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The tragic and inspiring story of the leaders of Outlaw country and their influence on today’s Alt-County and Americana superstars, tracing a path from Waylon Jennings’ survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of Chris Stapleton, Brandi Carlile, Zach Bryan, Jason Isbell, and the Highwomen. On February 2, 1959, Waylon Jennings, bassist for his best friend, the rock star Buddy Holly, gave up his seat on a charter flight. Jennings joked that he hoped the plane, leaving without him, would crash. When it did, killing all aboard, on "the Day the Music Died," he was devastated and never fully recovered. Jennings switched to playing country, creating the Outlaw movement and later forming the Highwaymen supergroup, the first in country music, with Johnny Cash, Willie Nelson, and Kris Kristofferson. The foursome battled addiction, record companies, ex-wives, violent fans, and the I.R.S. and D.E.A., en route to unprecedented mainstream success. Today, their acolytes Kacey Musgraves, Ryan Bingham, Sturgill Simpson, and Taylor Swift outsell all challengers, and country is the most popular of all genres. In this fascinating new book, Brian Fairbanks draws a line from Buddy Holly through the Outlaw stars of the 60s and 70s, all the way to the country headliners and more diverse, up-and-coming Nashville rebels of today, bringing the reader deep into the worlds of not only Cash, Nelson, Kristofferson, and Jennings but artists like Chris Stapleton, Simpson, Bingham, and Isbell, stadium-filling masters whose stories have not been told in book form, as well as new, diverse artists like the Highwomen, Brittney Spencer, and Allison Russell. Thought-provoking and meticulously researched, Willie, Waylon, and the Boys ultimately shows how a twenty-one-year-old bass-playing plane crash survivor helped changed the course of American music.
A “compulsively readable” history of how Waylon Jennings, Willie Nelson, and Kris Kristofferson redefined country music (Publishers Weekly, starred review). Outlaw delves into the country music scene of the late ’60s and early ’70s, when three rebels—Waylon Jennings, Willie Nelson, and Kris Kristofferson found themselves in Music City writing songs and vying for record deals. Channeling the unrest of the times, all three Country Music Hall of Famers resisted the music business’s unwritten rules and emerged as leaders of the outlaw movement that ultimately changed the recording industry. This account offers a broad portrait of the outlaw movement in Nashville that includes a diverse secondary cast of characters, such as Johnny Cash, Rodney Crowell, Kinky Friedman, and Billy Joe Shaver, among others. With archival photographs throughout, Outlaw is a comprehensive examination of a fascinating shift in country music, and the three unbelievably talented musicians who forged the way. “[An] engaging cultural history . . . a fascinating chronicle.” —The Washington Post “Riveting.” —The Wall Street Journal
Grail Quests often begin with what seems like normal travel adventures, but then suddenly turn into divine synchronistic events that makes one feel as though they’re being guided by the Universe.I was to find out, two years later, that many local people knew about this cave. Teenagers even partied in it, as we could see from their graffiti, so what was the big secret? The cave’s location was obviously not a secret, but apparently no one understood the significance of that specific cross. What the cave was carved out for turned out to be the secret, helping me to later understand why the Templars dug it out in the middle of nowhere.I returned that evening to our pousada a different person. Something had fundamentally changed within me. I felt that somehow, this discovery was part of my destiny. The Universe had unmistakably directed me to this cav
In 1973, a forty-year-old country musician named Willie Nelson, inspired by a failed music festival the year before, decided he was going to hold his own party. He would stage it in the same remote and rocky field where the previous festival had withered. And he’d do it in July: not the hottest part of the Central Texas summer, but “damn sure close enough,” according to music journalist Dave Dalton Thomas. As unlikely as it seemed in 1973, Willie kept the event going, minus a year off here and there, for half a century. Thomas has attended nearly every Willie Nelson Fourth of July Picnic since 1995, finding joy in an event some music reporters have compared to “death marches and prison labor.” For the last 20 years, Thomas has researched the history of the Picnic, chronicling the brutal heat and the quirky and sometimes illegal antics of fans, musicians, and others. Thomas has watched the Picnic evolve over the decades, as Willie and his audience have evolved. He has interviewed participants, including artists, organizers, promoters, and even a few colorful hangers-on. While reviewing ten of the Picnics in detail—each chosen for its significance in the overarching development of the event—Thomas also includes basic facts about each gathering, from the beginning to the present, with the addition of pertinent information about the “off years,” when the Picnic was on temporary hiatus for one reason or another. In his introduction, Thomas quotes country musician Johnny Bush as he recalls trying to talk Nelson out of the notion of holding the first Picnic. “Willie, there ain’t no way in hell a bunch of cowboys are going to come out in the hundred-degree heat to watch us pick our guitars.” As Thomas records them, Bush’s next words were “he proved me wrong.”
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Storytelling is alive and well in Texas! Let storyteller and biographer Jim Gramon give you a personal introduction to some of his legendary storytelling friends.
"Abandoned by their parents as toddlers, Willie and Bobbie Nelson found their love of music almost immediately through their grandparents, who raised them in a dusty small town in east Texas. Their close relationship ... is the longest-lasting bond in either of their lives. In alternating chapters, this ... dual memoir weaves together their lives as they experienced them both side-by-side and apart with powerful, emotional stories from growing up, playing music in public for the first time, and the trials they each faced in adulthood as Willie pursued a songwriting career and Bobbie faced a series of challenging relationships and a musical career that only took off when attitudes about women began to change in Texas"--
Discover the untold stories and unbreakable bond between country music icon Willie Nelson and his longtime drummer, Paul English. Immortalized in Willie Nelson’s road song "Me and Paul," Paul English was the towering figure who for 70 years acted as Willie’s drummer, bodyguard, accountant, partner in crime, and right-hand man. Together, the two men roamed the country by: putting on shows, getting into a few scrapes, raising money for good causes, and bringing the joy of their music to fans worldwide. Stories of Willie and Paul’s misadventures became legendary, but many have gone untold--until now. Set against the backdrop of the exploding Americana music scene and told in Willie’s inimitable, colorful style, Me and Paul follows the two performers through their decades-long careers.
Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The volume features hundreds of images, including a photo essay of album covers; a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards); and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Winner of the Best Reference Award from the Popular Culture Association "Any serious country music fan will treasure this authoritative book." --The Seattle Times "A long-awaited, major accomplishment, which educators, historians and students, broadcasters and music writers, artists and fans alike, will welcome and enjoy." --The Nashville Musician "Should prove a valuable resource to those who work in the country music business. But it's also an entertaining read for the music's true fans." --Houston Chronicle "This big, handsome volume spans the history of country music, listing not only artists and groups but also important individuals and institutions." --San Francisco Examiner "Promises to be the definitive historical and biographical work on the past eight decades of country music. Well written and heavily illustratedan unparalleled work, worth its price and highly recommended." --Library Journal