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Socialist, philosopher, and poet, William Morris (1834-1896) was at the center of the design renaissance of the 1880's, not only because of his celebrated hostility to aspects of machine culture but because of his success as a designer and businessman whose work had enormous influence on the next generation of artists, craftssmen, and designers. "A very readable and enjoyable book. It is not so much a biography of William Morris as a consideration of him as a political and esthetic phenomenon and as the founder of a number of organizations--the Century Guild, the Arts Workers Guild and the Arts and Crafts Exhibition Society. Mr. Stansky examines them with a learning that is never pedantic, frequently humorous and always intelligent."--New York Times Book Review. Peter Stansky is professor of history at Stanford University and the author of numerous works on British history
A groundbreaking fantasy novel, The Wood Beyond the World tells the story of a young man, Golden Walter, who finds himself in a strange and frightening world after being abandoned by his wife and lost at sea. The novel takes the form of Walter’s quest for the visionary Maid that he sees at the beginning of his journey, and takes him from his failed marriage through temptation to emotional fulfillment. Set in Morris’s imaginative recreation of a medieval world, the novel is full of vivid imagery and surprising emotional realism. This edition collates for the first time the three early texts of the work. The introduction discusses the place of the book among Morris’s other prose romances, the events of his life, and his activities as a visual artist and a socialist. The appendices provide excerpts from Morris’s translation of Beowulf, other medieval texts read by Morris, and writings by his contemporaries on politics and aesthetics.
Marking the 125th anniversary of William Morris’s death, this is the most wide-ranging illustrated book about Morris ever published. William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist, and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity, places his art in the context of its time, and examines his ongoing and far-reaching legacy. A pioneer of the Arts & Crafts Movement, William Morris (1834–1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process toward a rediscovered respect for the skill of the maker. Morris’s whole approach still resonates today, and his designs are popular and much admired. Published to mark the 125th anniversary of Morris’s death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy, and publishing. Additional materials include a contextualized chronology of Morris’s life and a list of public collections around the world where examples of Morris’s work may be seen today. This study is a wide- ranging, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design.
The popularity and influence of William Morris cannot be underestimated – a man of many talents, he was a poet, writer, social campaigner, artist, designer and, with his Kelmscott Press, a fine book printer and publisher. A hugely important figure of the Arts and Crafts movement, he is best known for his superior wallpaper and textile designs, intricately weaving together natural motifs in highly stylized two-dimensional patterns with medieval influences. Organized into five sections – Life, Inspiration & Influences, Media & Techniques, Politics & Society and Arts & Crafts – The World’s Greatest Art: William Morris enables the reader to consider Morris from different angles and contexts, providing a broader understanding of this great artist.
Winner of the Wolfson History Prize, the essential biography of the father of the Arts and Crafts movement. The author, Fiona MacCarthy, is the curator of the National Portrait Gallery's 2014-15 exhibition Anarchy and Beauty: William Morris and His Legacy.'One of the finest biographies ever published in this country' A. S. Byatt Since his death in 1896, William Morris has come to be regarded as one of the giants of the Victorian era. But his genius was so many-sided and so profound that its full extent has rarely been grasped. Many people may find it hard to believe that the greatest English designer of his time, possibly of all time, could also be internationally renowned as a founder of the socialist movement, and could have been ranked as a poet together with Tennyson and Browning.With penetrating insight, Fiona MacCarthy has managed to encompass all the different facets of Morris's complex character, shedding light on his immense creative powers as artist and designer of furniture, fabrics, wallpaper, stained glass, tapestry and books, and as a poet, novelist and translator; his psychology and his emotional life; his frenetic activities as polemicist and reformer; and his remarkable circle of friends, literary, artistic and political, including Dante Gabriel Rossetti and Edward Burne-Jones. Fiona MacCarthy's skilful drawing together of these disparate elements makes for a comprehensive and compelling biography.
The said town was hard on the borders of a wood which men held to be mighty great or maybe measureless; though few indeed had entered it and they that had brought back tales wild and confused thereof.
William Morris, designer, poet, socialist – nature lover. This volume focuses on Morris's vision of the garden, uncovering the principles which had such a profound effect on garden designers such as Gertrude Jekyll and William Robinson. Guided by Morris and the plants which appear in his work, this book endorses gardening with indigenous plants, giving information, both historical and practical, for gardening the William Morris way.
Published to accompany an exhibition of the same name held at the National Portrait Gallery, London, October 16, 2014-January 11, 2015.
A beautiful and informative gift book devoted to designs by William Morris that incorporate flowers—a central motif in his oeuvre and one that played a part in the majority of his designs. The leading figure of the Arts and Crafts Movement, William Morris (1834–1896) is one of the best-known and most popular of all British designers. A passionate advocate of craftsmanship over mass production, he designed a huge variety of objects, but it is his spectacular carpet, fabric, and wallpaper patterns that have continued to capture the popular imagination and influence interior designers and the decorative arts. Around six hundred such designs are attributed to Morris, most of which are based on nature, including trees, plants, and flowers. This beautifully designed, accessibly priced gift book offers a wealth of designs by Morris where flowers are the principal motif. The text traces the origins of Morris’s flower-based designs: his own gardens at the Red House in Kent; sixteenth- and seventeenth-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and the range of decorated objects, particularly from the Islamic world, that Morris studied at the South Kensington Museum, now the Victoria and Albert Museum. Authored by Rowan Bain, senior curator at the William Morris Gallery, and lavishly illustrated with over one hundred color illustrations, William Morris’s Flowers will both inform and delight.
Dreaming and relaxing, with the evocative designs of William Morris, this beautiful new book will give you many hours of pleasure, and calm. Printed on high quality paper, this new book features 45 powerful William Morris artworks for you to colour, offering a suggestion of how the original looked as well as key information such as title and date. Morris is perhaps the most famous artist craftsmen in the world, and his bold and visually expressive paintings resonate still today. This book will take you on an enjoyable journey where the satisfaction of creating stunning artworks is mixed with rediscovering the joy of colouring. You can use a wide variety of pens: from gel and pencil, to pigment and crayons, from ballpoint and rollerball to highlighters, although it’s best to avoid the heavy felt pens. Each page is perforated near the spine of the book, so you can tear out and frame, or simply place your wonderful creation on the walls of your home, perhaps even send them as a gift to your loved ones. Bring the Ink to life!