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A biography of the early anarchist whose life and work was at the heart of British Radicalism.
William Godwin was one of the most popular novelists of the Romantic era; P.B. Shelley praised him, Byron drew heavily on his narrative style, and Mary Shelley, Godwin’s daughter, dedicated Frankenstein to him. Caleb Williams is the riveting account of a young man whose curiosity leads him to pry into a murder from the past. The first novel of crime and detection in English literature, Caleb Williams is also a powerful exposé of the evils and inequities of the political and social system in 1790s Britain. In addition to the text itself, the editors have included an extensive selection of primary source materials from the period, ranging from Godwin’s original manuscript ending and excerpts from his political writings to contemporary reviews, the political writings of Burke and Paine, and materials on criminals and the English prison system.
William Godwin has long been known for his literary connections as the husband of Mary Wollstonecraft, the father of Mary Shelley, the friend of Coleridge, Lamb, and Hazlitt, the mentor of the young Wordsworth, Southey, and Shelley, and the opponent of Malthus. Godwin has been recently recognized, however, as the most capable exponent of philosophical anarchism, an original moral thinker, a pioneer in socialist economics and progressive education, and a novelist of great skill. His long life straddled two centuries. Not only did he live at the center of radical and intellectual London during the French Revolution, he also commented on some of the most significant changes in British history. Shaped by the Enlightenment, he became a key figure in English Romanticism. Basing his work on extensive published and unpublished materials, Peter Marshall has written a comprehensive study of this flamboyant and fascinating figure. Marshall places Godwin firmly in his social, political, and historical context; he traces chronologically the origin and development of Godwin’s ideas and themes; and he offers a critical estimate of his works, recognizing the equal value of his philosophy and literature and their mutual illumination. The picture of Godwin that emerges is one of a complex man and a subtle and revolutionary thinker, one whose influence was far greater than is usually assumed. In the final analysis, Godwin stands forth not only as a rare example of a man who excelled in both philosophy and literature but as one of the great humanists in the Western tradition.
William Godwin (1756–1836) was one of the first exponents of utilitarianism and the first modern proponent of anarchism. He was not only a radical philosopher but a pioneer in libertarian education, a founder of communist economics, and an acute and powerful novelist whose literary family included his partner, pioneering feminist writer Mary Wollstonecraft, and his daughter Mary Godwin (later Mary Shelley), who would go on to write Frankenstein and marry the poet Percy Bysshe Shelley. His long life straddled two centuries. Not only did he live at the center of radical and intellectual London during the French Revolution, he also commented on some of the most significant changes in modern history. Shaped by the Enlightenment, he became a key figure in English Romanticism. This work offers for the first time a handy collection of Godwin’s key writings in a clear and concise form, together with an assessment of his influence, a biographical sketch, and an analysis of his contribution to anarchist theory and practice. The selections are taken from all of Godwin’s writings including his groundbreaking work during the French Revolution, An Enquiry Concerning Political Justice, and arranged by editor Peter Marshall to give a coherent account of his thought for the general reader. Godwin’s work will be of interest to all those who believe that rationality, truth, happiness, individuality, equality, and freedom are central concerns of human enquiry and endeavor.
LIVES THAT NEVER GROW OLD This unique series - edited by Richard Holmes - recovers the great classical tradition of English biography. Every book is a biographical masterpiece - still thrilling to read and vividly alive. The philosopher William Godwin fell in love with and married the radical feminist Mary Wollstonecraft, only to attend her deathbed (giving birth to their child, the late Mary Shelley). Heartbroken, Godwin immediately shut himself up in his study and wrote this intensely moving biography. True to his philosophical belief in absolute sincerity, Godwin coolly describes Wollstonecraft's previous love affairs, her time in revolutionary Paris, her illegitimate child, and her two suicide attempts. The book almost wrecked both their reputations, but can now be seen as a masterpiece of indiscretion and human honesty.
The letters of Mary Wollstonecraft and William Godwin mirror the relationship of a remarkable literary couple. The correspondence collected here covers the period from July 13, 1796, to August 30, 1797, when "their friendship turned to romance, their romance to passion, their passion to consummation, their affair to a highly unconventional marriage during which they lived far enough apart to permit the continuing exchange of letters. Wardle, a superb editor, provides just enough annotation to allow the relationship to unfold by itself through the correspondence of these two doctrinaire rationalists, who both came late to love. . . . [Godwin & Mary] is the easiest, certainly the most delightful introduction to the life and prose of Mary Wollstonecraft."--Ellen Moers, New York Review of Books :Taken together, these letters help us to trace out the personal and domestic relations of Mary and Godwin at first hand, and they also throw a good deal of light on the contrasting characters of the pair. Professor Wardle's annotations are most helpful; always brief and concise, but never superfluous."--English Studies Ralph M. Wardle is the author of Oliver Goldsmith (1957), Mary Wollstonecraft: A Critical Biography (1951) and Halzlitt (1971).
A number of their mental anatomies reflect the influence of Jean-Jacques Rousseau's Confessions and his conceptions of mental transparency, sincerity, and environmental conditioning. Because his primary focus is on Godwinian and Shelleyan perspectives on the mind and its operations, Brewer avoids twentieth-century psychological terminology and ideas in his discussions of their fiction."