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Dr. Alexandra Wilde is brilliant, driven, and wholly dedicated to her profession. Caring for critically ill children has taken her across the globe from Mongolia to Haiti to her current assignment in Gaborone, Botswana. Her life is full of excitement, tragedy, and personal sacrifice with little room for anything or anyone else. She has always welcomed any adventure...except for the one wearing the face of billionaire mining heir and international playboy, Ian Devall. He is arrogant, charming, and utterly disenchanted. However, when circumstances thrust him into her life, she is captivated by a glimpse of his deeper character and drawn into a blazing romance. An ensuing path of self-discovery leads her to reopen the wounds of her past, and she must choose between the life she always imagined...or one she never dreamed was possible.
THE NUMBER 1 SUNDAY TIMES BESTSELLER! 'Warm and engaging' Sophie Kinsella 'I'm smitten' Lindsey Kelk 'Gorgeous, witty, reassuring' Daisy Buchanan 'Funny, heartfelt, tender and empowering!' Giovanna Fletcher 'Hilarious, moving and extremely well written' Stylist Magazine You'll never forget the day you meet Robin Wilde! Robin Wilde is an awesome single mum. She's great at her job. Her best friend Lacey and bonkers Auntie Kath love her and little Lyla Blue to the moon and back. From the outside, everything looks just fine. But behind the mask she carefully applies every day, things sometimes feel . . . grey. And lonely. After 4 years (and 2 months and 24 days!) of single-mum-dom, it's time for Robin Wilde to Change. Her. Life! A little courage, creativity and help from the wonderful women around her go a long way. And Robin is about to embark on quite an adventure . . . This is what you've been saying about Wilde Like Me: 'LOVE this book. It made me laugh and cry' 'Adored this book. Couldn't put it down' 'Robin Wilde is an amazing character and everyone should read this book!' 'I'm dying to know what happens next with Robin' 'A great pick-me-up book' 'This book made me feel so, so good!' 'Relatable, sad, funny and sweet' 'I loved it so much I passed it on to my mum' 'Anyone can relate to Robin' 'If I could give it more than 5 stars I would!' SPEND YOUR EVENINGS WITH ROBIN WILDE AND FALL IN LOVE WITH THIS YEAR'S HOTTEST BOOK! Can't wait to read more from Louise Pentland? Look out for her new non-fiction book, MumLife: What Nobody Ever Tells You About Being A Mum. Search 9781788702928. #WildeLikeMe #WildeAboutTheGirl @LouisePentland
This new study of the major prose and plays of Oscar Wilde argues that his dominant aesthetic category is not art but style. It is this major emphasis on style and attitude which helps mark Wilde so graphically as our contemporary. Beginning with a survey of current Wilde criticism, the book demonstrates the way his own critical essays anticipate much contemporary cultural theory and inform his own practice as a writer.
Offers advice on writing essays about the works of Oscar Wilde and lists sample topics.
"Is this the beginning of our epic love story?" In the sequel to Wilde Type, Dr. Alexandra Wilde has the love of a spectacular man, her dream job, and a life beyond her wildest dreams. But it's real life not a dream...and happy ever after doesn't last forever.
Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.
The Picture of Dorian Gray by Oscar Wilde from Coterie Classics All Coterie Classics have been formatted for ereaders and devices and include a bonus link to the free audio book. “Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.” ― Oscar Wilde, The Picture of Dorian Gray A man sells his soul for eternal youth and scandalizes the city in Oscar Wilde's The Picture of Dorian Gray.
NATIONAL BESTSELLER • A curmudgeonly professor journeys to a small town in the far north in this “incredibly fun journey through fae lands and dark magic” (NPR), the start of a heartwarming and enchanting new fantasy series. “A darkly gorgeous fantasy that sparkles with snow and magic.”—Sangu Mandanna, author of The Very Secret Society of Irregular Witches A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, PopSugar Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world’s first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party—or even get invited to one. And she prefers the company of her books, her dog, Shadow, and the Fair Folk to other people. So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, muddle Emily’s research, and utterly confound and frustrate her. But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones—the most elusive of all faeries—lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she’ll have to unlock the greatest mystery of all—her own heart. Book One of the Emily Wilde Series
The Intersexes: A History of Similisexualism as a Problem in Social Life (1906) is a work of nonfiction by Edward Irenaeus Prime-Stevenson. Written while Prime-Stevenson was living as an expatriate in Europe, The Intersexes is a defense of homosexuality grounded in scientific and historical research. Throughout his career, Prime-Stevenson sought to dispel falsehoods surrounding the history and social acceptance of homosexuality. Writing under the pseudonym Xavier Mayne, Prime-Stevenson took great care to insulate himself from the reprisal common to the period in which he worked. Despite his limited audience—copies of his works numbered in the hundreds—Prime-Stevenson is now recognized as a pioneering advocate for the rights of the LGBTQ community. “Between a protozoan and the most perfect development of the mammalia, we trace a succession of dependent intersteps...A trilobite is at one end of Nature's workshop: a Spinoza, a Shakespeare, a Beethoven is at the other. [...] Why have we set up masculinity and femininity as processes that have not perfectly logical and respectable inter-steps?” Seeking to defend homosexuality as a natural result of human evolution, Prime-Stevenson offers his theory of intersexes, of which he identifies two while leaving room for more to be defined in the future. To do so, he rejects the binary of masculine and feminine, both of which fail to describe the vast majority of humanity, in favor of a broader spectrum of sexual identity. Using the terms Uranian and Uraniad, which align with gay and lesbian respectively, Prime-Stevenson attempts to define these types, call attention to historical examples, and critique the societal condemnation and persecution of such individuals as “degenerate” or “criminal.” This groundbreaking study, perhaps the first to approach homosexuality from a scientific, historical, personal, and legal point of view, is recognized today as a landmark in queer literature by academics around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Edward Irenaeus Prime-Stevenson’s The Intersexes: A History of Similisexualism as a Problem in Social Life is a classic work of queer literature reimagined for modern readers.
This study claims that scholars need to examine all twenty-seven English illustrated editions of Wilde's and Beardsley's Salomë to understand whether Beardsley's compositions do, or do not, illustrate Wilde's words. For the last one hundred years scholars have addressed the aesthetic function of Beardsley's compositions (whether or not Beardsley's compositions illustrate Wilde's words), and each scholar sees something different: Beardsley's compositions are "irrelevant" to Wilde's words; Beardsley's compositions are "relevant" to Wilde's words; Beardsley's compositions are both "irrelevant" and "relevant." What is at issue here is that this traditional dance of signification (scholars' interpretations of the aesthetic function of Beardsley's compositions) relies upon an interpretive strategy that disavows the history of textual transmissions. To put this another way, what scholars "see" depends upon the particular English illustrated edition(s) they read. Beardsley's compositions are physical objects conditioned by a physical setting--i.e., the components of total book design. Yet, for many, the visible appears invisible. The motivation for this study arises from previously unexamined phenomena--the genesis and textual transmission of Beardsley's compositions for Salomë (1894-1994). As historical textual scholarship, this study uses the methodologies central to descriptive bibliography: the English illustrated editions of Wilde's and Beardsley's Salomë are treated as socially constructed physical objects. Binding, format, and paper are a few of the signifying systems described. Specifically, this investigation draws upon the model presented by Philip Gaskell in A New Introduction to Bibliography. The necessary tasks include: transcribing the title-page; analyzing the format; examining the appearance of the binding; detailing the kind of paper used; and noting other information, such as titles. As the centenary of Wilde's and Beardsley's Salomë commences, this is the opportune time to trace the publishing history of Beardsley's compositions, to update existing descriptive bibliographies, and to turn to an empirical method for a socialized model of literary production.