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"This rare collection of photographs was lost for almost 100 years. These photographs, taken by William Stinson Soule, a young Civil War veteran, at Fort Sill between 1869 and 1874 are published here for the first time. Soule's important photographs include many different tribes: Kiowas, Apaches, Kiowa-Apaches, Cheyenne, Wichitas, Caddos, Arapahoes, and Comanches. Included among the photographs are such Chiefs and warriors as Satanta, Setank, Kicking Bird, Big Tree, Lone Wolf, Stumbling Bear, Little Raven, Mow-way, and many others. The accompanying text gives a biography of Soule; offers cultural insight into the various tribes photographed; and describes each photograph and gives a biography of each Indian photographed"--Bookseller's description.
Outlines the lifestyle of the Indians in Oklahoma and their value system despite the white-man's encroachment of their land and widespread stereotyping.
Includes biographical information on 4,500 individuals associated with the frontier
The governing purpose for A Family Portrait from beginning to end has been to delineate the kinds of people the writer's forebears were-their characters, their habits and values, successes and failures-and to trace in their lives the history that encompassed them. Their significance lies in their brilliant ordinariness. In them we come to see the continuity of human life which funnels the past through us to the future. The author writes about those generations before her, "no matter how different we are from each other, our experience is inevitably the same. We know happiness and grief, hope and despair, love and the kind of resentment and fear that grow into hate. We know disappointment and humiliation, exhilaration and the pride that comes from small triumphs. We are selfish and cowardly but all of us have moments of heroism when our own generosity and courage take us by surprise. Our families help us see these things. Imperfect as they were, they believed in us and loved us without reservation in our own imperfection. These gifts we keep and use and pass along to the next generation, hoping they are improved but knowing that our best-we hope we have done our best--shifts with each new perspective. This is what it means to be a part of the communion of saints, and these are the saints that sustain us."
Propelled across the continent by notions of rugged individualism" and "manifest destiny," pioneer Americans soon discovered that such slogans only partly disguised the fact that building an empire meant destroying a wilderness. Through an astonishing range of media, they voiced their concern about America's westward mission. Drawing on a wide variety of evidence, Lee Clark Mitchell portrays the growing apprehensions Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Exquisite blankets, sarapes and ponchos handwoven by southwestern peoples are admired throughout the world. Despite many popularized accounts, serious gaps have existed in our understanding of these textiles—gaps that one man devoted years of scholarly attention to address. During much of his career, anthropologist Joe Ben Wheat (1916-1997) earned a reputation as a preeminent authority on southwestern and plains prehistory. Beginning in 1972, he turned his scientific methods and considerable talents to historical questions as well. He visited dozens of museums to study thousands of nineteenth-century textiles, oversaw chemical tests of dyes from hundreds of yarns, and sought out obscure archives to research the material and documentary basis for textile development. His goal was to establish a key for southwestern textile identification based on the traits that distinguish the Pueblo, Navajo, and Spanish American blanket weaving traditions—and thereby provide a better way of identifying and dating pieces of unknown origin. Wheat's years of research resulted in a masterful classification scheme for southwestern textiles—and a book that establishes an essential baseline for understanding craft production. Nearly completed before Wheat's death, Blanket Weaving in the Southwest describes the evolution of southwestern textiles from the early historic period to the late nineteenth century, establishes a revised chronology for its development, and traces significant changes in materials, techniques, and designs. Wheat first relates what Spanish observers learned about the state of native weaving in the region—a historical review that reveals the impact of new technologies and economies on a traditional craft. Subsequent chapters deal with fibers, yarns, dyes, and fabric structures—including an unprecedented examination of the nature, variety, and origins of bayeta yarns—and with tools, weaves, and finishing techniques. A final chapter, constructed by editor Ann Hedlund from Wheat's notes, provides clues to his evolving ideas about the development of textile design. Hedlund—herself a respected textile scholar and a protégée of Wheat's—is uniquely qualified to interpret the many notes he left behind and brings her own understanding of weaving to every facet of the text. She has ensured that Wheat's research is applicable to the needs of scholars, collectors, and general readers alike. Throughout the text, Wheat discusses and evaluates the distinct traits of the three textile traditions. More than 200 photos demonstrate these features, including 191 color plates depicting a vast array of chief blankets, shoulder blankets, ponchos, sarapes, diyugi, mantas, and dresses from museum collections nationwide. In addition, dozens of line drawings demonstrate the fine points of technique concerning weaves, edge finishes, and corner tassels. Through his groundbreaking and painstaking research, Wheat created a new view of southwestern textile history that goes beyond any other book on the subject. Blanket Weaving in the Southwest addresses a host of unresolved issues in textile research and provides critical tools for resolving them. It is an essential resource for anyone who appreciates the intricacy of these outstanding creations.