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Some vols. include reports of the dean and the librarian.
The year 1810 marks the start of the North American foreign missions movement -- a movement begun with typical American enthusiasm and vigor but in need of practical grounding. This volume explores important facets of the development of North American foreign missions, paying particular attention to the role agencies like the American Board of Commissioners for Foreign Missions (ABCFM) played in shaping the theology, theory, and policy of evangelistic activities overseas. Written by leading experts on missions and religious history, this volume is distinguished by its focus on key events taking place at the home base rather than on happenings in the foreign mission field. In doing so, these insightful studies shed light on important yet neglected topics, including the impact of debates about slavery on foreign missions, the emergence of distinctive mission strategies for women, the role of the social gospel as a missionary ideology, and the contribution of foreign missions to the creation of a global evangelical network. Contributors: Alvyn AustinRuth Compton Brouwer, Wendy J. Diechmann Edwards, Janet F. Fishburn, Paul Harris, David W. Kling, Charles A. Maxfield III, Susan Wilds McArver, John F. Piper Jr., Dana L. Robert, Richard Lee Rogers, Wilbert R. Shenk, Carol Ann Vaughn. bThis excellent volume will command widespread attention not only for its display of scholarly expertise but for the fresh and revealing light it throws on the principal landmarks and major themes in the history of missionary expansion overseas.b -- Andrew Porter Kingbs College London
Edwards and the Edwardseans gathers into a single volume eight of the author’s previously published articles and chapters. Suitable as either a basic or supplementary text for interested lay people and graduate students, this book serves as an introduction to the central spiritual and theological interests of Jonathan Edwards and to the long shadow those interests cast on his eponymous followers. The first four chapters (Part One) focus on Jonathan Edwards—his formative role in the Great Awakening, his biblical understanding of conversion, his perspective on petitionary prayer, and his influence on missionary endeavors. The following four chapters (Part Two) trace a well-defined theological movement from Edwards to his second- and especially third-generation followers. The impact of this movement resulted in the creation of a distinct theological culture that, over two generations, was institutionalized in informal seminaries or “schools of the prophets” in colleges attended by New Divinity students and staffed by New Divinity presidents and in missionary outreach both at home and abroad. Taken together, these chapters introduce theological subjects that mattered most to Edwards and his disciples: spiritual revival, conversion, the Bible, prayer, and extending the kingdom of God.
The unique and influential architecture of sixteen New England colleges
Jonathan Williams’ work of more than half a century is such that no one activity or identity takes primacy over any other—he was the seminal small press publisher of The Jargon Society; a poet of considerable stature; book designer; editor; photographer; legendary correspondent; literary, art, and photography critic and collector; early collector and proselytizer of visionary folk art; cultural anthropologist and Juvenalian critic; curmudgeon; happy gardener; resolute walker; and keen and adroit raconteur and gourmand. Williams’ refined decorum and speech, and his sartorial style, contrasted sharply, yet pleasingly, with his delight in the bawdy, with his incisive humor and social criticism, and his confidently experimental, masterful poems and prose. His interests raised “the common to grace,” while paying “close attention to the earthy.” At the forefront of the Modernist avant-garde—yet possessing a deep appreciation of the traditional—Williams celebrated, rescued, and preserved those things he described as, “more and more away from the High Art of the city,” settling “for what I could unearth and respect in the tall grass.” Subject to much indifference—despite being celebrated as publisher and poet—he nurtured the nascent careers of hundreds of emerging or neglected poets, writers, artists, and photographers. Recognizing this, Buckminster Fuller once called him “our Johnny Appleseed”, Guy Davenport described him as a “kind of polytechnic institute,” while Hugh Kenner hailed Jargon as “the Custodian of Snowflakes” and Williams as “the truffle-hound of American poetry.” Lesser known for his extraordinary letters and essays, and his photography and art collecting, he is never only a poet or photographer, an essayist or publisher. This book of essays, images, and shouts aims to bring new eyes and contexts to his influence and talent as poet and publisher, but also heighten appreciation for the other facets of his life and art. One might call Williams’ life a poetics of gathering, and this book a first harvest.