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During this period, his first wife Elizabeth Kerlin was the model in a number of exciting and experimental works such as Convent Garden, Brittany (National Gallery of Ireland). After the First World War, Leech divided his time between London and the South of France, travelling with his companion and later wife May Botterell. In the tradition of the 'Irish Impressionists' he was fascinated by the treatment of light in French painting, though he continued to explore different styles through his career. Leech painted portraits, landscapes and still lifes, including remarkable self-portraits, interiors and luxuriant aloes.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
William Makepeace Thackeray immortalizes the memory of his lifelong friend in the novel "John Leech's Pictures of Life and Character". John Leech was a British caricaturist and illustrator. He was best known for his work for 'Punch', a humorous magazine for a broad middle-class audience, combining verbal and graphic political satire with light social comedy. Leech's critical yet humorous cartoons on the Crimean War (1853) helped shape public attitudes toward heroism, warfare, and Britons' role in the world. Leech also enjoyed fame as the first illustrator of Charles Dickens' 1843 novella 'A Christmas Carol'.
A'Beckett and Leech were original contributors to "Punch, or the London Charivari" magazine, established 1841. It became the famous "Punch" magazine and remained in publication to 2002. A'Beckett also wrote editorials for a similar concept magazine, "Figaro in London" that ceased publication in 1839. "In commencing this work, the object of the Author was, as he stated in the Prospectus, to blend amusement with instruction, by serving up, in as palatable a shape as he could, the facts of English History. He pledged himself not to sacrifice the substance to the seasoning; and though he has certainly been a little free in the use of his sauce, he hopes that he has not produced a mere hash on the present occasion. His object has been to furnish something which may be allowed to take its place as a standing at the library table, and which, though light, may not be found devoid of nutriment."--Preface.