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A heartening and engaging guide to the surprising gifts of later life, based on ancient stories, recent research, elder's lived experience, the world's spiritual traditions, and the author's thirty-plus years as a psychology professor and psychotherapist.
Filled with unexpected good news about growing older, Winter’s Graces highlights eleven qualities that ripen with age—including audacious authenticity, creative ingenuity, necessary fierceness, self-transcending generosity, and a growing capacity to savor life and to ride its ups and downs with humor and grace. Decades of research have established that the catastrophic conditions often associated with late life, such as severe dementia and debilitating frailty, are the exception, not the rule. Still, the mistaken idea that aging equals devastating decline persists, causing enormous and unnecessary suffering, especially for women. Drawing on decades of experience as a psychology professor and psychotherapist, Susan Stewart, PhD, weaves together inspiring folk stories that illustrate the graces of winter and recent research that validates them, along with a wealth of user-friendly tools and practices for amplifying these graces and bringing them to life. Written primarily for women over 50 seeking good news about growing older, Winter’s Graces offers adults of all ages a compelling vision of aging that celebrates its many gifts, acknowledges its challenges, and reveals how the last season of life can be the most fulfilling of all.
This biography by the New York Times best-selling author of Mockingbird: A Portrait of Harper Lee traces the life of National Book Award-winning novelist John Williams, author of the cult classic novel Stoner.
History.
In a gripping debut novel that combines power, politics, and the press, John Luciew introduces a rogue reporter whose new lease on life may be the end of him.... Obituary writer Lenny Holcomb has reached a dead end. Burned-out and uninspired, he knows life in Harrisburg, Pennsylvania, has nothing left to offer. Until the secrets of the dead begin to reveal themselves in his work -- sending Lenny back into the streets armed with a shrewd mind and a recharged sense of purpose. Lenny is hot on the trail of a popular governor with presidential ambitions who may have had a role in the death of his beautiful press secretary. Teamed with the sexy investigative journalist Jacquelyn "Jack" Towers, Lenny uncovers widespread political corruption leading all the way to the governor's majordomo -- a ruthless and mysterious behind-the-scenes powerbroker who has been pulling strings for his boss all along. When Lenny puts together the murderous truth, he realizes that he's just made a very powerful and dangerous enemy -- and that the last obituary he pens may be his own.
1—Natii Valen lost everyone she loved, but discovered millions at the turn of a day. 2—Nelly Cort, wanted assassin, trained for it, went for it, but never killed anyone. 3—Pari, A doctor of medicine and a scientific genius, never studied a day in her life. 4—Toni Dee, born to be probed and micro examined to extract the Fountain of Youth within her. 5—Ethel Katz, lawyer, has the moves in her mind and the knowledge in her soul. They symbolize the FIVE DANCING SISTERS, go forth in a daring adventure to build a women’s lodge called: GRACESSENCE. Francesca Mathen, their first sibling, fashion model in the highest stage entwines herself in a strange love affair.
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
Thrilling and romantic, Once a Gypsy starts a brand new series from award-winning author Danica Winters. “A haunting and fresh voice in paranormal romance. Be prepared for Danica Winters to ensnare you in her dark and seductive world.”—Cecy Robson, author of the Weird Girls series and 2016 Double-Nominated RITA® Finalist Even for a clairvoyant, the future is never a sure thing. Helena has always struggled to fit in with her Irish Traveller family. It’s not just her opposition to getting married or her determination to attend university; Helena also has one talent that sets her apart from the rest of her clan—the gift of the Forshaw, the ability to see the future. Graham is the groundskeeper at a manor in Adare, Ireland. Though the estate appears idyllic, it holds dark secrets, and despite his own supernatural gifts, Graham can’t solve Adare Manor’s problems by himself. Desperate for help, Graham seeks out a last resort: Helena, whose skills are far greater than even she knows. When he promises to teach her to control her powers, Helena resists, afraid both of the damage her abilities might do and her increasing attraction to the handsome groundskeeper. Her entire way of life is at risk: Any involvement, especially romantic, with non-Travellers like Graham is forbidden. But Helena’s future is anything but certain, and fate has other plans for her family, her powers, and her relationship with Graham.
Fulke Greville's reputation has always been overshadowed by that of his more famous friend, Philip Sidney, a legacy due in part to Greville's complex moulding of his authorial persona as Achates to Sidney's Aeneas, and in part to the formidable complexity of his poetry and prose. This volume seeks to vindicate Greville's 'obscurity' as an intrinsic feature of his poetic thinking, and as a privileged site of interpretation. The seventeen essays shed new light on Greville's poetry, philosophy, and dramatic work. They investigate his examination of monarchy and sovereignty; grace, salvation, and the nature of evil; the power of poetry and the vagaries of desire, and they offer a reconsideration of his reputation and afterlife in his own century, and beyond. The volume explores the connections between poetic form and philosophy, and argues that Greville's poetic experiments and meditations on form convey penetrating, and strikingly original contributions to poetics, political thought, and philosophy. Highlighting stylistic features of his poetic style, such as his mastery of the caesura and of the feminine ending; his love of paradox, ambiguity, and double meanings; his complex metaphoricity and dense, challenging syntax, these essays reveal how Greville's work invites us to revisit and rethink many of the orthodoxies about the culture of post-Reformation England, including the shape of political argument, and the forms and boundaries of religious belief and identity.