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The American Southwest was arguably as formative a landscape for Willa Cather?s aesthetic vision as was her beloved Nebraska. Both landscapes elicited in her a sense of raw incompleteness. They seemed not so much finished places as things unassembled, more like countries ?still waiting to be made into [a] landscape.? Cather?s fascination with the Southwest led to its presence as a significant setting in three of her most ambitious novels: The Song of the Lark, The Professor?s House, and Death Comes for the Archbishop. This volume focuses a sharp eye on how the landscape of the American Southwest served Cather creatively and the ways it shaped her research and productivity. No single scholarly methodology prevails in the essays gathered here, giving the volume rare depth and complexity.
My Antonia is a novel by an American writer Willa Cather. It is the final book of the "prairie trilogy" of novels, preceded by O Pioneers! and The Song of the Lark. The novel tells the stories of an orphaned boy from Virginia, Jim Burden, and Antonia Shimerda, the daughter of Bohemian immigrants. They are both became pioneers and settled in Nebraska in the end of the 19th century. The first year in the very new place leaves strong impressions in both children, affecting them lifelong. The narrator and the main character of the novel My Antonia, Jim grows up in Black Hawk, Nebraska from age 10 Eventually, he becomes a successful lawyer and moves to New York City.
Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them. Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos. Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony. Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.
Investigates the American southwest in Willa Cather's The Song of the lark, The Professor's house, and Death comes for the archbishop.
This bittersweet tale about a professor's desire to stay in his old study and cling to what used to be on the eve of moving into a new house sparks deep introspection in a story that explores a mid-life crisis and family life in a 1920s Midwestern college town.
A compelling dive into the life and times of Willa Cather, a fascinating woman who lived during the great migration across western America and whose works influenced a region.
Tells the stories of a frontier woman, a disillusioned professor, New Mexico's first bishop, early life in Quebec, an ambitious artist, and a Southern slaveowner.
Drawing on newly uncovered archives, The Only Wonderful Things offers a groundbreaking look at American novelist Willa Cather's creative process by arguing that the writer's life partner, magazine editor Edith Lewis, had a crucial impact on Cather's literary work.