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Traces the development of Homer as a watercolorist, shows a selection of his landscapes, seascapes, and portraits, and discusses his distinctive style and techniques.
American painter Winslow Homer (1836–1910) created some of the most breathtaking and influential watercolors in the history of the medium. This handsome volume provides a comprehensive look at Homer’s technical and artistic practice as a watercolorist, and at the experiences that shaped his remarkable development. Focusing on 25 rarely seen watercolors from the Art Institute’s collection, along with 75 other related watercolors, gouaches, drawings, and paintings––including many of the artist’s characteristic subjects––the book proposes a new understanding of Homer’s techniques as they evolved over his career. Accessibly written essays consider each of the featured works in detail, examining the relationship between monochrome drawing and watercolor and the artist’s lifelong interest in new optical and color theories. In particular, they show how his sojourn in England—where he encountered leading British marine watercolorists and the dynamic avant-garde art scene—precipitated an abrupt change in technique and subject matter upon his return home. Conservators address the fragility of these watercolors, which are prone to fading due to light exposure, and demonstrate, through pioneering research on Homer’s pigments and computer-assisted imaging, how the works have changed over time. Several of Homer’s greatest watercolors are digitally “restored,” providing an exhilarating glimpse of the original impact of Homer’s groundbreaking color experiments.
Winslow Homer (1836-1910) is one of the core figures of 19th-century American art. While most well-known for his oil paintings of Civil War scenes and the windswept Atlantic coastline, Homer's oeuvre encompasses a variety of themes, ranging from childhood games through the life-and-death struggles of man and nature. The Clark Art Institute holds one of the greatest collections of Homer's work across all media, including wood engravings, etchings, watercolors, drawings, and paintings from nearly all phases of his career. The collection was assembled predominately by Robert Sterling Clark (1877-1956), who purchased his first Winslow Homer painting in 1915, followed by Two Guides in 1916 and maintained a passion for the artist throughout the rest of his collecting career, acquiring the small oil Playing a Fish in 1955. This book examines Robert Sterling Clark as a collector of Homer and the Clark's extensive holdings of the artist. Over thirty entries discuss the role of individual works in Homer's oeuvre and their larger significance to the art world. An illustrated checklist provides information on titles, dates, and media for the entire collection. Distributed for the Sterling and Francine Clark Art Institute Exhibition Schedule: Sterling and Francine Clark Art Institute (06/09/13-09/08/13)
Homer's luminous watercolors and outdoor portraits are some of the most recognizable works in art history. This collection paints Homer as an integral part of the New York art scene who both embraced, and challenged, the American aesthetic of art. Color illustrations.
American painter Winslow Homer talks about his life and work as if entertaining the reader for the weekend. Includes reproductions of the artist's works and a list of museums where they are on display.
Celebrating the great American watercolor, this unique collection of images features the work of Sargent, Homer, LaFarge, Prendergast, Demuth, Marin, Burchfield, and Hopper, among others. Original.
Winslow Homer (1836-1910) devoted much of his life to a study of the ocean and the people whose lives were intertwined with it. This book is the first to focus on the full range of Homer's coastal subjects, with thirty-six reproductions of his most powerful works. Carl Little's essay discusses Homer's development as a painter; quotations from writers such as Homer scholar Philip C. Beam and poet Gerard Manley Hopkins add a further dimension to the thorough and enlightening text. Third printing.
Foreword / Mark H. Bessire -- Acknowledgments / Mark H. Bessire and Thomas A. Denenberg -- Weatherbeaten / Thomas A. Denenberg -- "The Right Place": Winslow Homer and the Development of Prouts Neck / Kenyon C. Bolton III -- The Architecture of Homer's Studio / James F. O'Gorman -- North Atlantic Drift: A Meditation on Winslow Homer and French Painting / Erica E. Hirsler -- "You Must Wait, and Wait Patiently": Winslow Homer's Prouts Neck Marines / Marc Simpson -- Plates -- Exhibition Checklist -- Bibliography -- List of Contributors -- Lender to the Exhibition -- Index -- Illustration Credits.