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A book that celebrates one of the most breathtaking and comprehensive collections of wildfowl decoys in America. Bird decoys were used for hunting in North America until the advent of hunting regulations in the early twentieth century, when decoys started to be prized and collected as masterpieces of American folk art. This handsome book is the first examination of the historic and unparalleled decoy collection at Shelburne Museum. Featuring new photography of 250 of the museum’s most important and artistically carved decoys, it includes examples made by the most respected American carvers: Charles Osgood, Lem and Steve Ward, John Blair, Bill Bowman, Nathan Cobb, Jr., Lee Dudley, James Holly, Jr., Nathan Horner, Albert Laing, Joseph Lincoln, A. Elmer Crowell, and Charles “Shang” Wheeler. The story of the collection begins with Joel Barber, the pioneer decoy enthusiast and New York architect, artist, and carver, whose gift of 400 superior examples established the collection in 1952. Several essays provide groundbreaking scholarship on the origins, construction, and attribution of bird decoys, imparting critical advancements to our modern understanding of this revered tradition.
This text presents a collection of field descriptions and photographs of the world's wildfowl. It covers 236 species and sub-species and 700 photographs illustrate not only the adult bird, but each significant plumage variation. The up-to-date species descriptions include details of habit, range and status, characteristic plumage features, sub-species and races where appropriate and vocalization. The book has been designed to complement and enhance existing artwork guides, such as Wildfowl: An Identification Guide (Helm, 1988), and covers rare birds, seabirds, birds of prey and warblers in all zoogeographic regions.
Joel Barber spent 20 years studying and collecting wild fowl decoys from Nova Scotia to North Carolina. Mr. Barber's authoratative volume is the only text written for the true collector and contains all there is to be known on the subject: how to recognize the locality from which a decoy comes, the world of famous decoy makers, the scarcity of certain types of decoys and more.
Wildfowl of Europe, Asia and North America is a comprehensive reference summarisingcurrent knowledge on the identification of the different species and subspeciesof ducks, geese and swans in Europe, Asia and North America - in essence theHolarctic zoogeographical region. The detailed species accounts cover taxonomy,specific and subspecific identification features, determination of age and sex,geographic variation, measurements, voice, moult and hybridisation. Inaddition, the current status of each species is treated with up-to-dateinformation on distribution, population size, habitat and life-cycle. The textis complemented by 650 colour photos, almost all taken in the wild, and 72 colourplates painted by the author and featuring over 920 individual artworks.Together, these represent most of the plumages of each of the 84 speciestreated in this book, as well as more than 100 hybrids that are observed moreor less regularly in the wild. The photos are provided with captions that focuson the most important features, and the plates are accompanied by succinctcaption text and distribution maps. This new identification guide provides an unrivalled level of detail and a wealthof information and illustrations. It will be an essential reference for anyoneinterested in the ducks, geese and swans of Eurasia and North America.
During the century leading up to this book's publication in 1941, there had been a complete revolution in conditions governing the habits and numbers of wildfowl in many parts of the world. Industrial innovations such as the breech-loading gun, the steam-engine, and the internal combustion engine not only increased destruction, but, by disturbance of previously quiet resting places, led to vast changes in distribution. In most locations, these changes were masked by seasonal fluctuations, and too slow for the average wildfowler to notice. But it began to be realised, especially in North America, that the number of wildfowl was seriously diminishing. To obtain accurate information, the International Committee for Bird Preservation adopted a far-reaching scheme of investigation and inquiry. This first publication gives the results of the investigations in Scotland. It attempts to record a distributional index and practical estimate of a country's total stock of wildfowl.
During the century leading up to this book's publication in 1941, there had been a revolution in conditions governing the habits and numbers of wildfowl in many parts of the world, which led to diminishing numbers. This first volume by the International Committee for Bird Preservation contains eight papers by specialists.
A summary of information on 154 species of duck, geese and swans of the world intended as an identification manual for the wildfowl enthusiast that goes beyond a regional basis and is light enough to be used as a handy reference book in the field. Wildfowl is a unique combination of scientifically accurate information compressed into an easy-to-use format which has been planned to give anyone a greater understanding of the lives of this fascinating group of birds. The 47 superb colour plates form the backbone of the book, each plate being accompanied by an informative caption page summarising the criteria required to identify, and in many cases, to age and sex each species, along with an easy-to-use cross reference system to the main body of text. The text not only clarifies identification techniques but fully discusses problematic plumages in detail as well as providing a summary on world distribution and status complemented by clear distribution maps.
Legendary bird carver Larry Barth has created a stunning retrospective of his life's work, including sculptures from museum exhibits and rarely seen pieces from private collections. This is a must-have book for every bird lover, carver, and anyone who appreciates fine sculptural art.