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They are drawn to unearthly danger by his deception and cunning, disappearing into the darkness forever The idyllic town of Endover, New Hampshire, looks innocent. But below its surface a thirst and a desire both powerful and ancient boil fiercely. When two girls go missing, only one person can delve deep enough to find them – Maxine Stuart, a private investigator who has finally started to believe. “Mad Maxie” understands why she was asked to help – no living mortal knows as much about the undead as she. But the dark force controlling Endover can see all, and will use Maxine's knowledge against her to strengthen his hold on the town. Not even the influence of Lou Malone, the man Maxie most desires, can convince her to abandon the crusade against a madman's yearning for powerand resurrected love.
In Africa again, Kane comes across an entire village wiped out, and all of the roofs have been ripped off, as if by something attempting to get inside from above.
She revealed his secrets to the world.
This young adult fantasy debut about love, found family, and healing is “a fantastical ode to the Golden City’s postpunk era,” told through the eyes of a Mexican-American girl (Entertainment Weekly). “Complex and beautiful, blending folklore, San Franciscan history, the music scene, vampires, magic . . . hard to put down.” —School Library Journal Seventeen-year-old Xochi is alone in San Francisco, running from her painful past: the mother who abandoned her, the man who betrayed her. Then one day, she meets Pallas, a precocious twelve-year-old who lives with her rockstar family in one of the city’s storybook Victorians. Xochi accepts a position as Pallas’s live-in governess and quickly finds her place in the girl’s tight-knit household, which operates on a free-love philosophy and easy warmth despite the band’s growing fame. But on the night of the Vernal Equinox, as a concert afterparty rages in the house below, Xochi and Pallas perform a riot-grrrl ritual in good fun, accidentally summoning a pair of ancient beings bound to avenge the wrongs of Xochi’s past. She would do anything to preserve her new life, but with the creatures determined to exact vengeance on those who’ve hurt her, no one is safe—not the family Xochi’s chosen, nor the one she left behind.
In the distant past, a prophetess named Sarafina was sentenced to the lonely fate of becoming a vampire. While she was still human, she would sometimes be visited by her “guardian spirit”—a man named Will, with whom she fell in love. On one of his last visits, he told the now-ageless prophetess, “I’m from the future. Trust me…and wait for me.” So Sarafina waited until the day when she finally found him…Colonel Will Stone, an American war hero who’d just returned home. Sarafina should be thrilled to reunite with him, but deep in her heart she’s already made other plans, convinced that he could never truly love her.
Demon's Kiss Maggie Shayne Maggie Shayne spreads her wings in this new novel of immortal love Even by vampire standards, Reaper is a loner, and his current mission to destroy a gang of rogue bloodsuckers is definitely a one–vamp job. Then fate takes a hand, and before he knows it, he's surrounded by a ragtag crew of misfit helpers: the newbie, the princess, the shape–shifter and the human healer. Seth is new to immortality, but he's sharp and strong – and he'll risk anything for the rogues' strange female captive, a secretive creature he doesn't understand but feels compelled to save. Vixen is confused by the emotions that swirl through her at the sight of her impulsive hero. She only hopes the brutal Gregor and his bloodthirsty renegades will leave her alive long enough to explore them. Or will Reaper himself be the one to destroy them all? “Maggie Shayne has a talent for taking characters born in fantasy and making them come alive.” – Romantic Times BOOK reviews
Angel's Pain Maggie Shayne First on her hit list is Gregor, the renegade vampire who schooled her in brutality, then betrayed and tortured her. To achieve her deadly ends, Briar joins the inscrutable Reaper and his misfit gang of vampires who are also hunting her old mentor. But once she's destroyed Gregor, she'll be gone. The group means nothing to her. Not even Crisa – damaged, defenseless, a liability in every way – the childlike vamp with whom Briar shares a blood bond. Or Reaper. Though they shared one moment of pure passion, it's not as though Briar has feelings for him. Because Briar needs no one. She needs only to satisfy her twin hungers that may, one day, ultimately consume her...
Lilith awakens cold, naked and alone, knowing nothing–not even who she is–except that she has to run, run for her life...because someone is after her.
In two centuries of living death, Eric Marquand had never once cried out against the cruel fate that had condemned him to walk forever in shadow. But then, he found the woman he knew was his chosen one--and understood that to possess her was to destroy her... Tamara Dey trembled at the aura of dread and despair that enshrouded this creature of the night. And yet, against all reason, she saw clearly that her destiny was eternally entwined with his, and that she must know--even welcome--the terror and the splendor of the vampire's kiss... For centuries, loneliness has haunted them from dusk till dawn. Yet now, from out of the darkness, shines the light of eternal life...eternal love.
Joy Harjo's play Wings of Night Sky, Wings of Morning Light is the centerpiece of this collection that includes essays and interviews concerning the roots and the reaches of contemporary Native Theater. Harjo blends storytelling, music, movement, and poetic language in Wings of Night Sky, Wings of Morning Light—a healing ceremony that chronicles the challenges young protagonist Redbird faces on her path to healing and self-determination. This text is accompanied by interviews with Native theater artists Rolland Meinholtz and Randy Reinholz, as well as an interview with Harjo, conducted by Page. The interviews highlight the lives and contributions of Meinholtz, a theater artist and educator who served as the drama instructor at the Institute of American Indian Arts from 1964–70 and a close mentor and friend to Harjo; and Reinholz, producing artistic director of Native Voices at the Autry, the nation's only Equity theater company dedicated exclusively to the development and production of new plays by Native American, First Nations, and Alaska Native playwrights. The new interview with Harjo focuses on her experiences working in theater. Essays on Harjo's work are provided by Mary Kathryn Nagle—an enrolled citizen of the Cherokee nation, playwright, and attorney who shares her insights on the legal and historical frameworks through which we can better understand the significance of Harjo's play; and Priscilla Page—writer, performer, and educator (of Wiyot heritage), who looks at indigenous feminism, jazz, and performance as influences on Harjo's theatrical work.