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After finally being declared innocent of Richard Adamss murder, Mary Benedict Austin is happy. But her happiness is short lived. What she doesnt know is that her world is about to be turned upside down once again. Mary Benedict Austin is kidnapped by her husband Mandos mortal enemy, a Shoshone Indian named Kajika. Mary is pregnant, but her kidnapper doesnt know it. After she has been with him for five months, he realizes that she is pregnant. That is where the lies to save herself, her unborn baby, and her family in Albany begin. She convinces Kajika that the baby she is carrying is his and she tells him that she loves him and will never leave him. Kajika believes her because he is in love with her. Kajika is injured by a protruding stick on a log. His injury allows Mary to escape her bonds of slavery and return to her husband and family. Almost a year after her escape, Kajika comes back into her life. He arrives in Albany bent on revenge against Mary, who he believes not only stole his heart but also his child. His way of getting revenge is to kill Mando, Marys other children, burn down the town, and leave Mary gravely wounded as she watches him ride away with his child.
In this Leopard novel by the #1 New York Times bestselling author Christine Feehan, passions explode like wildfire when a young woman’s feral instincts are ignited by a man who’s too dangerous not to desire… A simple request for Siena Arnotto: deliver a gift to her grandfather’s friend. One look at Elijah Lospostos, hard-bodied and stripped to the waist, and Siena succumbs to a feline stirring she never felt before, and to Elijah’s reckless and pleasurable demands. But when that pulse-throbbing moment ends in the murder of an unexpected intruder, Elijah accuses the shaken and confused Siena of setting him up. Then Siena discovers the truth of her Leopard heritage, of the secrets in her grandfather’s inner circle, and the sinister plot of revenge that has put her in jeopardy. When Siena’s grandfather is assassinated, she realizes the only man she can trust is Elijah. Now as her Leopard rises from within, Siena and Elijah share not only an animal instinct for survival—but a desire so raw and wild it may be the only thing that can save them.
"As the Western began to flourish in literature, it also began to appear in illustrations and early comic strips of the late 19th and early 20th centuries. William Grady charts the history of the genre in comic strips and books from its origins in this period through its mid-century heyday to its gradual decline in the 60s and 70s, ending with a brief look at the current "afterlife" of Western comics over the last few decades. In doing so, he also argues for the importance of comics in the development of the Western alongside both literature and film/television. He explains how the mythic-historical settings of Western comics allowed the young readers at whom they were aimed to explore different aspects of their contemporary society, wrestle with taboo topics, and envision different futures for the US. Grady begins by exploring the origins of the Western genre in the late 19th century and shows the importance of illustrated narratives and cartoons in helping readers visualize the West, thus establishing much of its iconic imagery of frontier life, including racist stereotypes of Indigenous Peoples. He moves forward in time to show how the West became mythologized and fantastic elements were introduced into the real landscape in comic strips such as Gasoline Alley and Krazy Kat, until the Great Depression, where strips emphasized the escapist adventures of the West in Red Ryder, Lone Ranger, and others. The postwar Western spread into comic books and was used alternately as positive and negative commentaries on the Cold War and America's place in the world, but in the era of Vietnam and Watergate, Western comics portrayed darker reflections of American culture and history and eventually more or less died out. Despite the genre's apparent demise, Grady ends by examining its ongoing influence over the last decades as its tropes are used to interrogate and subvert the idea of the mythic West and explore diverse perspectives on the genre"--
A novel of terror and flight on the wedding night.
Attract comic book collectors like a magnet Packed with nearly 100,000 classic and contemporary comics and more than 1,000 illustrations, collectors will find updated listings and prices for Acclaim, Classics Illustrated, Dark Horse, D.C., Marvel and much more. Special sections are devoted to the highly collectible Golden Age, Color Comics, Black & White Comics, and Underground Comics. Each listing is cross-referenced and includes issue number, title, date, artist and current collector value in US dollars. Collectors can accurately evaluate and value their collections with the grading guide, current market report and tips for buying, selling, and preserving comic books.
Wildcat Anarchist Comics collects the drawings of Donald Rooum, mostly (but by no means entirely) from the long-running “Wildcat” cartoon series that has been published in Freedom newspaper since 1980. Rooum does not just purvey jokes but makes the drawings comical in themselves, “getting the humour in the line,” provoking laughter even in those who do not read the captions or speech balloons. The chief characters in the strip are the Revolting Pussycat, a short-fused anarchist who is furious and shouty; and the Free-Range Egghead, an intellectual who would like anarchism to be respectable but sometimes appears foolish. Governments, bosses, and authoritarians are presented as buffoons, and quite often so are anarchists. This thoughtful and delightful collection includes strips from The Skeptic and many more, all beautifully colored for the first time by Jayne Clementson. The book also includes a lively autobiographical introduction that discusses Rooum’s role in the 1963 “Challenor case,” in which a corrupt police officer planted a weapon on Rooum at a demonstration, ultimately resulting in Rooum’s acquittal.
Describes and lists the values of popular collectible comics and graphic novels issued from the 1950s to today, providing tips on buying, collecting, selling, grading, and caring for comics and including a section on related toys and rings.
In its 95-year history, the Kentucky Wildcats have won more games than any other college basketball team. Their winning percentage is the highest in the country. They share the record for the most 20-win seasons. They are second in all-time number one rankings. And despite no longer holding the record for winningest coach, Adolph Rupp will always be a giant in the pantheon of college basketball. When The Winning Tradition first appeared in 1984, it was the first complete history of the Wildcat basketball program. Bert Nelli pointed out that, contrary to the accepted mythology, Adolph Rupp arrived at a program already strong and storied. Nor did Rupp bring an entirely new style of play to the Bluegrass. Instead he adopted—and perfected—that of his predecessor, John Mauer. What Rupp did bring was an ability to charm the news media and a fierce determination to turn out winning teams, making him the undisputed "Baron of Basketball." This new and expanded edition of The Winning Tradition brings the history of Kentucky basketball up to date. Nelli and his son Steve turn the same unflinching gaze that characterized the honesty of the first edition on the scandals that marred Eddie Sutton's tenure, the return to glory under Rick Pitino, and a full accounting of Tubby Smith's history-making first year. The start of basketball season is welcomed in the Bluegrass with an unmatched enthusiasm and intensity. Each year brings a new team, new stars, and new glory. Other books have documented individual seasons, individual players, or individual coaches. But The Winning Tradition remains the only complete and authoritative history of the most celebrated college basketball program in the world. A book no fan can afford to be without, The Winning Tradition brings alive the agonies, frustrations, and glories of each season of Kentucky basketball, from the first team (fielded by women) to the surprising victory in the 1998 NCAA tournament.