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Dad wasn't angry. As I started to cry. He hugged me. He calmed me. And he taught me to lie. Wingman is a new father-son comedy from Fringe-First winner Richard Marsh. Mum's dead. Annoyingly, dad's not. After twenty years apart, can father and son say goodbye to mum without saying hello to each other? This achingly funny story reminds us that no matter how bad life is, family can make it worse. Wingman received its world premiere at the Pleasance Dome, Edinburgh, on 30 July 2014, directed by Justin Audibert, before transferring to the Soho Theatre Upstairs from 2 - 20 September and then touring. The play is published alongside Richard Marsh's Skittles, which premiered at the Edinburgh Festival Fringe in 2011 and then featured on Radio 4 as Richard Marsh: Love and Sweets, winning Best Scripted Comedy at the BBC Audio Drama Awards. 'For verse with heart and verve, see Richard Marsh's dazzling love-gone-wrong show Skittles' Telegraph 'Richard Marsh's Skittles came at high velocity, whizzing through the various stages of a romantic entanglement that began when two colleagues shared 'a noncommittal Skittle' during a work break, progressing quickly to proposal and marriage . . . Funny and wise.' Guardian
Dad wasn't angry. As I started to cry. He hugged me. He calmed me. And he taught me to lie. Wingman is a new father-son comedy from Fringe-First winner Richard Marsh. Mum's dead. Annoyingly, dad's not. After twenty years apart, can father and son say goodbye to mum without saying hello to each other? This achingly funny story reminds us that no matter how bad life is, family can make it worse. Wingman received its world premiere at the Pleasance Dome, Edinburgh, on 30 July 2014, directed by Justin Audibert, before transferring to the Soho Theatre Upstairs from 2 - 20 September and then touring. The play is published alongside Richard Marsh's Skittles, which premiered at the Edinburgh Festival Fringe in 2011 and then featured on Radio 4 as Richard Marsh: Love and Sweets, winning Best Scripted Comedy at the BBC Audio Drama Awards. 'For verse with heart and verve, see Richard Marsh's dazzling love-gone-wrong show Skittles' Telegraph 'Richard Marsh's Skittles came at high velocity, whizzing through the various stages of a romantic entanglement that began when two colleagues shared 'a noncommittal Skittle' during a work break, progressing quickly to proposal and marriage . . . Funny and wise.' Guardian
Two hopeful, hapless romantics get drunk, get it on, and then get the hell away from each other. In her eyes, he's a mistake. A mistake who keeps turning up at parties. In his eyes, she's perfect. He's short-sighted. This achingly funny, romantic catastrophe fuses poetry and prose to ask can a one-night stand last a lifetime. A very human tale of good intentions and bad timing. Winner of 2012 Fringe First (for innovation and outstanding new writing at the Edinburgh Festival Fringe), Dirty Great Love Story is a tale of the chance of love in a one-night stand.
When nineteen-year-old Hunter Sharpless e-mails roots rock band Stephen Kellogg and the Sixers, he doesn't expect a response. He wants to write a book about them. When his inbox chimes two hours later, telling him he has a chance to tour with the band for three full months, he dreams of groupies and Almost Famous. It doesn't take long, though, for Hunter to discover that the road isn't the electric collection of glories it's often billed to be. He's mistaken for a homeless person in Sacramento, thrust onstage in Iowa, and cradled against a toilet in New York. The road is hard. No cocaine, no backstage blowjobs, no sleek tour bus. But the Sixers see it differently. Stephen introduces Hunter to a more authentic perspective: behind the lights of the stage, after the glow of the performance, away from the noise of the amps. This is the world Song of the Fool begins to unravel.
Soon to be a Netflix movie starring Gabrielle Union! Will a forty-year-old woman with everything on the line – her high-stakes career, ticking biological clock, bank account – risk it all for a secret romance with the one person who could destroy her comeback, for good? Jenna Jones, former It-girl fashion editor, is forty, broke and desperate for a second chance. When she’s dumped by her longtime fiancé and fired from Darling magazine, she begs for a job from her arch nemesis, Darcy Vale. Darcy, the beyond-bitchy publisher of StyleZine.com, agrees to hire her rival – only because her fashion site needs a jolt from Jenna’s old school cred. But Jenna soon realizes she’s in over her head. Jenna’s working with digital-savvy millennials half her age, has never even “Twittered,” and pretends to still be a Fashion Somebody while living a style lie (she sold her designer wardrobe to afford her sketched-out studio, and now quietly wears Walmart’s finest). What’s worse is that the twenty-two-year-old videographer assigned to shoot her web series is driving her crazy. Wildly sexy with a smile Jenna feels in her thighs, Eric Combs is way off-limits – but almost too delicious to resist.
In this stunning work of investigative journalism, filmmaker Joel Gilbert uncovers the true story of the shooting death of 17-year-old Trayvon Martin, a tragedy that divided America. By examining Trayvon's 750-page cell phone records, Gilbert discovers that the key witness for the prosecution of George Zimmerman, the plus-sized 18-year-old Rachel Jeantel, was a fraud. It was in fact a different girl who was on the phone with Trayvon just before he was shot. She was the 16-year-old named "Diamond" whose recorded conversation with attorney Benjamin Crump ignited the public, swayed President Obama, and provoked the nation's media to demand Zimmerman's arrest. Gilbert's painstaking research takes him through the high schools of Miami, into the back alleys of Little Haiti, and to finally to Florida State University where he finds Trayvon's real girlfriend, the real phone witness, Diamond Eugene. Gilbert confirms his revelations with forensic handwriting analysis and DNA testing. After obtaining unredacted court documents and reading Diamond's vast social media archives, Gilbert then reconstructs the true story of Trayvon Martin's troubled teenage life and tragic death. In the process, he exposes in detail the most consequential hoax in recent American judicial history, The Trayvon Hoax, that was ground zero for the downward spiral of race relations in America. This incredible book has the potential to correct American history and bring America back together again.
Starting college can be a totally angst-ridden experience. Seventeen offers advice on manuevering life on campus.
This new kind of dictionary reflects the use of “rhythm rhymes” by rappers, poets, and songwriters of today. Users can look up words to find collections of words that have the same rhythm as the original and are useable in ways that are familiar to us in everything from vers libre poetry to the lyrics and music of Bob Dylan and hip hop groups.