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Volume #3 in Janet Morris' classic Silistra Quartet: She was descended from the masters of the universe. To hold her, he challenged the gods. In his keep, she was prisoner and lover. He had taken her powers and given her his child. On a still untenanted world of her making, he would challenge the gods who had fathered them to win control of his fate and their son.
A passionate meditation on the consolations and disappointments of religion and poetry
Eighteen-year-old Cas Leung struggles with her morality and her romantic relationship with fellow pirate Swift as she and the Minnow crew work to take down wild sea monsters, dubbed Hellbeasts, who are attacking ships and destroying the ocean ecosystem.
Cassandra Leung’s been a sea monster trainer ever since she could walk, raising genetically engineered beast to defend ships crossing the NeoPacific ... until pirates snatch her from the blood-stained decks.
Only four men survived the plane crash: The pilot, A politician, A cop . . . And the criminal he was shackled to. On a freezing October night in 1984, a Canadian commuter plane smashed headlong into a high ridge of remote, rugged forest. Among the survivors was a small-time criminal named Paul Archimbault, now free of his handcuffs and the only one to escape the crash uninjured. The only one capable of keeping the other three survivors alive -- should he choose to...
The Carnelian Throne is Volume 4 in Janet Morris' bestselling Silistra Quartet. Still controversial after five decades, this Perseid Press edition has been expanded and revised by the author. Estri is a god, daughter of light. Chayin is a god, son of darkness. Sereth is 'hase-enor, ' son of all flesh. Lovers and friends, could they be the prophesied three who would wield the Sword of Severance, Se'Keroth, and bring light out of dark? "One from the east, born of ease and destined; One from north of south, divine, exempt of question; The third from out the west, astride a tide of death," quoted Chayin. He was not smiling. It is a long epic. All has been foreseen. We all know that tale's end." -- Estri Hadrath diet Estrazi in Wind from the Abyss by Janet Morris ***** "Engrossing characters in a marvelous adventure." -- C. Brown, Locus Magazine ***** "The amazing and exotic adventures of the most beautiful courtesan in tomorrow's universe." -- Frederik Pohl ***** "The best single example of prostitution used in fantasy is in Janet Morris' Silistra series: High Couch of Silistra (originally entitled Returning Creation), The Golden Sword, Wind from the Abyss, and The Carnelian Throne." -- Anne K. Kaler, "The Picara: From Hera to Fantasy Heroine." ***** " ...] today I thought I'd look at one of the most successful fantasy debuts of all time, a series that became a huge international hit with its first release, launching the career of one of the most prolific fantasy writers of the late 20th Century: Janet Morris' The Silistra Quartet. The Silistra Quartet began with Janet's first novel, High Couch of Silistra ...] from Bantam Books in 1977 , ] the far-future tale of the colony planet of Silistra, still recovering from an ancient war that left the planet scarred and much of the population infertile. With a dangerously low birth-rate, it's not long before the human colonists of Silistra develop a new social order, with a hierarchy based on fertility and sexual prowess. "All told, there were four volumes in what came to be known as The Silistra Quartet ...]. "High Couch of Silistra (1977) ...] The Golden Sword (1977) Wind from the Abyss(1978) The Carnelian Throne (1979) -- John O'Neill in Black Gate Adventures in Fantasy Literature
Eighteen years ago, two princes vanished. Now a riddle hidden on a mysterious map could chart a course towards the truth and the missing royals in this historical fantasy that's perfect for fans of Rachel Hartman and Tamora Pierce. Eighteen years ago two princes of the island kingdom of St. John del Mar were kidnapped and murdered, a deadly plot by the rival kingdom of Mondrago. Everyone knows the story, but for Elias, Mercedes, and Ulises, the aftermath of that tragic day is deeply personal. Elias grew up without his father, who was killed trying to protect the princes. Mercedes is half-Mondragan, leaving her to grow up in the shadow of del Mar’s hate. And Ulises, as the youngest and only remaining prince, inherited the throne meant for his older brothers. Now, the three friends just want to move on with their lives. But when two maps surface—each with the same hidden riddle—troubling questions arise. What really happened to the young princes? And why do the maps look like they were drawn by Elias’s father, whose body was never found? To discover what really happened that fateful day, Elias, Mercedes, and Ulises must follow the clues hidden in the maps, uncovering long-held secrets and unimaginable betrayals along the way. But the truth is dangerous, and not everyone wants it to come out. Isle of Blood and Stone is a sweeping fantasy full of intrigue and schemes, romance and friendship, and fearless explorers searching for the truth.
Mythologized as the era of the “good war” and the “Greatest Generation,” the 1940s are frequently understood as a more heroic, uncomplicated time in American history. Yet just below the surface, a sense of dread, alienation, and the haunting specter of radical evil permeated American art and literature. Writers returned home from World War II and gave form to their disorienting experiences of violence and cruelty. They probed the darkness that the war opened up and confronted bigotry, existential guilt, ecological concerns, and fear about the nature and survival of the human race. In Facing the Abyss, George Hutchinson offers readings of individual works and the larger intellectual and cultural scene to reveal the 1940s as a period of profound and influential accomplishment. Facing the Abyss examines the relation of aesthetics to politics, the idea of universalism, and the connections among authors across racial, ethnic, and gender divisions. Modernist and avant-garde styles were absorbed into popular culture as writers and artists turned away from social realism to emphasize the process of artistic creation. Hutchinson explores a range of important writers, from Saul Bellow and Mary McCarthy to Richard Wright and James Baldwin. African American and Jewish novelists critiqued racism and anti-Semitism, women writers pushed back on the misogyny unleashed during the war, and authors such as Gore Vidal and Tennessee Williams reflected a new openness in the depiction of homosexuality. The decade also witnessed an awakening of American environmental and ecological consciousness. Hutchinson argues that despite the individualized experiences depicted in these works, a common belief in art’s ability to communicate the universal in particulars united the most important works of literature and art during the 1940s. Hutchinson’s capacious view of American literary and cultural history masterfully weaves together a wide range of creative and intellectual expression into a sweeping new narrative of this pivotal decade.
Literary Nonfiction. Essays. Classics. Mythology. Traditionally, the mountains are from whence wisdom is found and dispensed, the homes of the gods, places we look up to for aspiration and inspiration. Yet there is another source of insight, which involves a katabasis, from the Ancient Greek, meaning 'to go down', to travel from this world to the underworld. There, the chthonic gods and goddesses are just as real, and maybe just a little bit edgy from being neglected for so long. It is the journey of the initiate, to die before you die, thence to live twice-born: once of the flesh, and again of wisdom. KATABATIC WIND is an inspired collection of essays drawn from the lost unknown sacred tradition of the West. Using the lens of mythology, pre-Socratic Greek thought, and a long essay comparing the West with the Indian tradition through the characters of Hamlet and Arjuna of the Bhagavad Gita, this book illumines how these traditions shadow life lived today. The kernel of these essays is loss, longing for return, and the grief of living in a society without an inkling of its sacred origin story. "This is the best sort of esoteric work-scholarly yet personal, wide-ranging yet detailed. Fascinating book."-Rachel Pollack "If the end of the world is at hand, there's no point in reading this book-or any other book. If however there still exists one iota of hope...you have about ten minutes...to start reading this book."-Peter Lamborn Wilson "Stephen Crimi embraces his life's dedication to primordial traditions with genuine humility, his colloquial essays are unapologetic as he alerts us Americans to our current condition. Taking us on a journey through the cross-fertilization of mystery wisdom cultures, Crimi announces through his informal examples that 'crisis is the spark of friction at the intersection of the sacred and the profane...finding what is best to do in the face of the impossible.' For Crimi, visioning reality through the Western crises is about pulling our sensory awareness together and starting at the place that sparks our own life."-Sabrina Dalla Valle