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Knowledge about one’s linguistic background, especially when it is different from mainstream varieties, provides a basis for identity and self. Ancestral values can be upheld, celebrated, and rooted further in the consciousness of its speakers. In the case of African American Vernacular English (AAVE) the matter is not straightforward and, ultimately, the social implications its speakers still face today are unresolved. Through detailed analysis of the four building blocks phonology, morphology, syntax, and vocabulary, Sophia Huber tries to trace the development of AAVE as a literary dialect. By unearthing in what ways AAVE in its written form is different from the spoken variety, long established social stigmata and stereotypes which have been burned into the consciousness of the USA through a (initially) white dominated literary tradition will be exposed. Analysing fourteen novels and one short story featuring AAVE, it is the first linguistic study of this scope.
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
When the economy changes it is often necessary to either move or change your skill set to find an appropriate job that will support both you and your family. This is a great motivational book to encourage you not just to rely on others but to follow spiritual principles and shake the money tree. We are trees planted by the rivers of running waters. God promises to keep us watered and that if we pray and get us sustenance from prayer and bible reading that we will be fruitful.
"With the appearance of D.A. Miller's remarkable book, the Victorian novel has its most dazzling critic in years. . . . Miller's subject is not so much the police in fiction as fiction and policing, narrative as a conservative function of the polis. Tracking diverse strategies of surveillance and incarceration into the confines of the fictional institution itself, Miller investigates Victorian novels as the often unconscious agent of a disciplinary culture. He thus reads fiction reading us, keeping a public in its private place. His mastery of an intricate, layered, and sinuous argument is stunning, the writing no less than superb. For all the book's overarching debt to Foucault, D.A. Miller 'do the police' in a voice all his own."—Garrett Stewart, author of Death Sentences: Styles of Dying in British Fiction
“We have an immigration crisis in our country, all right, and it is a good deal more demonstrably wrong than the millions of illegal immigrants in the shadows. It is costlier to the fabric of American life than the September 11 attacks were. Illogical, deadly, ruinous. Yet none of our leaders is raising a finger to stop it. On the contrary, it is our leaders who drive the destruction.” —Ames Holbrook, from The Deporter The true story of a dedicated deportation officer and his exposé of the worst aspects of U.S. immigration policy As one of fewer than six hundred elite Deportation Officers in the country, Ames Holbrook was assigned to the criminal mecca of New Orleans. He was charged with capturing and expelling some of the most wretched murderers, rapists, and child molesters who were aliens in the United States. But Holbrook was thwarted at nearly every turn…by the same U.S. government that employed him. Why? The reasons will shock and infuriate you. In the course of his compelling story, you will read the truth about how foreign governments treat the United States when agents such as Holbrook try to send criminal aliens back to their homelands. And, even more appalling, how Washington’s political hypocrisy forces the direct release of these criminals into unsuspecting American communities. Like every U.S. Deportation Officer, Ames Holbrook tried to make America safer. Then, when America’s leadership threatened the welfare of innocents, Holbrook rewrote the rules. He won commendations and increased responsibility for his promising results, but all the while, he was fighting a losing battle against the political powers that masqueraded as protectors while actually inflicting tragedy on America’s residents. It is Holbrook’s hope that the revelations in these pages might put America on a path to a safer future.
She’s the one who got away… They grew up together, dated for years—but when Jesse Lennox had a chance at a college scholarship and a new life, Hailey abruptly ended things. She wanted him to have the life he deserved, and with her track record knew she’d just bring him down. Now they’re both grown and she runs the new division of Redemption Harbor Consulting, heading up their security division. But her past is about to collide with her present in a big way, and she can’t outrun her demons any longer. This time, he’s playing for keeps… Years ago Hailey joined the military and ruthlessly cut all her foster siblings out her life. Now that one of them is in danger she’s back—and Jesse isn’t letting her push him away ever again. One of their own has been kidnapped and with the clock ticking, they have no choice but to work together to find him before it’s too late. But the threat is much worse than they imagined. It will take all their combined skills—and breaking through Hailey’s walls— to unravel the clues in time to save him. BOOK 1 in all the all-new Redemption Harbor Security series, (spinoff to the USA Today bestselling Redemption Harbor series.)
Murdered criminals. Flawless forgeries. Encrypted operas. The murder of an opera house director forces world-renowned nonverbal communications expert Doctor Genevieve Lenard and her team into an impossible position: protecting notorious criminals—from what appears to be a serial killer. Genevieve plunges into the world of opera, uncovering secrets that a group of organised crime leaders would do anything to keep hidden. She cannot allow her previous case, unreliable witnesses or conflict with her team to distract her. Not if she wants to prevent many innocent lives being lost in a shocking grand finale.