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The author presents his views on the connections between art and society in a series of essays.
For many years, William Morris's utopian novel, News From Nowhere, has been considered a socialist classic. In it, he describes a future society in which poverty and hardship have been overcome and where individuals are free to express their creativity. For many readers it has been an inspirational text but, at the same time, scholars have openly admitted that the society it describes is impractical. Indeed, in recent years, writers and politicians sympathetic to Morris's socialism have tended to defend the relevance of his political thought by passing over the details of his vision and translating his ideas to a set of familiar values or ideas: freedom, equality, fraternity, ecology, environmentalism. In this stimulating study, Ruth Kinna reviews the debates that have surrounded Morris's work and suggests that the romanticism and utopianism of News From Nowhere have been treated wrongly as a weakness of his thought. By analyzing the impact that Morris's understanding of art had on his political thought, she argues that his socialism was driven by a deeply romantic impulse and that this impulse underpinned his central contribution to socialist thought. In today's political climate, the assumptions that Morris made about the revolution and his idea about the socialist economy and the role of women appear impractical and outdated. Nevertheless, this study suggests that there is a role for utopian thought in practical politics and that Morris's image of the good society remains relevant today.
Eileen Boris explores the ways in which the Arts and Crafts Movement was related to the trends of its time. She both describes the leading participants and puts the movement into a new and larger context that involves labor as well as art.
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,3, Humboldt-University of Berlin (Institut für Anglistik und Amerikanistik), course: Seminar: Pre-Raphaelite Sensualities, language: English, abstract: William Morris was a poet, a political activist, a designer and a craftsman of the 19th century. As a part of the Arts and Crafts Movement, he is mainly known today for the last two categories due to his major influence on various artists. [...] In the following, Morris’ notion of art in connection with his political thinking shall be outlined. It will be analysed how he imagined art to be in the future. It is only possible to explain his socialist ideal of art in contrast to the contemporary role of art in society. Therefore, a description of the circumstances in Morris’ time will follow his definition of art. His own work as an artist will be assessed roughly in terms of his socialist ideal. In line with this, the limits of his work caused by the social circumstances at his time will be mentioned.
Dive into the 27-page classic "Art Under Plutocracy" by William Morris, a thought-provoking exploration of art's role and challenges in a society dominated by wealth. Written in the 1890s, Morris delves into the intersection of art, society, and economics. His insights and critiques remain relevant, making this a must-read for art enthusiasts and historians alike.
This volume re-evaluates the position of William Morris regarding contemporary perspectives on his artistic and political endeavours. Special emphasis is placed on the concepts and territories that lie in-between, both literally and metaphorically. This “in-between-ess” is the most remarkable quality of Morris, and secures him a unique position among his contemporaries, as well as inspiring new generations of scholars. Paradoxically, however, this aspect also contributes to a certain marginalization of Morris in studies devoted to “Eminent Victorians”. Instead of speaking of ruptures, gaps or lacunas, the point of view adopted here explores the undefined terrenes situated between art and politics, viewing them as vantage points and departure planes which cement Morris’s universe. At the same time, the book also argues that this universe has always existed in its specific shape and form, while the “poetic upholster”, as Morris was ironically labelled, only discovered and explored different points on the map of a space that could have no limits and boundaries. The book offers new insights and avenues to supplement existing scholarship on Morris, including spatiotemporal aspects of his work and the relationship between art and politics.
A Summary of the Principles of Socialism - Written for the Democratic Federation is an unchanged, high-quality reprint of the original edition of 1884. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.