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"Volumes nine and ten of the Luzerne legal register are in first Kulp [i.e. Kulp's Luzerne legal register reports], volumes eleven and twelve are in second Kulp, and volumes thirteen and fourteen are in third Kulp, with different paging."--V. 11, p. [iii], Luzerne legal register reports.
A master practitioner’s view of his craft, this classic survey of the fiction of the American West is part literary history, part criticism, and entertaining throughout. The first edition of The Wister Trace was published in 1987, when Larry McMurtry had just reinvented himself as a writer of Westerns and Cormac McCarthy’s career had not yet taken off. Loren D. Estleman’s long-overdue update connects these new masters with older writers, assesses the genre’s past, present, and future, and takes account of the renaissance of western movies, as well. Estleman’s title indicates the importance he assigns Owen Wister’s 1902 classic, The Virginian. Wister was not the first writer of Westerns, but he defined the genre, contrasting chivalry with the lawlessness of the border and introducing such lines as “When you call me that, smile!” Estleman tips his hat to Wister’s predecessors, among them Ned Buntline, the inventor of the dime novel, and Buffalo Bill. His assessments of Wister’s successors—Zane Grey, Walter Van Tilburg Clark, and Louis L’Amour, to name but three—soon make clear the impossibility of differentiating great western writing from great American writing. Especially important in this new edition is the attention to women writers. The author devotes a chapter each to Dorothy Johnson—author of “The Man Who Shot Liberty Valance”—and Annie Proulx, whose Wyoming stories include “Brokeback Mountain.” In his discussion of movies, Estleman includes a list of film adaptations that will guide readers to movies, and moviegoers to books. An appendix draws readers’ attention to authors not covered elsewhere in the volume—some of them old masters like Bret Harte and Jack London, but many of them fascinating outliers ranging from Clifford Irving to Joe R. Lansdale.
In I, Tom Horn, originally published in 1975, Will Henry presents a fictional autobiography of Tom Horn that answers decisively the question?did Tom Horn kill fourteen-year-old Willie Kickell, or was he framed? Horn was a cavalry scout in Arizona Territory during the last Apache campaigns, a champion rodeo rider, a Pinkerton, and finally a stock detective in Wyoming. Known and feared as el hombre de sombra (the shadow man), Horn?s lifetime (1860?1903) spans one of the most colorful and tumultuous periods of the Old West. In this novel Will Henry provides a multidimensional portrait of Tom Horn as a man capable of humor, compassion, and love, and also one who could kill without the least remorse. This figure is set against equally compelling portraits of Al Sieber, chief of scouts under General Crook, and apache leaders in the Four Families of the Chiricahuas, names now fabled in American frontier history Nana, Chato, and Geronimo.
The American West. Just as America attracted millions to her shores by building upon a foundation of freedom, democracy, and a new start, the lands beyond the Mississippi would also attract people from all over the world with visions of opportunity and wide open spaces and provide America with legends and myths that have yet to die. In Westward, the history of the Old American West unfolds in twenty-eight original stories written especially for this unique collection that commemorates the fiftieth anniversary of Western Writers of America. Featuring stories handpicked by four-time Spur Award-winning author Dale L. Walker, Westward is a time capsule of the Old American West, from the first horse ever seen by a North American Indian to a man who escaped from the Alamo, from the massacre at Mountain Meadows to Libbie Custer's great secret, from the Apache wars to the California gold rush. And such luminaries of the West as Crazy Horse, Jim Bridger, Jedediah Smith, King Fisher, Doc Holliday, Belle Starr, John Wesley Hardin, and the one black man to accompany the Lewis and Clark expedition are brought to life in these colorful and dramatic tales. Here, the ghosts of the Old West, some already there, others lured to that vast and trackless land of the setting sun, will talk to you in this volume of short stories to be treasured. Includes new short fiction by: Arthur Winfield Knight Bill Crider Bill Gulick C. F. Eckhardt Cotton Smith Dale L. Walker Dan Aadland Don Coldsmith Elaine Long Emery L. Mehok Ivon B. Blum James Reasoner Janet E. Graebner John Jakes John V. Breen Lenore Carroll Linda Sandifer Loren D. Estleman Matt Braun Michelle Black Otis Carney Richard C. House Richard S. Wheeler Riley Froh Rod Miller Susan K. Salzer Troy D. Smith Win Blevins At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A firsthand account of the Civil War and Reconstruction in the Old South rice kingdom from one of South Carolina's founding families The Civil War and Reconstruction eras decimated the rice-planting enterprise of the South, and no family experienced the effects of this economic upheaval quite as dramatically as the Heywards of South Carolina, a family synonymous with the wealth of the old rice kingdom in the Palmetto State. Twilight on the South Carolina Rice Fields collects the revealing wartime and postbellum letters and documents of Edward Barnwell "Barney" Heyward (1826–1871), a native of Beaufort District and grandson of Nathaniel Heyward, one of the most successful rice planters and largest slaveholders in the South. Barney Heyward was also the father of South Carolina governor Duncan Clinch Heyward, author of Seed from Madagascar, the definitive account of the rice kingdom's final stand a generation later. Edited by Margaret Belser Hollis and Allen H. Stokes, the Heyward family correspondence from this transformational period reveals the challenges faced by a once-successful industry and a once-opulent society in the throes of monumental change. During the war Barney Heyward served as a lieutenant in the engineering division of the Confederate army but devoted much of his time to managing affairs at his plantations near Columbia and Beaufort. His letters chronicle the challenges of preserving his lands and maintaining control over the enslaved labor force essential to his livelihood and his family's fortune. The wartime letters also provide a penetrating view of the Confederate defense of coastal South Carolina against the Union forces who occupied Beaufort District. In the aftermath of the conflict, Heyward worked with only limited success to revive planting operations. In addition to what these documents reveal about rice cultivation during tumultuous times, they also convey the drama, affections, and turmoil of life in the Heyward family, from Barney's increasingly difficult relations with his father, Charles Heyward, to his heartfelt devotion to his wife, the former Catherine "Tat" Maria Clinch, and their children. Twilight of the South Carolina Rice Fields also features an introduction by noted economic historian Peter A. Coclanis that places these letters and the legacy of the Heyward family into a broader historical context.