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Publication measures 9 x 11 in. Describes the paintings done by William Henry Jackson. Tells the story of scenes of the old West depicted in them. Includes a bibliography and index.
Belfast, 1914. Two years after the sinking of the Titanic, high society has become obsessed with spiritualism. In their collective grief they are attempting to reach their departed through séances. William Jackson Crawford is a man of science and a sceptic, but one night with everyone sitting around the circle, voices come to him seemingly from beyond the veil, placing doubt in his heart and a seed of obsession in his mind. Could the spirits truly be communicating with him or is this one of Kathleen's parlour tricks gone too far? Based on the true story of William Jackson Crawford and famed medium Kathleen Goligher, and with a cast of characters that includes Arthur Conan Doyle and Harry Houdini, West conjures a haunting tale that will keep you guessing until the end.
The Washington Monument is one of the most easily recognized structures in America, if not the world, yet the long and tortuous history of its construction is much less well known. Beginning with its sponsorship by the Washington National Monument Society and the grudging support of a largely indifferent Congress, the Monument's 1848 groundbreaking led only to a truncated obelisk, beset by attacks by the Know Nothing Party and lack of secured funding and, from the mid-1850s, to a twenty-year interregnum. It was only 1n 1876 that a Joint Commission of Congress revived the Monument and entrusted its completion to the U.S. Army Corps of Engineers.In "To the Immortal Name and Memory of George Washington": The United States Corps of Engineers and the Construction of the Washington Monument, historian Louis Torres tells the fascinating story of the Monument, with a particular focus on the efforts of Lieutenant Colonel Thomas Lincoln Casey, Captain George W. Davis, and civilian Corps employee Bernard Richardson Green and the details of how they completed the construction of this great American landmark. The book also includes a discussion and images of the various designs, some of them incredibly elaborate compared to the austere simplicity of the original, and an account of Corps stewardship of the Monument up to its takeover by the National Park Service in 1933. First published in 1985. 148 pages, ill.
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.