying caption reads: ï¿1/2Exercise is a dirty word. Every time I hear it, I wash my mouth out with chocolate.ï¿1/2 Close-up, black-and-white photos appear on every two-page spread, and each cleverly-captioned picture reminds us that animals and human beings have more in common than we sometimes like to admit.
This book delves into the controversial actions of British prisoners of war during World War II, exploring cases of alleged betrayal, collaboration, and espionage. During the Second World War over 200,000 British prisoners of war were detained by the Third Reich. A large proportion of these PoWs were members of the Royal Air Force, or airmen who served in it. A number of them have been immortalised in the many books and movies that have portrayed their valiant exploits and escapes, none more so than the events surrounding the Great Escape in 1944. The names of camps such as Stalag Luft III, at Sagan, and Colditz Castle are well known to the general public, the prisoners incarcerated there often being held in high regard. But there were a few PoWs whose loyalty to the cause and their fellow prisoners might not have been as strong. The names of Pilot Officer Railton Freeman, Sergeant Jack Alcock and Sergeant Raymond Hughes are among those found in that inglorious group of alleged traitors, for all three men betrayed their colleagues and the nation. The trio assisted the Nazi regime in making radio broadcasts, or even joining the British Frei Korps, a unit of the dreaded SS. One gave information about the Monica radar system to the Luftwaffe, and others got fellow prisoners to divulge information on fake Red Cross forms. Other prisoners such as Flight Lieutenant Julius Zuromski and Squadron Leader Robert George Carpenter also came under suspicion when reports began to arrive at MI9 in London. Enquiries were subsequently undertaken by the RAF Special Investigation Branch and MI5 – investigations that would ultimately lead to the imprisonment of some and the release of others. What these men did and why some were prosecuted, and others were released without charge, is examined by the author. Why one man in particular, an ardent Nazi and traitor, was not sentenced to death, having liaised with the likes of the infamous William Joyce, also known as ‘Lord Haw Haw’, and even Josef Goebbels, is a mystery to this day. Sadly, not all our aviators were heroes. But there has long been debate that some of them might have actually been working for the Security Services. So, were these men traitors who collaborated with Hitler’s Third Reich, or agents working for the British State?
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Nils Bothmann applies antiessentialist genre theory to study the fusion of the action and the detection genre in the hybrid genre of detAction, focusing on the work of screenwriter and director Shane Black. After providing antiessentialist definitions of all three genres, the author undertakes close readings of Black’s work in order to analyze depictions of race and gender as well as the role of intermediality and genre hybridity in detAction.​
An authoritative guide to the action-packed film genre With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Filmprovides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre’s historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it has and continues to embody. A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits; considers the impact of major directors and stars on the genre’s evolution; puts the action film in dialogue with various technologies and other forms of media such as graphic novels and television; and maps out new avenues of critical study for the future. This important resource: Offers a definitive guide to the action film Contains insightful contributions from a wide range of international film experts and scholars Reviews the evolution of the genre from the silent era to today’s age of digital blockbusters Offers nuanced commentary and analysis of socio-cultural issues such as race, nationality, and gender in action films Written for scholars, teachers and students in film studies, film theory, film history, genre studies, and popular culture, A Companion to the Action Film is an essential guide to one of international cinema’s most important, popular, and influential genres.
Brent Spiner’s explosive and hilarious novel is a personal look at the slightly askew relationship between a celebrity and his fans. If the Coen Brothers were to make a Star Trek movie, involving the complexity of fan obsession and sci-fi, this noir comedy might just be the one. Set in 1991, just as Star Trek: The Next Generation has rocketed the cast to global fame, the young and impressionable actor Brent Spiner receives a mysterious package and a series of disturbing letters, that take him on a terrifying and bizarre journey that enlists Paramount Security, the LAPD, and even the FBI in putting a stop to the danger that has his life and career hanging in the balance. Featuring a cast of characters from Patrick Stewart to Levar Burton to Trek creator Gene Roddenberry, to some completely imagined, this is the fictional autobiography that takes readers into the life of Brent Spiner, and tells an amazing tale about the trappings of celebrity and the fear he has carried with him his entire life. Fan Fiction is a zany love letter to a world in which we all participate, the phenomenon of “Fandom.”