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In 1891 William Marsh Rice made a generous bequest in order to found the distinguished Houston institution that bears his name. Ironically, this very bequest helped to bring about his murder, an act of treachery perpetrated by a conniving attorney and Rice’s naïve, malleable manservant. This captivating tale—full of intrigue, legal twists and turns, and sensational revelations—an important part of the full biography of Rice himself, received its first careful historical investigation by Andrew Forest Muir, a longtime professor of history at Rice University who, beginning in 1957, performed the fundamental research that forms the basis for this biography. At the time of Muir’s death in 1969, the work remained incomplete. Subsequently, at the request of the Rice Historical Society, Sylvia Stallings Morris shaped the fruits of Muir’s labor into the first edition of this book, which was published in 1972. The new edition of William Marsh Rice and His Institute, edited by Randal L. Hall, returns this fine biography to print in connection with the celebration of the centennial of the opening of Rice University. Incorporating new and important sources unearthed since the publication of the original book, this revised edition retains all the flavor and meticulous care of the earlier work, especially the “finely crafted storytelling of Sylvia Stallings Morris Lowe and Andrew Forest Muir,” as characterized by Hall. Rice University students, faculty, staff, and alumni; scholars and students of Houston, Texas, and regional history; and those interested in the history of American higher education will all welcome William Marsh Rice and His Institute: The Centennial Edition.
Describes the life and accomplishments of the historic college football coach, from his youth in Pennsylvania to his rise to one of football's most innovative coaches, and provides insight into the creation of the Heisman Trophy award.
This collection is composed of organizational papers relating to the Scientia Institute at Rice University, the purpose of which is to promote scholarship and research in the general area of history of science and culture for the benefit of the university and Houston community. It includes copies of the organization's charter, by-laws, budgets, speakers, meeting minutes, and general information.
Birdsall P. Briscoe (1876–1971) practiced architecture from 1912 to 1956, the span of years during which Houston was transformed from an ambitious town on Buffalo Bayou into an international city, its economy powered by cotton, trade, and oil. The country houses Briscoe designed for three generations of affluent clients, sited in such Houston neighborhoods as Courtlandt Place, Shadyside, Broadacres, and River Oaks, display his exceptional skill in formulating stylistic and social identities for his wealthy clients and their families. In The Architecture of Birdsall P. Briscoe, architectural historian Stephen Fox examines the country houses designed by Briscoe, offering a glimpse into the architect’s methods as well as analyzing how Briscoe constructed a “social architecture” to frame his clientele during periods of economic expansion and contraction. Fox demonstrates how Briscoe cultivated and managed elements of taste, style, and fashion to embody assertions of class identity and solidarity in the context of Houston’s capitalist economy. Additionally, Fox shows how Briscoe and his peers interpreted and reflected early twentieth-century Progressive Era design ideals in giving shape to the vision of local civic leaders. Illustrated throughout with masterful color photography by Paul Hester, this original study of one of Texas’ most distinguished residential architects will enthrall readers with both its detail and its contextual clarity. As he did in his book on the architecture of John F. Staub, Fox delivers a treasure trove of insight into a vital period of Houston’s social history and the architect who helped design it.
Glenwood Cemetery has long offered a serene and pastoral final resting place for many of Houston's civic leaders and historic figures. In Houston's Silent Garden, Suzanne Turner and Joanne Seale Wilson reveal the story of this beautifully wooded and landscaped preserve's development—a story that is also very much entwined with the history of Houston. In 1871, recovering from Reconstruction, a group of progressive citizens noticed that Houston needed a new cemetery at the edge of the central city. Embracing the picturesque aesthetic that had swept through the Eastern Seaboard, the founders of Glenwood selected land along Buffalo Bayou and developed Glenwood. Since then, the cemetery's monuments have memorialized the lives of many of the city's most interesting residents (Allen, Baker, Brown, Clayton, Cooley, Cullinan, Farish, Hermann, Hobby, House, Hughes, Jones, Law, Rice, Staub, Sterling, Weiss, and Wortham, among many others). The monuments also showcase the artistry and craftsmanship of some of the region's finest sculptors and artisans. Accompanied by the breathtaking photography of Paul Hester, this book chronicles the cemetery's origins from its inception in 1871 to the present day. Through the story of Glenwood, readers will appreciate some of the natural features that shaped Houston's evolution and will also begin to understand the forces of urbanization that positioned Houston to become the vital community it is today. Houston's Silent Garden is a must-read for those interested in Houston civic and regional history, architecture, and urban planning.
A close examination of an iconic small town that gives boundless insights into architecture, landscape, preservation, and philanthropy Avant-Garde in the Cornfields is an in-depth study of New Harmony, Indiana, a unique town in the American Midwest renowned as the site of two successive Utopian settlements during the nineteenth century: the Harmonists and the Owenites. During the Cold War years of the twentieth century, New Harmony became a spiritual “living community” and attracted a wide variety of creative artists and architects who left behind landmarks that are now world famous. This engrossing and well-documented book explores the architecture, topography, and preservation of New Harmony during both periods and addresses troubling questions about the origin, production, and meaning of the town’s modern structures, landscapes, and gardens. It analyzes how these were preserved, recognizing the funding that has made New Harmony so vital, and details the elaborate ways in which the town remains an ongoing experiment in defining the role of patronage in historic preservation. An important reappraisal of postwar American architecture from a rural perspective, Avant-Garde in the Cornfields presents provocative ideas about how history is interpreted through design and historic preservation—and about how the extraordinary past and present of New Harmony continue to thrive today. Contributors: William R. Crout, Harvard U; Stephen Fox, Rice U; Christine Gorby, Pennsylvania State U; Cammie McAtee, Harvard U; Nancy Mangum McCaslin; Kenneth A. Schuette Jr., Purdue U; Ralph Schwarz; Paul Tillich.
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-