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Step into the visionary world of William Blake with his provocative work, The Marriage of Heaven and Hell." This groundbreaking text challenges conventional notions of good and evil, inviting readers to explore the intricate relationship between opposing forces in a quest for enlightenment. As Blake unfolds his revolutionary ideas, you’ll be confronted with the radical proposition that heaven and hell are not opposing realms but rather complementary aspects of the human experience. Are you prepared to question everything you thought you knew about morality and existence?Through a blend of poetry and vivid imagery, Blake dismantles the barriers between the sacred and the profane, urging readers to embrace their passions and desires as essential to the divine. His eloquent verses resonate with the pulse of life itself, capturing the essence of human struggle and aspiration. What if the key to understanding our true selves lies in embracing the chaos of our emotions? Blake's work compels you to acknowledge that love and sin are intertwined in the dance of life.Immerse yourself in the rich symbolism and innovative language of this iconic piece, where each line offers a new perspective on the eternal battle between light and darkness. Blake's brilliance challenges you to rethink the boundaries of art and philosophy. Are you ready to embark on a transformative journey that blurs the lines between heaven and hell? This is your opportunity to delve into a masterpiece that has inspired countless thinkers and artists.Seize the chance to own a copy of The Marriage of Heaven and Hell" now, and let Blake's visionary insights guide you towards a deeper understanding of the world and your place within it!
The text of each poem is given in letterpress on the page facing the beautiful color reproductions of the plate. The book is printed on vellum.
"The Marriage of Heaven and Hell" is a collection of sketches touching on the subject of Good versus Evil and examining the biblical idea of "Hell" the place of eternal suffering for those who reject God. Author and poet William Blake seems to repudiate the idea of such a place and seeks to show that in fact Hell is a place of freedom for as he puts it, "The ancient tradition that the world will be consumed in fire at the end of six thousand years is true, as I have heard from Hell. For the cherub with his flaming sword is hereby commanded to leave his guard at [the] tree of life, and when he does, the whole creation will be consumed and appear infinite and holy, whereas it now appears finite and corrupt. This will come to pass by an improvement of sensual enjoyment."
The last volumes in the series of William Blake's Illuminated Books reveal the writer and artist as a prophet driven by a sense of apocalyptic urgency. Blake conceived and executed The Continental Prophecies and The Urizen Books in the early 1790s, capturing the intellectual and spiritual turmoil of the American and French revolutions. Here, for the first time, the general reader will encounter Blake's most intense vision in reproductions that do justice to the originals, accompanied by texts, comprehensive notes and commentaries, and detailed interpretations of the designs. The Continental Prophecies, which comprises "America," "Europe," and "The Song of Los," presents Blake's critical reckoning with the history of his own times. Marked by a particularly close integration of word and image, the books form a mythical plot from historical events and criticize the intricate structure of social oppression that the author attributes to organized state religion. Each of the three books attempts to point a way toward the process of millennial liberation. These volumes complete the six-part series of William Blake's Illuminated Books, including Jerusalem, Songs of Innocence and of Experience (now available in paperback), The Early Illuminated Books, and Milton, A Poem, all published by Princeton University Press.
Two great classics come to life in one of the most loved books in American History. Remastered to include Illustrated exercises, a biography of Aldous Huxley, and including the full essay of Heaven and Hell, and The Doors to Perception, this book is a great gift to those who are unfamiliar with his work, or may have forgotten about Huxley's famous contemplations of life and death. - ZKBS(c) All Rights Reserved.
35 plates in full color. Facsimile edition based on rare, priceless originals engraved and hand-colored by Blake himself.
The writings of William Blake were not understood by his contemporaries or the Victorians, and it was only in 1910, with the publication of Joseph Wicksteed's Blake's Vision of the Book of Job, that the long process of comprehending Blake's works seriously began. Part 1 of the present work consists of twelve chapters that are primarily intended to lead the reader who has little or no acquaintance with Blake's more difficult works through all his books. These consist of Poetical Sketches, Songs of Innocence and of Experience, three early prose tractates, the eleven shorter prophetic books (including The Marriage of Heaven and Hell), the lyrics of the Pickering Manuscript, The Four Zoas, Milton, Jerusalem, The Gates of Paradise, The Ghost of Abel and Illustrations of The Book of Job. The reader who wishes to explore a work more fully can proceed to Part II, where a headnote outlines the main scholarly views of its structure and meaning. There are two indexes providing ready access to explanations of terms and proper names.
In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.