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Integrates the vital contributions of women as printmakers, printsellers and print publishers into the history of eighteenth-century art.
The five volumes in A History of the Book in America offer a sweeping chronicle of our country's print production and culture from colonial times to the end of the twentieth century. This interdisciplinary, collaborative work of scholarship examines the book trades as they have developed and spread throughout the United States; provides a history of U.S. literary cultures; investigates the practice of reading and, more broadly, the uses of literacy; and links literary culture with larger themes in American history. Now available for the first time, this complete Omnibus ebook contains all 5 volumes of this landmark work. Volume 1 The Colonial Book in the Atlantic World Edited by Hugh Amory and David D. Hall 664 pp., 51 illus. Volume 2 An Extensive Republic: Print, Culture, and Society in the New Nation, 1790-1840 Edited by Robert A. Gross and Mary Kelley 712 pp., 66 illus. Volume 3 The Industrial Book, 1840-1880 Edited by Scott E. Casper, Jeffrey D. Groves, Stephen W. Nissenbaum, and Michael Winship 560 pp., 43 illus. Volume 4 Print in Motion: The Expansion of Publishing and Reading in the United States, 1880-1940 Edited by Carl F. Kaestle and Janice A. Radway 688 pp., 74 illus. Volume 5 The Enduring Book: Print Culture in Postwar America Edited by David Paul Nord, Joan Shelley Rubin, and Michael Schudson 632 pp., 95 illus.
This account of the American political cartoon from 1747 to the work of contemporary cartoonists such as Mauldin and Herblock chronicles the careers of the famous figures and the political situations which provided the cartoonists with their material. It also offers a picture of the mass media (broadsides, newspapers and magazines) through which the cartoonists reached their audiences.
This reference traces the historical background of editorial cartooning and presents works that chronicle the history and criticize the aesthetics of the art. It also describes anthologies and exhibition catalogs that reprint editorial cartoons, and provides a list of libraries, museums, and historical societies which house originals and photocopies or clippings of editorial cartoons. This expansive volume examines the American editorial cartoon from its beginnings in 1747 into the second Clinton administration. It fills a gap in the literature, providing comprehensive information on a field of growing interest to scholars and collectors. This reference guide studies the evolution of editorial cartooning and places it in its historical context and provides appreciation and criticism of the cartoons presented. In addition to political cartoons, underground, radical, and propaganda cartoons are also discussed in this volume. The appendixes offer important cross-reference tools such as a chronology and include listings of selected historical periodicals, theses, and dissertations covering political cartoons. This work will be of value to a broad spectrum of readers—from collectors to scholars—and is suitable for many fields of study.