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The Great War profoundly affected both New Zealand and its Prime Minister William Massey (1856-1925). 'Farmer Bill' oversaw the despatch of a hundred thousand New Zealanders, including his own sons, to Middle Eastern and European battlefields. In 1919 he led the New Zealand delegation to the Paris Peace Conference, where it was represented both in its own right and as part of the British Empire. This symbolised its staunch loyalty to Empire and the fact that it had its own particular interests. Massey was largely satisfied with the Versailles Treaty, as New Zealand gained a mandate over Western Samoa, Germany forfeited its other Pacific colonies, and control over Nauru's valuable phosphate deposits was shared between Britain, Australia and New Zealand, rather than simply being given to Australia. He believed that the apparent confirmation of British power improved New Zealand's security, and had little faith in the League of Nations. However, the opposition Labour Party came to believe the League could prevent a major war and made that a cornerstone of their foreign policy in government after 1935. Their belief that Versailles was unfair to Germany partly influenced them to favour negotiations with Hitler even after the outbreak of war in 1939.
Of Pork and Potatoes is a remarkable story of perseverance in the face of adversity. Bill Massey recounts his childhood growing up in a troubled home in rural Manitoba. By finding the people who gave him space to move forward, committing to hard work, upholding his integrity, and above all, never giving up, he managed to survive and use his skills to help others, becoming a teacher, principal, and advocate for disadvantaged children. When an illegal hog farm operation started affecting Bill Massey’s community, it was not a big step to move from teaching and advocating for children to dealing with the injustices he saw in his community. The Planning Act of Manitoba has made it virtually impossible for rural people to protect their rights and the well being of their communities from unscrupulous corporations. With fifteen years of fighting under their belt, Bill Massey and his community continue to pursue their rights and protect the environment from the forces threatening their way of life. Of Pork and Potatoes will empower and inspire anyone looking for true stories about people who confront the odds with courage and determination and pursue justice with integrity.
For over a year, Railroad Bill eluded sheriffs, private detectives hired by the L&N line, and bounty hunters who traveled across the country to match guns with the legendary desperado. The African American outlaw was wanted on multiple charges of robbery and murder, and rumor had it that he stole from the rich to give to the poor. He terrorized busy train lines from east of Mobile to the Florida Panhandle, but as soon as the lawmen got close, he disappeared into the bayous and pine forests--until one day his luck ran out, and he was gunned down inside a general store in Atmore, Alabama. Little is known about Railroad Bill before his infamy--not his real name or his origins. His first recorded crime, carrying a repeating rifle without a license, led him into a gunfight with a deputy and made him a wanted man throughout Florida in 1894. His most celebrated escape--a five-day foot chase with scores of men and several bloodhounds--led to tales of Railroad's supernatural ability to transmogrify into an animal or inanimate object at will. As his crimes progressed from robbing boxcars to wounding trainmen to murdering sheriffs, more and more reward money was offered for his capture--dead or alive. Today, Railroad Bill is the subject of many folk songs popularized by singers such as Paul McCartney, Taj Mahal, Gillian Welch, and Ramblin' Jack Elliot. But who was he? Where did he come from? What events led to his murderous spree? And why did some view him as a hero? In Railroad Bill, Larry Massey separates fact from myth and teases out elusive truths from tall tales to ultimately reveal the man behind the bandit's mask.
Based on the William E. Massey Sr. lectures in the history of American Civilization.
"I have almost finished my longbook," Maxine Hong Kingston declares. "Let my life as Poet begin...I won't be a workhorse anymore; I'll be a skylark." To Be the Poet is Kingston's manifesto, the avowal and declaration of a writer who has devoted a good part of her sixty years to writing prose, and who, over the course of this spirited and inspiring book, works out what the rest of her life will be, in poetry. Taking readers along with her, this celebrated writer gathers advice from her gifted contemporaries and from sages, critics, and writers whom she takes as ancestors. She consults her past, her conscience, her time--and puts together a volume at once irreverent and deeply serious, playful and practical, partaking of poetry throughout as it pursues the meaning, the possibility, and the power of the life of the poet. A manual on inviting poetry, on conjuring the elusive muse, To Be the Poet is also a harvest of poems, from charms recollected out of childhood to bursts of eloquence, wonder, and waggish wit along the way to discovering what it is to be a poet.
Rich with philosophical asides, historical speculations, personal observations, and literary judgments, "Reporting the Universe" ranges from the circumstances of Doctorow's own boyhood and early work to the state of modern society.
A Pulitzer Prize–winning reporter who covered the Supreme Court for The New York Times, Linda Greenhouse trains an autobiographical lens on a moment of transition in U.S. journalism. Calling herself “an accidental activist,” she raises urgent questions about the role of journalists as citizens and participants in the world around them.
In three pieces originally delivered as special lectures, draws on the biography of the author's father as well as the evolution of her own work to contrast Western and Eastern ideas of self-narration and interdependency.
How can colleges and universities improve efficiency while preserving academic values? Winner of the Typographic Jacket of the Washington Publishers Higher education expert William F. Massy’s decades as a professor, senior university officer, and consultant have left him with a passionate belief in the need for reform in America’s traditional universities. In Reengineering the University, he addresses widespread concerns that higher education’s costs are too high, learning falls short of objectives, disruptive technology and education models are mounting serious challenges to traditional institutions, and administrators and faculty are too often unwilling or unable to change. An expert microeconomist, Massy approaches the challenge of reform in a genuinely new way by applying rigorous economic principles, informed by financial data and other evidence, to explain the forces at work on universities and the flaws in the academic business model. Ultimately, he argues that computer models that draw on data from college transaction systems can help both administrators and faculty address problems of educational performance and cost analysis, manage the complexity of planning and budgeting systems, and monitor the progress of reform in nonintrusive and constructive ways. Written for institutional leaders, faculty, board members, and policymakers who bear responsibility for initiating and carrying through on reform in traditional colleges and universities, Reengineering the University shows how, working together, administrators and faculty can improve education, research, and affordability by keeping a close eye on both academic values and the bottom line.
The observer-designer-theorists who analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas" now turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has spawned for this fascinating retrospective of their life work.