Download Free Wimob2010 Book in PDF and EPUB Free Download. You can read online Wimob2010 and write the review.

This book details Eva Green’s film and acting career. Extensively researched, it is concerned with her film roles, and the many movies in which she has appeared. It describes, with critical commentary, features of the making of these films and their reception. Engagingly written, with biographical context, the book spans from 2001 and Green’s first film appearances to the present day, in which she is a leading international actress of film and television.
Doctor Who is the world's longest-running science fiction television series, and has had children hiding behind sofa's since it was first broadcast in 1963. Eleven actors have played the famous Time Lord, starting with William Hartnell, and it has been a career landmark for all of them. Indeed, no other role in television history is as iconic, demanding, or as anticipated by its legions of fans as that of the famous time traveller with two hearts. Find out: * Who was a bouncer for The Rolling Stones before taking control of the Tardis. * Who was nearly blown up in the Second World War aboard HMS Hood. * Who had a fondness for woolly hats and had a grandson who would become Harry Potter's nemesis. * Who played a transvestite barmaid before becoming a Doctor Who heart-throb. Go back in time and read the human story behind a TV legend.
Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, “multisensory milieu,” another conference was organised, focusing this time directly on the “multisensory” nature of moving images. Pairing the keywords “cinema” and “sensation”, an invitation was extended for presentations offering a closer examination of the sensual aspects of moving images in order to identify and map out at least some of the possible new directions perceived as taking shape as “sensuous” film studies. The questions contributors addressed included: What kind of paradigms, authors, and styles can be identified in the practice of a cinema exploring the palpable presence of bodies in film history? How can sensory, audiovisual perception and cognitive knowledge be connected when watching moving images? What does the experience of so-called haptic images entail in film and video art? How does an emphasis on sensations and the body relate to representations of social issues and cultural difference? How are representations of other arts in films, or the filmic image appearing as a painterly tableau perceived? How can new images incorporate a sensation of “old” images? What is the difference between haptic images and “hyper” cinema in the form of 3D movies? How can the new naturalistic trends in contemporary cinema be interpreted? What kind of sensual forms are devised for what is unrepresentable or impalpable? The conference took place between the 25th and 27th of May 2012, with the title The Cinema of Sensations, and attracted researchers from all over the world for what turned out to be three days of presentations on extremely varied subjects and lively discussions conducted in a memorably cheerful atmosphere. The present volume is the palpable outcome of these debates, and publishes a selection of articles that have been written for, or after, this conference.
In Hidden Fields, Book 4, author Charles gets a chance to share his feelings and thoughts in a personal way. He presents themes of Friends, Friendships, Romance, and Love with respects to choices. Charles writes in the spirit of poetry from his heart revealing his experiences one after another in great detail. He was inspired by his everyday experiences from lessons he had learned and lived, too. Many of these experiences, their lessons, were not always clear and evidential, some were after the fact; nonetheless, he gained a wealth of knowledge about others and himself. In hindsight, he believes that human beings are all evolving and unfolding in their own uniqueness, genetic make-up, from experience to experience, lesson to lesson, and realization to realization. All human beings are gifted, and blessed to have volition to make better choices in their lives. Charles believed that soon like himself, that human beings will reach for more insightfulness in their choices; thus, to grasp some sense of wisdom within the best of their choices. For Charles, choices continue to have a profound effect on his life as he faces himself in the light of the unknown and progressive future.
Since Dolly the sheep was born, controversy has swirled around the technology of cloning. We recoil at the prospect of human copies, manufactured men and women, nefarious impersonators and resurrections of the dead. Such reactions have serious legal consequences: lawmakers have banned stem cell research along with the cloning of babies. But what if our minds have been playing tricks on us? What if everything we thought we knew about human cloning is rooted in intuition rather than fact? Human Cloning: Four Fallacies and their Legal Consequences is a rollicking ride through science, psychology and the law. Drawing on sources ranging from science fiction films to the Congressional Record, this book unmasks the role that psychological essentialism has played in bringing about cloning bans. It explains how hidden intuitions have caused conservatives and liberals to act contrary to their own most cherished ideals and values.
THE AUTHOR SHARES HER STORY OF HOW HER MOTHERS WORDS OF WISDOM WHILE SHE WAS GROWING UP HELPED HER LATER AS A YOUNG WOMAN TO SPICE UP HER LOVE LIFE, GET THROUGH BREAKUPS, LEARN HOW TO BE ALONE AND BE OKAY, AND ON ONE OCCASION EVEN SAVED HER LIFE.
This book investigates the formations of masculinity in Hungarian cinema after the fall of communism and explores some of the cultural phenomena of the years following the 1989 regime change. The films explored offer a unique perspective encompassing two entirely different worlds: state socialism and neoliberal capitalism. The films suggest that Eastern Europe is somehow different than its western counterpart and that its subjects are marked by what they went through before and after 1989. These films are all remembering, interpreting, picturing, marketing and trying to come to terms with this difference—with the memory and effects of state-socialism. In looking closely at the films’ male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new world of global neoliberal capitalism through the eyes of the Eastern European newcomers.
Contributions by Marleen S. Barr, Shiloh Carroll, Sarah Gray, Elyce Rae Helford, Michael R. Howard II, Ewan Kirkland, Nicola Mann, Megan McDonough, Alex Naylor, Rhonda Nicol, Joan Ormrod, J. Richard Stevens, Tosha Taylor, Katherine A. Wagner, and Rhonda V. Wilcox Although the last three decades have offered a growing body of scholarship on images of fantastic women in popular culture, these studies either tend to focus on one particular variety of fantastic female (the action or sci-fi heroine), or on her role in a specific genre (villain, hero, temptress). This edited collection strives to define the "Woman Fantastic" more fully. The Woman Fantastic may appear in speculative or realist settings, but her presence is always recognizable. Through futuristic contexts, fantasy worlds, alternate histories, or the display of superpowers, these insuperable women challenge the laws of physics, chemistry, and/or biology. In chapters devoted to certain television programs, adult and young adult literature, and comics, contributors discuss feminist negotiation of today's economic and social realities. Senior scholars and rising academic stars offer compelling analyses of fantastic women from Wonder Woman and She-Hulk to Talia Al Ghul and Martha Washington; from Carrie Vaughn's Kitty Norville series to Cinda Williams Chima's The Seven Realms series; and from Battlestar Gallactica's female Starbuck to Game of Thrones's Sansa and even Elaine Barrish Hammond of USA's Political Animals. This volume furnishes an important contribution to ongoing discussions of gender and feminism in popular culture.
- THE LANDS OF WESTEROS - THE HISTORY OF WESTEROS - AGES - CHARACTER BIOS - THE GREAT HOUSES - INDEPENDENTS AND PEOPLES OF WESTEROS - THE STORIES BEHIND 'THE BROTHERS WITHOUT BANNERS', 'THE KINGSGUARD', AND DOZENS MORE - CUSTOMS & LAWS OF THE SEVEN KINGDOMS - THE SMALL COUNCIL - FAITH OF WESTEROS - DETAILED GUIDES TO EVERY EPISODE - ACTOR BIOGRAPHIES - STORIES OF THE GREAT BATTLES - DIREWOLVES - WEAPONS OF WESTEROS - GREAT SWORDS - COSTUMES - MAPS AND LOCATIONS With more than 320 individual chapters and guides, Collection Editions: A Game of Thrones is by far the largest, most detailed, and comprehensive guide to the show yet, giving the reader unparralled access and information on every detail of the series. A must have for every fan of the show.