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"For photographer Arko Datto, these nocturnal realms offer the perfect space to create hallucinatory narratives about raw social and political issues. Using his flash to candidly capture both people and animals in their urban environments, his resulting images appear as highly aestheticized accidents - cinematic stills from a feverish nightmare. A departure from his acclaimed work Pik-Nik, the two series Will My Mannequin Be Home When I Return and What News of the Snake That Lost Its Heart In The Fire work to address current political climates in India, Malaysia and Indonesia. These two series will soon be followed by a third installation about Bangladesh, becoming a trilogy tied together by Datto's abrupt camera flash in the darkness of nighttime." -- LensCulture website.
Award-winning author Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both? We thought we'd play a fun prank on her, and now most of us are dead. One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing. Luckily, Sawyer has a plan. He’ll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes—sometimes you have to become a monster first. "Suffused with questions about the nature of change and friendship, “Night of the Mannequins” is a fairy tale of impermanence showcasing Graham Jones’s signature style of smart, irreverent horror." —The New York Times At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Meeting at a charity dinner and continuing to meet Jason and virgin Marigold knew they were in love. At Jasons home after her first visit for Sunday lunch, as Marigold was changing afterwards for riding in the wood, through the open windows she heard Jasons mother, Lady Norton discussing her. We mustnt encourage her. She would be unsuitable for Jason. With her infamous aunts many affairs she would drag his career down. He will be taking Silk and then going on to be a Judge. Heartbroken Marigold fled to Cornwall to be with her ex nanny before she started work in her aunts fashion store. Jason knowing where to find her followed her and they were given a second chance.
Whether you are a new member of a multiracial/interfaith family, the father of a same-sex bride, or the mother of an adopted daughter from China, Norine Dresser offers suggestions for mixed families in avoiding social pitfalls at holidays and rituals for birth, coming of age, marriage, death, and other significant life events.
Clay Byars was recovering at home from a near-fatal car crash when he suffered a massive stroke. He was just eighteen years old. He awoke, back in the hospital, and was told he would be paralyzed from the eyes down for the rest of his life. Determined to defy the odds, Clay quickly and miraculously began to recover his mobility but discovered just how different his life would be—a disparity embodied by his identical twin brother, Will. As Will went on to graduate from college, marry, and start a family, Clay carved out a unique existence, doing the seemingly impossible by living on his own on a remote farm in Alabama. With haunting clarity and heartrending honesty, Will & I tells the unlikely story of Clay’s life and his coping mechanisms, including weekly singing lessons that not only teach him to use his voice but remind him of his will to exist. In this singular and striking meditation on vulnerability and vitality, we’re invited to see how Clay sees the world—and how the world sees him—as he bravely challenges himself and his abilities at every turn.
London, 1914. Called out to investigate the murder of a fashion model employed by the House of Blackley, a prestigious Kensington department store, Detective Inspector Silas Quinn of Scotland Yard’s Special Crimes Department is thrown into the bizarre: the chief murder suspect is a monkey. He may be sceptical, but how will Quinn ever get to the truth when faced with the maelstrom of seething jealousy, resentment, forbidden desires and thwarted passion that is the Mannequin House?
From the winner of the Commonwealth Writers' Prize Best First Book, this strikingly original novel is at turns a gothic tale of a father’s obsession, a castaway story worthy of a Boy’s Own adventure and a thorny remembrance of past tragedies. “The skin was smooth and bright as porcelain, but looked as if it would give to the touch. What manner of wood had he used? What tools to exact such detail? What paints, tints or stains to flush her with life?” So wonders the window dresser Colton Kemp when he sees the first mannequin of his new rival, a man the inhabitants of Marumaru simply call The Carpenter. Rocked by the sudden death of his wife and inspired by a travelling vaudeville company, Kemp decides to raise his children to be living mannequins. What follows is a tale of art and deception, strength and folly, love and transgression, which ranges from small-town New Zealand to the graving docks of the River Clyde, from an inhospitable rock in the Southern Ocean to Sydney’s northern beaches. Along the way we meet a Prussian strongman, a family of ship’s carvers with a mysterious affliction, a septuagenarian surf lifesaver and a talking figurehead named Vengeance.
NEW YORK TIMES BESTSELLER • From the pages of Vogue to the runways of Paris, this “captivating” (Time) memoir by a legendary style icon captures the fashion world from the inside out, in its most glamorous and most cutthroat moments. “The Chiffon Trenches honestly and candidly captures fifty sublime years of fashion.”—Manolo Blahnik NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Fortune • Garden & Gun • New York Post During André Leon Talley’s first magazine job, alongside Andy Warhol at Interview, a fateful meeting with Karl Lagerfeld began a decades-long friendship with the enigmatic, often caustic designer. Propelled into the upper echelons by his knowledge and adoration of fashion, André moved to Paris as bureau chief of John Fairchild’s Women’s Wear Daily, befriending fashion's most important designers (Halston, Yves Saint Laurent, Oscar de la Renta). But as André made friends, he also made enemies. A racially tinged encounter with a member of the house of Yves Saint Laurent sent him back to New York and into the offices of Vogue under Grace Mirabella. There, he eventually became creative director, developing an unlikely but intimate friendship with Anna Wintour. As she rose to the top of Vogue’s masthead, André also ascended, and soon became the most influential man in fashion. The Chiffon Trenches offers a candid look at the who’s who of the last fifty years of fashion. At once ruthless and empathetic, this engaging memoir tells with raw honesty the story of how André not only survived the brutal style landscape but thrived—despite racism, illicit rumors, and all the other challenges of this notoriously cutthroat industry—to become one of the most renowned voices and faces in fashion. Woven throughout the book are also André’s own personal struggles that impacted him over the decades, along with intimate stories of those he turned to for inspiration (Diana Vreeland, Diane von Fürstenberg, Lee Radziwill, to name a few), and of course his Southern roots and faith, which guided him since childhood. The result is a highly compelling read that captures the essence of a world few of us will ever have real access to, but one that we all want to know oh so much more about.
- The book is the visual record of the author's process of recovering memories with clues found on paths his father used to take and places his family used to visitWhen he attempted to trace memories of his late father, Hajime Kimura realized that most of them were missing. Because of this, his photos were shot with a half-framed camera. Each image consists of two shots divided by a thick black border. The continuous sequence of the images seems to repeatedly suggest the photographer's impossible attempt at recovering a lost past. One can come close to faded memories, but cannot reconstruct them perfectly.