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William Morris is one of the greatest and best-known British designers. This new introduction to his work puts his ideas into a modern context, showing how his designs can be used not only in traditional interiors but also in contemporary settings. Morris created highly distinctive designs for wallpapers and textiles, many of which are still enjoying enormous popularity today. Through his company, Morris & Co, he contributed to the transformation of interior design at the end of the 19th century and gave expression to the ideas of the Arts and Crafts Movement. The highly accessible text looks at pattern and colour, as well as sources of inspiration such as nature, literature and legend. It also offers a fascinating insight into his working practices which were so different from those of many of his Victorian contemporaries. His desire to make beautiful things was at the core of his enterprise and his subtle colour schemes and evocative designs, many of which are still in production, have a timeless appeal. Through specially commissioned photographs showing rooms using his designs in a wide variety of settings, and details of individual textile and wallpaper designs, the book provides a wealth of ideas and inspiration for contemporary home owners.
Forty of the Victorian master's most famous designs for wallpapers, chintzes, velveteens, tapestries, tiles, carpets, and more. Reproduced from original color plates of The Art of William Morris.
The twenty-six plates in this collection have been chosen to represent a broad cross-section of Morris's patterns for furnishing textiles and wallpapers, and the large format makes it possible to study the designs as they were first created. Norah Gillow's Introduction provides an informative background to the artist and the work of his company, Morris and Co.
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"Essays on fine printing in the UK and USA during the late 19th and early 20th centuries, first published in various journals, edited and with added illustrations"--
There are 111 illustrations of bindings, title pages, type, and decorations, as well as a very extensive bibliography.
Marking the 125th anniversary of William Morris’s death, this is the most wide-ranging illustrated book about Morris ever published. William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist, and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity, places his art in the context of its time, and examines his ongoing and far-reaching legacy. A pioneer of the Arts & Crafts Movement, William Morris (1834–1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process toward a rediscovered respect for the skill of the maker. Morris’s whole approach still resonates today, and his designs are popular and much admired. Published to mark the 125th anniversary of Morris’s death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy, and publishing. Additional materials include a contextualized chronology of Morris’s life and a list of public collections around the world where examples of Morris’s work may be seen today. This study is a wide- ranging, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design.
Published to accompany an exhibition of the same name held at the National Portrait Gallery, London, October 16, 2014-January 11, 2015.
Red House occupies an extraordinary place in British architectural history. It was the first and only house that William Morris ever built. It was the first independent architectural commission from his friend, Philip Webb. The challenge of furnishing the house inspired Morris to found the design firm of Morris & Co. It had a great influence on the Arts & Crafts Movement. But it is also a house that captured William Morris's heart. He was only twenty-five when, in 1858 he decided to buy the site at Bexleyheath, just outside London, but in a rural Kentish setting. He had recently married Jane Burden, daughter of an Oxford ostler, whose particular beauty became inspiration for so much pre-Raphaelite art. With his young wife and his wealth he planned to produce a vision of earthly paradise at Red House. Rosetti described it as 'more a poem than a house', Morris called it 'our place of art', and when he was obliged to give it up for financial reasons in 1865, he resolved never to return. His biographer recorded that he could 'never set eyes on it again, confessing that the sight of it would be more than he could bear'. Red House was saved from an uncertain future in January 2003 by the National Trust, and has already opened its doors. Visitors will be able to see some of the original furnishings but many are now at Kelmscott Manor, the William Morris Gallery in Walthamstow, the Victoria & Albert Museum and other locations. This book, however, will provide both the story of Red House and a 'virtual tour' to enable the reader to see how the house looked and functioned when William Morris, his family and friends lived there.