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People running from the horrors of the shaking ground of Los Angeles discover they are fleeing into the arms of something more horrible and something evil. Will they find themselves caught in an even bigger fight for survival?
Joy Harjo's play Wings of Night Sky, Wings of Morning Light is the centerpiece of this collection that includes essays and interviews concerning the roots and the reaches of contemporary Native Theater. Harjo blends storytelling, music, movement, and poetic language in Wings of Night Sky, Wings of Morning Light—a healing ceremony that chronicles the challenges young protagonist Redbird faces on her path to healing and self-determination. This text is accompanied by interviews with Native theater artists Rolland Meinholtz and Randy Reinholz, as well as an interview with Harjo, conducted by Page. The interviews highlight the lives and contributions of Meinholtz, a theater artist and educator who served as the drama instructor at the Institute of American Indian Arts from 1964–70 and a close mentor and friend to Harjo; and Reinholz, producing artistic director of Native Voices at the Autry, the nation's only Equity theater company dedicated exclusively to the development and production of new plays by Native American, First Nations, and Alaska Native playwrights. The new interview with Harjo focuses on her experiences working in theater. Essays on Harjo's work are provided by Mary Kathryn Nagle—an enrolled citizen of the Cherokee nation, playwright, and attorney who shares her insights on the legal and historical frameworks through which we can better understand the significance of Harjo's play; and Priscilla Page—writer, performer, and educator (of Wiyot heritage), who looks at indigenous feminism, jazz, and performance as influences on Harjo's theatrical work.
What happens when you no longer feel like your­self anymore? When fires spontaneously start-up around you, when you hear growling coming from underneath your bed, and you no longer recognise your face in the mirror. What happens then? Ghost hunter Perry Palomino doesn't have much time to find out. Now, the evil she used to hunt is a lot closer to home. It's inside of her, taking over her life bit-by-terrifying bit, and there's only one person who can help her. If part of her doesn't kill him first.
Delve deeper into the dark fantasy world of the Diablo universe as Deckard Cain shares history and lore in this fictional illustrated journal. In Blizzard Entertainment’s Diablo® and Diablo II, the recurring character of Deckard Cain delivered quests, accompanied the brave adventurer, and, as the last of the Horadrim, provided a link to the greater history of the world of Sanctuary. Ever mysterious during these appearances, Cain hinted at a larger story, providing snippets of it in his notebook. Diablo III: Book of Cain is Cain’s formal record of this greater tale—a dissertation on the lore of the Diablo universe, told by one who has witnessed and participated in some of the epic events that make up the eternal conflict between the High Heavens and the Burning Hells. Designed as an “in-world” artifact from the Diablo universe, Diablo III: Book of Cain includes Cain’s revealing meditations, as well as dozens of sketches and color artworks depicting the angelic and demonic beings who wage constant war with one another.
This is the story of rescue in the steamy, bloody jungles of Vietnam. First as peter pilot and then as full-fledged aircraft commander, W.T. Grant routinely flew McGuire rig extractions under enemy fire, inserts into combat zones exploding with mortar shells, and night operations in the enemy-infested A Shau Valley. Though the 17th Assault Helicopter Company eventually became B Compnay, 101st Aviation Battalion, the Kingsmen will always be remembered for their courage.... From the Paperback edition.
An exceptionally illustrated fiction for millions of Blizzard fans, Diablo III: Book of Cain is the source book for Blizzard Entertainment's Diablo franchise and forthcoming Diablo III game. Book of Cain is the must-have illustrated history of the Diablo universe as told by the games' core narrator Deckard Cain. In Blizzard Entertainment’s Diablo® and Diablo II, the recurring character of Deckard Cain delivered quests, accompanied the brave adventurer, and, as the last of the Horadrim, provided a link to the greater history of the world of Sanctuary. Ever mysterious during these appearances, Cain hinted at a larger story, providing snippets of it in his notebook. Diablo III: Book of Cain is Cain’s formal record of this greater tale—a dissertation on the lore of the Diablo universe, told by one who has witnessed and participated in some of the epic events that make up the eternal conflict between the High Heavens and the Burning Hells. Designed as an “in-world” artifact from the Diablo universe, Diablo III: Book of Cain includes Cain’s revealing meditations, as well as dozens of sketches and color artworks depicting the angelic and demonic beings who wage constant war with one another.
An unseen weapon that drives men mad. A green gas which turns smiling faces into leering skulls. A master criminal who can assume at will any known identity. Add to these separate menaces three big-game hunters sworn to destroy the Spider -- and you have a situation in which the brilliance and courage of Dick Wentworth will thrill you as never before!
All Basque interpretations of national power have resulted in an uneasy mix of often fragmented and conflicting territorial identifications. Basques can identify themselves with France, Spain or an imagined Basque nation state. Territory and Terror confronts the imagined and actual territorial dimensions of nationalism, shedding new light on the Basque conflict. The study provides a rich description of territoriality analysed from a comparative perspective and explores the relation between territoriality and regional differences in conflict intensity. It supplies an account of the oft-overlooked internal struggles between Basques, arguing that overestimation of Basque nationalism as the ideological force behind the conflict often leads to a disregard of the identification of many with France or Spain. In addition, the author investigates the conflicts between Basque nationalists themselves over key issues such as terrorist activity. Territory and Terror will appeal to students and researchers of nationalism and territoriality, in particular to those with an interest in the Basque country.