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Color, complete, and create wallpaper patterns inspired by a dazzling range of historical designs The choice of wallpaper—an intricate floral motif, a complex repeat pattern, or a bold abstract design—can transform a room. The Art of Wallpaper showcases inspirational wallpapers from the V&A’s outstanding collection, from intricate hand-drawn designs to bold, woodblocked prints, and invites readers to create designs of their own. The book begins with a brief history of wallpaper manufacture and design. The activities are divided into four sections, becoming progressively more difficult: Experiment with Color, Complete the Repeat, Fill in the Gaps, and Create Your Own. Thumbnails at the end of the book identify all the featured designs. Wallpaper’s ubiquity and versatility have allowed designers to innovate and experiment with color, technique, and style. The Art of Wallpaper encourages readers to explore the endless variety of this medium and provides inspiration for new designs.
Forty of the Victorian master's most famous designs for wallpapers, chintzes, velveteens, tapestries, tiles, carpets, and more. Reproduced from original color plates of The Art of William Morris.
The shocking story of a deadly trend in Victorian wallpaper design, illustrated by beautiful and previously unseen arsenic-riddled designs from the British National Archives In Germany, in 1814, Wilhelm Sattler created an extremely toxic arsenic and verdigris compound pigment, Schweinfurt green–known also as Paris, Vienna, or emerald green–which became an instant favorite amongst designers and manufacturers the world over, thanks to its versatility in creating enduring yellows, vivid greens, and brilliant blues. Most insidiously, the arsenic-laced pigment made its way into intricately patterned, brightly colored wallpapers and from there, as they became increasingly in vogue, into the Victorian home. As its use became widespread, commercial arsenic mines increased production to meet the near-insatiable demand. Not least of which was the UK’s largest mining plant, DGC whose owner was William Morris, originator of the British Arts and Crafts movement and arguably the finest wallpaper designer of his generation. Bitten by Witch Fever (Morris’s own phrase to dismiss arsenic- and- wall-paper-related public health concerns in 1885) tells this fatal story of Victorian home décor, building upon new research conducted especially for this book by the British National Archive, on their own samples. Spliced between the sections of text are stunning facsimiles of the wallpapers themselves.
A miniature edition of William Morris designs.
Decor.
The twenty-six plates in this collection have been chosen to represent a broad cross-section of Morris's patterns for furnishing textiles and wallpapers, and the large format makes it possible to study the designs as they were first created. Norah Gillow's Introduction provides an informative background to the artist and the work of his company, Morris and Co.
Through his own work and in his own words, the book traces the fascinating progress of William Morris, pre-Raphaelite poet and architectural student into designer, writer and pioneer socialist. His youthful enthusiasm for the Middle Ages and Gothic architecture fired him with the conviction that he must dedicate his life to 'Art'. Later letters written to friends explain how in the industrialised nineteenth century Morris become preoccupied with the loss of traditional skills and pride in work and during the last ten years of his life he became increasingly involved in political agitation, and his stories, poems and lectures all reflect his commitment to the socialist cause and his ideals for art and society. Other extracts from his letters and poems reveal more intimate aspects of Morris's life and personality, reflecting the despair and isolation he felt over the breakdown of his marriage and his reliance on the friends who helped him through his personal crisis. WILLIAM MORRIS BY HIMSELF is a tribute to an exceptional man, whose work and reputation have survived for more than a century.
William Morris is one of the greatest and best-known British designers. This new introduction to his work puts his ideas into a modern context, showing how his designs can be used not only in traditional interiors but also in contemporary settings. Morris created highly distinctive designs for wallpapers and textiles, many of which are still enjoying enormous popularity today. Through his company, Morris & Co, he contributed to the transformation of interior design at the end of the 19th century and gave expression to the ideas of the Arts and Crafts Movement. The highly accessible text looks at pattern and colour, as well as sources of inspiration such as nature, literature and legend. It also offers a fascinating insight into his working practices which were so different from those of many of his Victorian contemporaries. His desire to make beautiful things was at the core of his enterprise and his subtle colour schemes and evocative designs, many of which are still in production, have a timeless appeal. Through specially commissioned photographs showing rooms using his designs in a wide variety of settings, and details of individual textile and wallpaper designs, the book provides a wealth of ideas and inspiration for contemporary home owners.
One of the great books of world literature-an unforgettable tale of jealousy, unrequited love, greed, and vengeance. Based on Viking Age poems and composed in thirteenth-century Iceland, The Saga of the Volsungs combines mythology, legend, and sheer human drama in telling of the heroic deeds of Sigurd the dragon slayer, who acquires runic knowledge from one of Odin's Valkyries. Yet the saga is set in a very human world, incorporating oral memories of the fourth and fifth centuries, when Attila the Hun and other warriors fought on the northern frontiers of the Roman empire. In his illuminating Introduction Jesse L. Byock links the historical Huns, Burgundians, and Goths with the extraordinary events of this Icelandic saga. With its ill-fated Rhinegold, the sword reforged, and the magic ring of power, the saga resembles the Nibelungenlied and has been a primary source for such fantasy writers as J. R. R. Tolkien and for Richard Wagner's Ring cycle.