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"Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, established the character of two of the nation's greatest resorts, Atlantic City and Miami, thus shaping the architecture of the Roaring Twenties.
From 1911 to 1917 Craftsman Farms—now a major museum—was the home of Gustav Stickley, one of the central figures in the American Arts and Crafts Movement. This book unravels the rich and sometimes contradictory ideas that informed not only Stickley but many of the artists and literary figures of the progressive era in America. The year 1900 was the fulcrum in a long arc of utopian ideals dating back to Thomas Carlyle, John Ruskin, and William Morris in England, a movement which would eventually lead up to the art communes of the Guild of Handicraft, Woodstock, and the MacDowell colony. Craftsman Farms was at the center of a large group of American experiments in "living the artistic life." With this book, Mark Alan Hewitt provides a foil for a critical examination of the theories that guided many architects, artists, and craft artisans at the turn of the last century. Illustrated with specially commissioned photographs as well as many archival photographs from the Winterthur Museum and Library, this book provides both a visual and historical record of Stickley's life and work during his most fertile creative period.
Edward William Bok was the most famous Dutch-American in early twentieth-century America thanks to his thirty-year editorship of the Ladies’ Home Journal, the most prestigious women’s magazine of the day. This first complete coverage of Edward Bok’s life places him against his ethnic background and portrays him as the spokesman for and the molder of the American middle class between 1890 and 1930. He acted as a mediator between a Victorian and a modern society, reconciling consumerism with idealism. As a Dutch immigrant he became a model for successful adaptation to a new country and modern times. He used his national reputation to restore America’s internationalism in the 1920s. His life story is relevant to those interested in the history of immigration, journalism, the rise of big business, the women’s movement, and the Progressive Movement.
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
A sweeping assessment of the entire career of Frank Furness that features more than one hundred illustrations, George E. Thomas's book argues that modern American architecture, in design and genealogy, is rooted in the industrial culture of Philadelphia and the office of Frank Furness.