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NEW YORK TIMES EDITORS’ CHOICE • A “luminous” (Vogue) collection of twenty-eight stories from Nobel Prize–winning author Alice Munro, “one of the finest contemporary story writers in the English language” (Newsday)—previously published as Selected Stories “Her stories are like few others. One must go back to Tolstoy and Chekhov . . . for comparable largeness.”—John Updike, The New York Times Book Review Spanning almost thirty years and settings that range from big cities to small towns and farmsteads of rural Canada, this magnificent collection brings together twenty-eight stories “about love, marriage, discontent, divorce, betrayal, impulsive passion, second thoughts, deaths, even murder—stories with plenty of drama and surprise as well as reflection and meditation” (The Wall Street Journal)—by a writer of unparalleled wit, generosity, and emotional power. In A Wilderness Station: Selected Stories, 1968–1994, Alice Munro makes lives that seem small unfold until they are revealed to be as spacious as prairies and locates the moments that change those lives forever. A traveling salesman during the Depression takes his children with him on an impromptu visit to a former girlfriend. A poor girl steels herself to marry a rich fiancé she can’t quite manage to love. An abandoned woman tries to choose between the opposing pleasures of seduction and solitude. To read these stories is to succumb to the spell of a true narrative sorcerer, a writer who enchants her readers utterly even as she restores them to their truest selves.
"The first collection of its kind, Other People's Mail is a unique and important anthology. Pool's highly informative introduction explores the nature of letter fiction, and her individual preface to each story provides background information on both the author and the tale. A select listing of additional letter stories rounds out the anthology.
Short Stories. This first-ever selection of Alice Munro's stories sums up her genius. Her territory is the secrets that cackle beneath the facade of everyday lives, the pain and promises, loves and fears of apparently ordinary men and women whom she renders extraordinary and unforgettable.
Alice Munro is Canada’s greatest short story writer. This book, the first full length study of her work published in Britain, explores the appeal of Munro’s fictions of small-town Canadian life with their precise attention to social surfaces and their fascination with local gossip and scandal. This is a world of open secrets, and Howells highlights Munro’s distinctive storytelling methods which combine the familiar and the unfamiliar, slipping between realism and fantasy to make visible what is usually hidden within everyday life. These are women’s narratives, full of silent female knowledge--of female bodies, love stories and romantic fantasies as well as female casualties. Munro takes up the traditional subjects of women’s fiction through her stories’ significantly female plots, stories of entrapment and escape attempts, where secrecy and silence become strategies of resistance. Munro’s enthusiasm for the work of other women writers from Emily Brontë and L. M. Montgomery to Eudora Welty is emphasized as Munro continues to experiment with the short story form, creating worlds which are both "touchable and mysterious."
Discussions of the Pentateuch still progress in the shadow of Wellhausen's classic source theory known as the Documentary Hypothesis. The theory continues to stimulate a lively and informative exchange in pentateuchal circles, even in the face of significant adjustments to the hypothesis and its alleged abandonment by some. In the midst of this discussion, the priestly literature holds a unique position as the most identifiable of the sources of the Pentateuch. Nevertheless, clarity regarding the character of the Priestly source has been obscured by the disjunction between the P narratives in Genesis and the predominantly legal material assigned to P in the rest of the Pentateuch. This book addresses that disjunction by recognizing the priestly narrative in the book of Genesis as a unique document, which has been incorporated into the larger Priestly source. This discovery also serves to bring further clarity to the redactional relationship between P and H. As a result, this study enriches our understanding of the priestly writings in the Pentateuch.