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William Gillette is best-remembered today as the living personification of Sherlock Holmes, but he was much more than that. He was one of the nineteenth century's greatest stars, among its most successful actors and playwrights. In a career spanning six decades, he was one of the best-known celebrities in the Western world, a towering figure in an age of towering figures. Among his friends were Mark Twain, Sir Arthur Conan Doyle, Theodore Roosevelt, Harriet Beecher Stowe, Thomas Nast and Maurice Barrymore. He built a castle on the Connecticut River and a miniature railroad to run around it. Among the guests who rode on that train were President Calvin Coolidge, physicist Albert Einstein and Tokyo Mayor Ozaki Yukio, who gave to America the cherry blossoms in 1912. James M. Barrie, the creator of Peter Pan, wrote two hit plays for which he specifically asked Gillette to star in. As a playwright, Gillette was known for the stark realism of his sets, costuming, dialogue and actions. He developed realistic and dramatic lighting and sound effects. As an actor, he developed the philosophy of The Illusion of the First Time, in which an actor speaks his lines and moves about each night, not as he has done a hundred times before, but as if he is making up his dialogue as he goes along, and moving about as if doing so for the first time, as real people do. Gillette's intention was to reproduce as much as possible the real world on stage, to make his audiences believe they were seeing a life episode being lived across the barrier of the footlights. This magnificent biography is the first full treatment of Gillette ever published. Exhaustively researched, thoroughly documented, and beautifully written, it not only details the life of this extraordinary man, it provides a colorful context of the times in which he lived. This is a major part of the history of the Western theater finally documented for our edification and enjoyment.
Arthur Conan Doyle (1859 – 1930) was an English writer best known for his detective stories about Sherlock Holmes. “Sherlock Holmes: A Drama in Four Acts” is a four-act play by William Gillette and Sir Arthur Conan Doyle, based on several stories about the world-famous detective.
During his career as an actor, William Gillette portrayed world-renowned character Sherlock Holmes in more than 1,300 performances. His career as a playwright and actor afforded him the opportunity to purchase a 184-acre estate, where he also built a twenty-four-room medieval-style castle. Overlooking the Connecticut River, Gillette's castle was complete with spy mirrors, sliding furniture, hidden rooms and a three-mile quarter-scale railroad. Since becoming a state park in 1943, it has evolved into one of Connecticut's most popular tourist attractions. Writer and award-winning journalist Erik Ofgang examines the history of an iconic structure and Gillette's life and role in the evolution of Sherlock Holmes.
The world’s greatest sleuth makes his American debut in this groundbreaking collection of never-before-published mystery stories set in the US. The world’s greatest detective and his loyal sidekick Dr. Watson are on their first trip across the Atlantic—to nineteenth-century America! From the bustling neighborhoods of New York City and Boston to sinister locales like Salt Lake City and fog-shrouded cities like San Francisco, the beloved British sleuth faces the most cunning criminals America has to offer, while meeting some of her most famous figures along the way, such as Teddy Roosevelt and Harry Houdini. A groundbreaking anthology, Sherlock Holmes in America features original short stories by award-winning American writers, each in the extraordinary tradition of Conan Doyle, and each with a unique American twist that is sure to satisfy and exhilarate both Sherlock Holmes purists and those who wished Holmes could nab the nefarious closer to home. There is: “The Adventure of the Missing Three Quarters” by Jon L. Breen “The Adventure of the Coughing Dentist” by Loren D. Estleman “The Case of Colonial Warburton’s Madness” by Lyndsay Faye “The Minister’s Missing Daughter” by Victoria Thompson “The Adventure of the White City” by Bill Crider And more! This is a must-read for any mystery fan and for those who have followed Holmes' illustrious career over the waterfall and back again.
THE STORY: The world's greatest detective has seemingly reached the end of his remarkable career when a case presents itself that is too tempting to ignore: The King of Bohemia is about to be blackmailed by a notorious photograph, and the woman at the hea
Christopher Redmond's fascinating account of Doyle's first trip to America has been reconstructed from newspaper accounts describing the places Doyle visited, from the Adirondacks to New York, Chicago, and Toronto. Despite the gruelling tour schedule, Doyle met dozens of the most important literary and social lights of America. Everywhere he went he was mobbed by public hungry for news of the man he had "killed off" a year earlier â?? Sherlock Holmes, who was front page news. In Redmond's lively narrative, which is based on letters, newspaper reports, and other newly unearthed sources, you will discover, as Doyle himself put it, "the romance of America."
The American playwright and actor William Gillette is best remembered today for the role of Sherlock Holmes that he first created for the stage in 1899 and played for more than thirty years. Gillette also adapted foreign plays for the American stage and wrote strong melodramas and spy stories in which he frequently appeared himself. This volume includes All the Comforts of Home (1890), Secret Service (1895) and Sherlock Holmes (1899). Gillette's sure grasp of the keys to theatrical success, together with his technical innovations, makes him an interesting and important theatre figure. In his time, as playwright and player, he achieved a new combination of melodramatic suspense with a cool, understated acting style. These three plays represent the range of his dramatic talent.
Sherlock Holmes: The Hero With a Thousand Faces ambitiously takes on the task of explaining the continued popularity of Arthur Conan Doyle's famous detective over the course of three centuries. In plays, films, TV shows, and other media, one generation after another has reimagined Holmes as a romantic hero, action hero, gentleman hero, recovering drug addict, weeping social crusader, high-functioning sociopath, and so on. In essence, Sherlock Holmes has become the blank slate upon which we write the heroic formula that best suits our time and place. Volume One looks at the social and cultural environment in which Sherlock Holmes came to fame. Victorian novelists like Anthony Trollope and William Thackeray had pointedly written "novels without a hero," because in their minds any well-ordered and well-mannered society would have no need for heroes or heroic behavior. Unfortunately, this was at odds with a reality in which criminals like Jack the Ripper stalked the streets and people didn't trust the police, who were generally regarded as corrupt and incompetent. Into this gap stepped the world's first consulting detective, an amateur reasoner of some repute by the name of Sherlock Holmes, who shot to fame in the pages of The Strand Magazine in 1891. When Conan Doyle proceeded to kill Holmes off in 1893, it was American playwright, director, and actor William Gillette who brought the character back to life in his 1899 play Sherlock Holmes, creating a sensation on both sides of the Atlantic with his romantic version of Holmes, and cementing his place as the definitive Sherlock Holmes until the late 1930s. By that point, Sherlock Holmes had developed a cult following who facetiously maintained that Holmes was a real person, formed clubs like The Baker Street Irregulars, and introduced the idea of cosplay to the embryonic world of fandom. These well-educated fanboys subsequently became the self-assigned protectors of Sherlock Holmes, anxious that their version of the character not be besmirched or defamed in any way. In spite of this, there was considerable besmirching and defaming to be seen in the early silent films featuring Sherlock Holmes, which effectively turned him into an action hero due to the lack of sound. When sound films took the industry by storm in the late 1920s, there were a numbers of pretenders who reached for the Sherlock Holmes crown, including Clive Brook, Reginald Owen, and Raymond Massey, but it took more than a decade before a new definitive Sherlock Holmes would be crowned in 1939 in the person of Basil Rathbone.
A dazzling collection of rare art and documents illuminate the life of Sherlock Holmes beyond the page. As one of the most beloved characters in the English language, Sherlock Holmes sometimes seems to have a life of his own, one that leaps beyond the pages of Sir Arthur Conan Doyle's mystery stories. Sherlock Holmes in 221 Objects aims its magnifying glass toward a host of overlooked extra-literary objects that tell the story of the famed detective's publication history outside of Doyle's original canon. ​ Drawing on his extensive collection of Holmes-related bibliographic material, Glen Miranker brings to light exhibits ranging from original manuscripts, handwritten letters, business correspondence, vintage book art, pirated editions, and more, all presented in thematic clusters that highlight their significance to the case at hand. Throughout, Miranker invites readers to share in the collector's enthusiasm for the kinds of rarities and oddities that help decipher the appeal of Sherlock Holmes in ways that transcend what can be found on the page.