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The discovery of a stolen red monoplane on the dry, flat bottom of Emu Lake meant many things for different folks. For Elizabeth Nettlefold, the chance to nurse its strangely ill meant renewed purpose in life. For Dr Knowles, brilliant physician and town drunk, it meant the revival of a romantic dream. For some it meant a murder plan gone awry, and for Bonaparte, it meant one of the toughest cases of his career. Bony - a unique figure among top-flight detectives. - BBC
In the world of crime fiction, Arthur W. Upfield stands among the giants. His detective-inspector Napoleon Bonaparte, is one of the most memorable of all crime fighters. Upfield was an independent, fiercely self-assertive ex-Britisher, who loved Australia, especially the Outback. In many ways Upfield became Outback Australia—the “Spirit of Australia.”
Arthur Upfield created Detective Inspector Napoleon Bonaparte (Bony) who features in twenty-nine novels written from the 1920s to the the 1960s, mostly set in the Australian Outback. He was the first Australian professional writer of crime detection novels. Upfield arrived in Australia from England on 4 November 1911, and this collection of twenty-two critical essays by academics and scholars has been published to celebrate the centenary of his arrival. The essays were all written after Upfield’s death in 1964 and provide a wide range of responses to his fiction. The contributors, from Australia, Europe and the United States, include journalist Pamela Ruskin who was Upfield’s agent for fifteen years, anthropologists, literary scholars, pioneers in the academic study of popular culture such as John G. Cawelti and Ray B. Browne, and novelists Tony Hillerman and Mudrooroo whose own works have been inspired by Upfield’s. The collection sheds light on the extent and nature of critical responses to Upfield over time, demonstrates the type of recognition he has received and highlights the way in which different preoccupations and critical trends have dealt with his work. The essays provide the basis for an assessment of Upfield’s place not only in the international annals of crime fiction but also in the literary and cultural history of Australia.
Australian Books and Authors in the American Marketplace 1840s–1940s explores how Australian writers and their works were present in the United States before the mid twentieth century to a much greater degree than previously acknowledged. Drawing on fresh archival research and combining the approaches of literary criticism, print culture studies and book history, David Carter and Roger Osborne demonstrate that Australian writing was transnational long before the contemporary period. In mapping Australian literature’s connections to British and US markets, their research challenges established understandings of national, imperial and world literatures. Carter and Osborne examine how Australian authors, editors and publishers engaged productively with their American counterparts, and how American readers and reviewers responded to Australian works. They consider the role played by British publishers and agents in taking Australian writing to America, and how the international circulation of new literary genres created new opportunities for novelists to move between markets. Some of these writers, such as Christina Stead and Patrick White, remain household names; others who once enjoyed international fame, such as Dale Collins and Alice Grant Rosman, have been largely forgotten. The story of their books in America reveals how culture, commerce and copyright law interacted to create both opportunities and obstacles for Australian writers.
The wild beauty of deserts has always been a source of fascination the world over. Mankind and Deserts 2 – the second of three volumes – focuses on water, its absence or indeed its extreme scarcity, as well as on the ways in which salts come to be formed in areas such as these. Aridity of the climate does not exclude rainfall, after which deserts flourish; wet mists, dew, exceptional events separated by years of total drought. Water flows into temporary and disorganized networks but, occasionally, large rivers cross the deserts, giving rise to vibrant civilizations: the Nile, Tigris and Euphrates, Niger, to name a few. Temporary or permanent lakes collect water in basins without outlet to the ocean, referred to as endorrheic basins, such as Lake Chad. This results in salt accumulation and evaporitic formations. A large variety of salts crystallize, in addition to halite, among which is potash. Halite – common salt – is an essential resource and its trade leads to the creation of salt caravans, used to exchange it with gold, even on a 1-1 weight basis, generating subsequent wealth. From ancient, almost mythical, exploration to modern scientific studies, deserts have come to be better known yet still hold great appeal. This book traces the history of their knowledge while providing a basis for understanding their features and the tools needed for their protection, in an ever-changing world.
Using facts and clues gleaned from the Bony stories by Arthur Upfield, Kees de Hoog has compiled a chronology of the personal life events and professional assignments of Detective Inspector Napoleon Bonaparte. This booklet uncovers the evidence and explains how it was pieced together to reveal the dates and other details. The conclusions are presented with the findings of similar research by others into the location of each Bony novel. Woven together they sketch the outline of the life, career and travels of the internationally acclaimed fictional detective.
Both Australia and Arthur W. Upfield (1890-1964) matured together. At the start of the last century, Upfield emigrated to Australia as that nation was gaining independence and identity. The Gallipoli campaign changed both, and both spent the next decades in pursuit of identity, he wandering, Australia finding its own unique place among nations. Arthur W. Upfield lived a life many might envy: unsuccessful student, immigrant (1911), walker, horse breaker and camel driver, soldier, Bushman, fence rider, journalist, intelligence officer, explorer, novelist, swordfisherman, and creator of bi-racial Detective Inspector Napoleon Bonaparte, “Bony”, in novels rivaling the popularity of Sherlock Holmes. Caught between two worlds, like his fictional character, Upfield was thoroughly English and yet also an Australian nationalist describing Outback Australia to the world through his part Aboriginal character. Famous novelists including Tony Hillerman and Stan Jones, to name only two, found a detective model in “Bony”. Australia developed quickly after the Second World War, and Upfield, too, was successful after years of tea, chops and damper, chasing “rabbit, ‘roo and dog”. As Australia developed, Upfield’s Bush, his “Australia Proper”, slowly succumbed to modernization. After the war, Upfield left the Bush to become a successful writer eventually to be published in a wide range of languages and selling books in the millions of copies. The biography relies on letters, papers, and public documents of the period, in Australia, England and America, many unexplored before now, in order to understand the story of his life and that of his true homeland, Australia.
This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.
Since its appearance nearly two centuries ago, crime fiction has gripped readers' imaginations around the world. Detectives have varied enormously: from the nineteenth-century policemen (and a few women), through stars like Sherlock Holmes and Miss Marple, to newly self-aware voices of the present - feminist, African American, lesbian, gay, postcolonial and postmodern. Stephen Knight's fascinating book is a comprehensive analytic survey of crime fiction from its origins in the nineteenth century to the present day. Knight explains how and why the various forms of the genre have evolved, explores a range of authors and movements, and argues that the genre as a whole has three parts – the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The expanded second edition has been thoroughly updated in the light of recent research and new developments, such as ethnic crime fiction, the rise of thrillers in the serial-killer and urban collapse modes, and feel-good 'cozies'. It also explores a number of fictional works which have been published in the last few years and features a helpful glossary. With full references, and written in a highly engaging style, this remains the essential short guide for readers of crime fiction everywhere!