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Kathryn Heleniak demonstrates how intimately Mulready's paintings were related to the social conditions of his time. His portrayal of blacks is linked to the abolition of slavery and to the British colonial experience; his children's genre is analysed in the light of nineteenth-century attitudes to childhood and sexuality, and in the light of Mulready's own deeply-rooted pessimism about human nature.
The author examines book illustration of the Romantic period. He focuses on the decorative wood - and steel-engravings, which were used as embellishments with the purpose of appealing to the sophisticated book buyer. He also describes how the values of the time are reflected in the illustrations.
Memorials of William Mulready RA is a biographical work that details the life and career of the British artist William Mulready. The book is written by Frederic George Stephens, a noted art critic and writer of the Victorian era. It includes analysis of Mulready's work, along with personal anecdotes and insights into his life. It is a valuable resource for anyone interested in the art and culture of 19th century Britain. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
From luminaries such as J.M.W.Turner to the all but forgotten George Travers - and through the hierarchy of genres from high art to animals, fruit, flowers, sea and landscapes - the 500 pictures covered in this catalogue form about half of the V&A's collection of British oil paintings.