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Wordsworth's romantic critique of industrial life and society was backward-looking. His 'Golden Age ideal' of pastoral life and rural relationships falls within the scope of English 'populism' as found among the middle ranks of small independent producers and their idealogues. Furthermore his rural education and up-bringing in the remote North of England explain his long-term shift from radical and whig reformer to tory placeman in the years 1789 to 1832 as well as his relative demise as a poet.
In William Wordsworth and the Ecology of Authorship, Scott Hess explores Wordsworth’s defining role in establishing what he designates as "the ecology of authorship": a primarily middle-class, nineteenth-century conception of nature associated with aesthetics, high culture, individualism, and nation. Instead of viewing Wordsworth as an early ecologist, Hess places him within a context that is largely cultural and aesthetic. The supposedly universal Wordsworthian vision of nature, Hess argues, was in this sense specifically male, middle-class, professional, and culturally elite—factors that continue to shape the environmental movement today.
By examining the family and financial circumstances of Wordsworth’s early years, this illuminating biography reshapes our understanding of the great Romantic poet’s most creative period of life and writing. Features new research into Wordsworth’s financial situation, and into how the poet and his family survived financially Offers a new understanding of the role of his great unwritten poem ‘The Recluse’ Presents a new assessment of the relationship between Wordsworth and Coleridge
The Rise and Fall of Radical Westminster, 1780-1890 explores a critical chapter in the story of Britain's transition to democracy. Utilising the remarkably rich documentation generated by Westminster elections, Baer reveals how the most radical political space in the age of oligarchy became the most conservative and tranquil in an age of democracy.
A major academic controversy has raged in recent years over the analysis of the political and religious commitments of Samuel Johnson, the most commanding of the 'commanding heights' of eighteenth-century English letters. This book, one of a trilogy from Palgrave, brings that debate to a decisive conclusion, retrieving the 'historic Johnson.'
A major academic controversy has raged in recent years over the analysis of the political and religious commitments of Samuel Johnson, the most commanding of the 'commanding heights' of eighteenth-century English letters. This book, one of a trilogy from Palgrave, brings that debate to a decisive conclusion, retrieving the 'historic Johnson.'
In one of the more sudden shifts of perspective, and hotly contested controversies of recent historical and literary scholarship, our view of Johnson has been fundamentally changed. This volume offers the best up-to-the-moment account of what has been achieved, and points to the new directions in which scholarship is developing. It will be essential reading for all concerned with eighteenth-century studies.
This book examines the Whig theory of resistance that emerged from the Revolution of 1688 in England, and presents an important challenge to the received opinion of Whig thought as confused and as inferior to the revolutionary principles set forth by John Locke. While a wealth of Whig literature is analyzed, Rudolph focuses upon the work of James Tyrrell, presenting the first full-length study of this seminal Whig theorist, and friend and colleague of John Locke. This book provides a compelling argument for the importance of Whig political thought for the history of liberalism.
Landscape, Literature and English Religious Culture, 1660-1800 offers a powerful revisionist account of the intellectual significance of landscape descriptions during the 'long' Eighteenth-century. Landscape has long been a major arena for debate about the nature of Eighteenth-century English culture; this book surveys those debates and offers a provocative new account. Mayhew shows that describing landscape was a religiously contested practice, and that different theological positions led differing authors to different descriptive approaches. Landscape description, then, shows English intellectual life still in the grips of a Christian and classical mentality in the 'long' Eighteenth-century.