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On a lazy Sunday in 1954, twelve-year-old Jerry Schilling wandered into a Memphis touch football game, only to discover that his team was quarterbacked by a nineteen-year-old Elvis Presley, the local teenager whose first record, "That’s All Right," had just debuted on Memphis radio. The two became fast friends, even as Elvis turned into the world’s biggest star. In 1964, Elvis invited Jerry to work for him as part of his "Memphis Mafia," and Jerry soon found himself living with Elvis full-time in a Bel Air mansion and, later, in his own room at Graceland. Over the next thirteen years Jerry would work for Elvis in various capacities — from bodyguard to photo double to co-executive producer on a karate film. But more than anything else he was Elvis’s close friend and confidant: Elvis trusted Jerry with protecting his life when he received death threats, he asked Jerry to drive him and Priscilla to the hospital the day Lisa Marie was born and to accompany him during the famous "lost weekend" when he traveled to meet President Nixon at the White House. Me and a Guy Named Elvis looks at Presley from a friend’s perspective, offering readers the man rather than the icon — including insights into the creative frustrations that lead to Elvis’s abuse of prescription medicine and his tragic death. Jerry offers never-before-told stories about life inside Elvis’s inner circle and an emotional recounting of the great times, hard times, and unique times he and Elvis shared. These vivid memories will be priceless to Elvis’s millions of fans, and the compelling story will fascinate an even wider audience.
This book is Albert Spaldings work of "historic facts concerning the beginning, evolution, development and popularity of base ball, with personal reminiscences of its vicissitudes, its victories and its votaries." It is one of the defining books in the early formative years of modern baseball.
In a bitterly divided world, a giant bear becomes an object of worship in “the extraordinary fantasy novel by the author of Watership Down” (The Guardian, UK). In a burning forest, Kelderek the hunter encounters a gigantic bear unlike any he’s seen before. Surely this is the reincarnation of Lord Shardik, the messenger of god whose return has been anticipated by the primitive Ortelgan people. In service to Shardik, Kelderek becomes a prophet, then a soldier, and finally an emperor-priest. Swept up by fate and his impassioned faith, Klederek will come to discover ever-deeper layers of meaning implicit in the bear’s divinity. Written after his bestselling debut novel Watership Down, Richard Adams’s Shardik is an epic fantasy of tragic character. A fascinating depiction of the power of belief, it explores themes of faith, slavery, and war.
What could an omnipresent and seemingly omnipotent entity want with a humble pot-healer? Or with the dozens of other odd creatures it has lured to Plowman's Planet? And if the Glimmung is a god, are its ends positive or malign? Combining quixotic adventure, spine-chilling horror, and deliriously paranoid theology, Galactic Pot-Healer is a uniquely Dickian voyage to alternate worlds of the imagination.
Why are some companies able to generate committed, long-term customers while others struggle to stay afloat? Why do the employees of some organizations fully dedicate themselves while others punch the clock without enthusiasm? By studying the ins and outs of companies that enjoy extraordinary loyalty from customers and employees, John Jantsch reveals the systematic path to discovering and generating genuine commitment. Jantsch's approach is built on three foundational planks, which he calls the clarity path, the culture patron, and the customer promise. He draws on his own experiences and shares true stories from businesses like Threadless, Evernote, and Warby Parker. His strategies include these: Build your company around a purpose. People commit to companies and stories that have a simple, straightforward purpose. Understand that culture equals brand. Build your business as a brand that employees and customers will support. Lead by telling great stories. You can't attract the right people or get them to commit without telling a story about why you do what you do. Treat your staff as your customer. A healthy customer community is the natural result of a healthy internal culture. Serve customers you respect. It's hard to have an authentic relationship with people you don't know, like, or trust. As Jantsch says, "Have you ever encountered a business where everything felt effortless? The experience was perfect, and the products, people, and brand worked together gracefully. You made an odd request; it was greeted with a smile. You went to try a new feature; it was right where it should be. You walked in, sat down, and felt right at home. . . . Businesses that run so smoothly as to seem self-managed aren't normal. In fact, they are terribly counterintuitive, but terribly simple as it turns out." As a follow-up to The Referral Engine, this is about more than just establishing leads- it's about building a fully alive business that attracts customers for life.
Sold into slavery to the dealer Lalloc by her mother when her stepfather seduces her, the beautiful 15-year-old Maia is almost raped by Genshed, one of Lalloc's employees but is saved by Occula, a black slave girl. With no-one but Occula at her side, Maia must summon all her courage, strength and intelligence as she navigates the seedy side of the Beklan empire.
Set between 1860 and 1880, four deserters bring the body of a dead soldier back to his home town, a mining community in the grip of a coal strike and cut off by snow. Their leader, Serjeant Musgrave, plans to hold the town at gunpoint and confront its people with the realities of warfare. Arden's play questions the military principle of "Obey or suffer" and the cruelty and futility of war. Serjeant Musgrave's Dance was first performed at the Royal Court Theatre in 1959.This volume contains expert notes on the author's life and work, historical and political background to the play and a glossary of difficult words and phrases.
The first large-scale exhibition exploring contemporary abstract painting. In a major exhibition at the Museum of Contemporary Art, Los Angeles, director Jeffrey Deitch considers the reemergence of abstract painting among a broad range of artists whose work is as diverse conceptually as it is aesthetically. Looking back to Andy Warhol’s seminal Shadow, Oxidation, and Rorschach paintings as among the many touchstones that underwrite the contemporary impulse to abstraction, the show features artists such as Julie Mehretu, whose large-scale works densely layer maplike markings; Josh Smith, whose lush canvases often explore a single theme repeatedly, such as his signature; and Tauba Auerbach, whose highly formal explorations of materials challenge conventional modes of perception. Additional artists include Rudolf Stingel, Christopher Wool, Glenn Ligon, Urs Fischer, Mark Bradford, Wade Guyton, Kelley Walker, Seth Price, Kerstin Brätsch and Adele Röder, and Sterling Ruby. The exhibition catalogue features a roundtable discussion between Jeffrey Deitch, art historian Johanna Burton, and curators James Meyer and Scott Rothkopf.