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This is a biographical case study of Mexican industrialization, focusing on expatriate U.S. businessman William O. Jenkins (1878-1963). I trace Jenkins' career in textiles, land speculation, sugar, banking, and film, using it as a forum for themes that flesh out the economic and political history of modern Mexico. Chief among these themes are Mexico's substantial but socially unequal capitalistic development; interdependent relationships between business elites and the state; the role of the regions in Mexican development; and a tradition of viewing U.S. industrialists as enemies of national progress. I use Jenkins to illustrate the ability of Mexico's business elite to negotiate the hazards of the 1910-1920 Revolution and the property expropriations that followed. Industrialists, many of them immigrants, helped to forge rapid economic development between 1933 and 1981. However, their behavior was often characterized by monopolistic and rent-seeking practices, to the qualitative detriment of industries including film and textiles. I demonstrate how the success of industrialists owed much to their relations with politicians, and how the persistence of authoritarian regimes at regional and national levels owed much to industrialists' support. For Jenkins, this symbiosis involved loans to state governors, campaign contributions, and support for the federal government by channeling cheap entertainment to urban populations. Such links help explain why fifty years of development saw little electoral democracy or progressive distribution of wealth. I "de-center" Mexico's economic and political narrative by focusing on the state of Puebla, showing how alliances between industrialists and authorities often begin in provincial arenas and how they can impact national economic and political trends. I also address the underdevelopment of Puebla City, long Mexico's second metropolis, which after 1900 fell significantly behind Guadalajara and Monterrey. Finally, I trace how Jenkins functioned rhetorically as the epitome of the grasping U.S. capitalist. His controversial image afforded leftist politicians, business rivals, and labor leaders with an inflammatory object of protest. Such "gringophobia" in turn contributed to a polarization within Mexican society that proliferated after the 1959 Cuban Revolution. I complement this theme with intermittent commentary on rarely-remarked similarities between business practice in Mexico and the United States.
This book is a history of the Cold War in Mexico, and Mexico in the Cold War. Renata Keller draws on declassified Mexican and US intelligence sources and Cuban diplomatic records to challenge earlier interpretations that depicted Mexico as a peaceful haven and a weak neighbor forced to submit to US pressure. Mexico did in fact suffer from the political and social turbulence that characterized the Cold War era in general, and by maintaining relations with Cuba it played a unique, and heretofore overlooked, role in the hemispheric Cold War. The Cuban Revolution was an especially destabilizing force in Mexico because Fidel Castro's dedication to many of the same nationalist and populist causes that the Mexican revolutionaries had originally pursued in the early twentieth century called attention to the fact that the government had abandoned those promises. A dynamic combination of domestic and international pressures thus initiated Mexico's Cold War and shaped its distinct evolution and outcomes.
The Black Sox Scandal is a cold case, not a closed case. When Eliot Asinof wrote his classic history about the fixing of the 1919 World Series, Eight Men Out, he told a dramatic story of undereducated and underpaid Chicago White Sox ballplayers, disgruntled by their low pay and poor treatment by team management, who fell prey to the wiles of double-crossing big-city gamblers offering them bribes to lose the World Series to the Cincinnati Reds. Shoeless Joe Jackson, Buck Weaver, Eddie Cicotte, and the other Black Sox players were all banned from organized baseball for life. But the real story is a lot more complex. We now have access to crucial information that changes what we thought we knew about “baseball’s darkest hour” — including rare film footage from that fateful fall classic, legal documents from the criminal and civil court proceedings, and accurate salary information for major-league players and teams. All of these new pieces to the Black Sox puzzle provide definitive answers to some old mysteries and raise other questions in their place. However, the Black Sox Scandal isn’t the only story worth telling about the 1919 Chicago White Sox. The team roster included three future Hall of Famers, a 20-year-old spitballer who would go on to win 300 games in the minor leagues, and even a batboy who later became a celebrity with the “Murderers’ Row” New York Yankees in the 1920s. All of their stories are included in Scandal on the South Side, which has full-life biographies on each of the 31 players who made an appearance for the White Sox in 1919, plus a comprehensive recap of Chicago’s pennant-winning season, the tainted World Series, and the sordid aftermath. This book isn’t a rewriting of Eight Men Out, but it is the complete story of everyone associated with the 1919 Chicago White Sox. The Society for American Baseball Research invites you to learn more about the Black Sox Scandal and the infamous team at the center of it all. With contributions from Adrian Marcewicz, Andy Sturgill, Brian Cooper, Brian McKenna, Brian Stevens, Bruce Allardice, Dan Lindner, Daniel Ginsburg, David Fleitz, David Fletcher, Gregory H. Wolf, Irv Goldfarb, Jack Morris, Jacob Pomrenke, James E. Elfers, James R. Nitz, Jim Sandoval, John Heeg, Kelly Boyer Sagert and Rod Nelson, Lyle Spatz, Paul Mittermeyer, Peter Morris, Richard Smiley, Rick Huhn, Russell Arent, Steve Cardullo, Steve Steinberg, Steven G. McPherson, and William F. Lamb. Table of Contents: 1. Introduction, by Jacob Pomrenke 2. Prologue: Offseason 1918-19, by Jacob Pomrenke 3. Joe Benz, by William F. Lamb 4. Eddie Cicotte, by Jim Sandoval 5. Eddie Collins, by Paul Mittermeyer 6. Shano Collins, by Andy Sturgill 7. Dave Danforth, by Steve Steinberg 8. Red Faber, by Brian Cooper 9. Season Timeline: April 1919 10. Happy Felsch, by James R. Nitz 11. Chick Gandil, by Daniel Ginsburg 12. Joe Jackson, by David Fleitz 13. Bill James, by Steven G. McPherson 14. Joe Jenkins, by Jacob Pomrenke 15. Dickey Kerr, by Adrian Marcewicz 16. Season Timeline: May 1919 17. Nemo Leibold, by Gregory H. Wolf 18. Grover Lowdermilk, by James E. Elfers 19. Byrd Lynn, by Russell Arent 20. Erskine Mayer, by Lyle Spatz 21. Hervey McClellan, by Jack Morris 22. Tom McGuire, by Jack Morris 23. Season Timeline: June 1919 24. Fred McMullin, by Jacob Pomrenke 25. Eddie Murphy, by John Heeg 26. Win Noyes, by Bruce Allardice 27. Pat Ragan, by Andy Sturgill 28. Swede Risberg, by Kelly Boyer Sagert and Rod Nelson 29. Charlie Robertson, by Jacob Pomrenke 30. Season Timeline: July 1919 31. Reb Russell, by Richard Smiley 32. Ray Schalk, by Brian Stevens 33. Frank Shellenback, by Brian McKenna 34. John Sullivan, by Jacob Pomrenke 35. Buck Weaver, by David Fletcher 36. Roy Wilkinson, by William F. Lamb 37. Season Timeline: August 1919 38. Lefty Williams, by Jacob Pomrenke 39. Owner: Charles Comiskey, by Irv Goldfarb 40. Manager: Kid Gleason, by Dan Lindner 41. General Manager: Harry Grabiner, by Steve Cardullo 42. Executive: Tip O’Neill, by Brian McKenna 43. Batboy: Eddie Bennett, by Peter Morris 44. Season Timeline: September 1919 45. Walking Off to the World Series, by Jacob Pomrenke 46. The 1919 World Series: A Recap, by Rick Huhn 47. The Pitching Depth Dilemma, by Jacob Pomrenke 48. 1919 American League Salaries, by Jacob Pomrenke 49. The Black Sox Scandal, by William F. Lamb 50. Epilogue: Offseason 1919-20, by Jacob Pomrenke
This book offers a critical look at Mexican activism that expands our understanding of social movements during the Global 1960s--Provided by publisher.
A History of Infamy explores the broken nexus between crime, justice, and truth in mid-twentieth-century Mexico. Faced with the violence and impunity that defined politics, policing, and the judicial system in post-revolutionary times, Mexicans sought truth and justice outside state institutions. During this period, criminal news and crime fiction flourished. Civil society’s search for truth and justice led, paradoxically, to the normalization of extrajudicial violence and neglect of the rights of victims. As Pablo Piccato demonstrates, ordinary people in Mexico have made crime and punishment central concerns of the public sphere during the last century, and in doing so have shaped crime and violence in our times.
"Andrew Wood masterfully interweaves the many legends about the musician-poet Agustin Lara with solid historical facts, painstakingly documenting his rise from a hopeless romantic bordello-pianist to the world's most renowned bolero composer."--Cover, page [4].
The Routledge Companion to Latin American Cinema is the most comprehensive survey of Latin American cinemas available in a single volume. While highlighting state-of-the-field research, essays also offer readers a cohesive overview of multiple facets of filmmaking in the region, from the production system and aesthetic tendencies, to the nature of circulation and reception. The volume recognizes the recent "new cinemas" in Argentina, Brazil, Chile, and Mexico, and, at the same time, provides a much deeper understanding of the contemporary moment by commenting on the aesthetic trends and industrial structures in earlier periods. The collection features essays by established scholars as well as up-and-coming investigators in ways that depart from existing scholarship and suggest new directions for the field.
William O. Jenkins (1878-1963) was a Tennessee farm boy who ventured to Mexico in search of fortune and became that country's wealthiest and most infamous industrialist. Dropping out of Vanderbilt, Jenkins eloped with a southern belle and settled in Mexico in 1901. Driven by a desire to prove himself - first to his wife's snobbish family, then to elites who disdained him as an American - Jenkins would spend the next six decades building an enormous fortune in textiles, property, sugar, banking, and film
In 1910 Mexicans rebelled against an imperfect dictatorship; after 1940 they ended up with what some called the perfect dictatorship. A single party ruled Mexico for over seventy years, holding elections and talking about revolution while overseeing one of the world's most inequitable economies. The contributors to this groundbreaking collection revise earlier interpretations, arguing that state power was not based exclusively on hegemony, corporatism, or violence. Force was real, but it was also exercised by the ruled. It went hand-in-hand with consent, produced by resource regulation, political pragmatism, local autonomies and a popular veto. The result was a dictablanda: a soft authoritarian regime. This deliberately heterodox volume brings together social historians, anthropologists, sociologists, and political scientists to offer a radical new understanding of the emergence and persistence of the modern Mexican state. It also proposes bold, multidisciplinary approaches to critical problems in contemporary politics. With its blend of contested elections, authoritarianism, and resistance, Mexico foreshadowed the hybrid regimes that have spread across much of the globe. Dictablanda suggests how they may endure. Contributors. Roberto Blancarte, Christopher R. Boyer, Guillermo de la Peña, María Teresa Fernández Aceves, Paul Gillingham, Rogelio Hernández Rodríguez, Alan Knight, Gladys McCormick, Tanalís Padilla, Wil G. Pansters, Andrew Paxman, Jaime Pensado, Pablo Piccato, Thomas Rath, Jeffrey W. Rubin, Benjamin T. Smith, Michael Snodgrass