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Winifred Black worked in journalism from 1888 to 1936, often writing under the pseudonym Annie Laurie. Her work appeared in the Hearst papers--especially the San Francisco Examiner--and in fifty additional newspapers weekly through syndication. Black wrote 10,000 short pieces, as well as three books, a nonfiction oeuvre that combined quasi-autobiographical details with characters and scenes to provide cultural analysis for a nationwide audience. She wrote about the realities facing modern women--their work, their marriages and divorces, the violence they endured, their need for independence. Contemporary praise for Black named her "the world's most famous feature writer" and "one of the world's most successful reporters," while her critics affixed the pejorative labels "stunt girl" and "sob sister." This study covers her influential career and gives the first serious attention to her journalism and nonfiction.
At the end of the nineteenth century, newspapers powerfully shaped the U.S. reading public, fostering widespread literacy development and facilitating rhetorical education. Rhetorical Education in Turn-of-the-Century U.S. Women's Journalism illuminates the pedagogical contributions of three newspaperwomen to show how the field became a dynamic site of public participation, relationship building, education, and activism in the 1880s and 1890s.
This book illustrates the social change that took place in the lives of women during the Progressive Era. The political and social change of the Progressive Era brought conflicts over labor, women's rights, consumerism, religion, sexuality, and many other aspects of American life. As Americans argued and fought over suffrage and political reform, vast changes were also taking place in women's professional, material, personal, recreational, and intellectual lives. In this installment of Greenwood's Daily Life through History series, award-winning author Kirstin Olsen brings to life the everyday experiences, priorities, and challenges of women in America's Progressive Era (ca. 1890–1920). From the barnstorming "bloomer girls" who showed America that women could play baseball to film star, tycoon, and co-founder of the Academy of Motion Pictures Mary Pickford, and from the highly skilled "Hello Girls"—telephone operators who helped win World War I—to the remarkable journalist and civil rights activist Ida Wells-Barnett, women led both famous and ordinary lives that were shaped by and helped to drive the dramatic social change taking place during the Progressive Era. All of this and more is described in this book through topical sections as well as stories and profiles that reveal to readers the daily lives of America's women who lived during the Progressive Era. Readers will benefit from Olsen's characteristically sharp eye for detail, power of description, and breadth of historical knowledge.
After the War presents a panoramic view of social, political, and economic change in post-Civil War America by examining its journalism, from coverage of politics and Reconstruction to sensational reporting and images of the American people. The changes in America during this time were so dramatic that they transformed the social structure of the country and the nature of journalism. By the 1870s and 1880s, new kinds of daily newspapers had developed. New Journalism eventually gave rise to Yellow Journalism, resulting in big-city newspapers that were increasingly sensationalistic, entertaining, and designed to attract everyone. The images of the nation’s people as seen through journalistic eyes, from coverage of immigrants to stories about African American "Black fiends" and Native American "savages," tell a vibrant story that will engage scholars and students of history, journalism, and media studies.
When "talking" pictures first appeared in cinema theaters in the late 1920s, films about newspaper journalists quickly became a Hollywood mainstay. These were a variety of responses from working reporters, editors, and photographers. The newspaper film was a popular genre in the 1950s, and famous films such as All the President's Men (1976) and Spotlight (2015) have depicted the power of the press. Journalists have also been portrayed in films that are not specifically about newspapers, appearing in noir films like Woman on the Run (1950), Westerns such as Fort Worth (1951), comedies like The Ghost and Mr. Chicken (1966), musicals like Wake Up and Live (1937) and historical epics like Lawrence of Arabia (1962). A film historian and former newspaper writer, the author investigates how accurately films have portrayed journalists across the decades. The book also details what journalists thought of the depictions at the time, contributing to brief histories and analyses for each film. Featured journalist archetypes include airy reporters, screaming editors, photographers, sportswriters and war journalists. Classics, misfires, Westerns, obscure treasures and films the press both adored and detested are all included in this comprehensive here.
In 1935, the United States Congress began employing large numbers of American artists through the Works Progress Administration--fiction writers, photographers, poster artists, dramatists, painters, sculptors, muralists, wood carvers, composers and choreographers, as well as journalists, historians and researchers. Secretary of Commerce and supervisor of the WPA Harry Hopkins hailed it a "renascence of the arts, if we can call it a rebirth when it has no precedent in our history." Women were eminently involved, creating a wide variety of art and craft, interweaving their own stories with those of other women whose lives might not otherwise have received attention. This book surveys the thousands of women artists who worked for the U.S. government, the historical and social worlds they described and the collaborative depiction of womanhood they created at a pivotal moment in American history.
A quippy and irreverent collection of illustrated profiles of the great American women who weren’t attractive, well-spoken, demure, or sinless enough to receive their rightful place in history, until now, from New York Times bestselling author Therese Oneill. Slut. Shrew. Sinful. Scold. The 19th- and early 20th-century American women profiled in this collection were called all these names and worse when they were alive. And that’s just fine. These glorious dames earned those monikers, and one hundred years later they can wear them proudly! They refused to conform to societal standards. They bucked everyday niceties and blazed their own trails. They were collectively unbecoming as women, but they forever changed what women can become. With irresistible charm and laugh-out-loud impertinence, New York Times bestselling author Therese Oneill chronicles the lives of eighteen unbecoming ladies whose audacity, courage, and sheer disdain for lady-like expectations left them out of so many history books. Curious readers will learn about forgotten heroines such as: -Dr. Mary Edwards Walker: who, despite being the only woman ever awarded the Congressional Medal of Honor, was shunned and forgotten due to her insistence on wearing pants in public. -Elizabeth Packard: whose careful record of her own unjust incarceration in a 19th century madhouse by her husband (her crime: not wanting to be Presbyterian anymore) led to nationwide law reforms to protect the rights of those with mental health issues. -Lilian Gilbreth: best remembered for being the real-life mom of Cheaper by the Dozen but who probably should be remembered for scientifically removing the stigma of the sanitary napkin and designing the modern-day kitchen. -And many more! With dozens of illustrations and historical photographs throughout, Unbecoming a Lady shines a light on unforgettable, impressive women who deserve to be remembered.
This is the story of the Rankins, a family that embodied the risk and ambition that transformed America. John Rankin arrived in the West chasing the adventure of gold mining but soon turned to ranching and building in the new town of Missoula. There he met Olive Pickering, who had left New Hampshire in 1878 to become a teacher and seek a husband on the American frontier. John and Olive's children continued to demonstrate their parent's ambition and nerve. Their son became one of the biggest landowners in the country, one of the first personal injury lawyers, and a crusader against railroads and mining. Jeannette became the first woman in a national legislature, voted against two world wars and led marches protesting the Vietnam War. As a dean, Harriet helped develop the modern co-educational university. Edna traveled the world advocating for birth control. The Rankins faced both national adulation and condemnation for the choices they made. Their family story concerns independence and education, activism, the boundaries created by gender, religious choices, and the changing meaning of the West.
Paper dolls might seem the height of simplicity--quaint but simple toys, nothing more. But through the centuries paper figures have reflected religious and political beliefs, notions of womanhood, motherhood and family, the dictates of fashion, approaches to education, individual self-image and self-esteem, and ideas about death. This book examines paper dolls and their symbolism--from icons made by priests in ancient China to printable Kim Kardashians on the Internet--to show how these ephemeral objects have an enduring and sometimes surprising presence in history and culture.
 The fall of 2018 saw an unprecedented number of women elected to Congress, changing estimates of how long it might take to achieve equal representation. For the first time, women candidates used techniques honed by America's political families, which have helped women enter politics since 1916. Drawing on extensive research and conversations with successful women politicians, this book offers a history of the political opportunities provided through familial connections. Family networks have a long history of enabling women to run for political office. There is much for the latest group of candidates to emulate.