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The Truth About Wyatt Earp is the result of extensive research done by the author, Richard E. Erwin. After retiring from his career as a Criminal Defense Lawyer, he took up the task of ferreting out the truth surrounding the life and times of Wyatt Earp. He presents here solid evidence, based on old newspaper accounts, public records, documents buried in museums, state and national archives and libraries and reports of other researchers, to substantiate his view of what he believes to be The Truth About Wyatt Earp. Did you know... That Wyatt Earp was once indicted for horse stealing (He was never convicted.)? That there were four witnesses who could have testified that Tom McLaury was armed at the commencement of the O.K. Corral fight? That both Wyatt Earp and Doc Holliday spent more than two weeks in jail in the custody of John Behan while the hearing on the O.K. Corral shoot-out was going on? The truth comes out in this illuminating essay on one of the most fascinating characters in history.
Nicknamed the "Queen of Copper Camps" for having the richest copper mining operations in the world, Bisbee also was the scene of dastardly crimes. From drunken shootouts in saloons to strikers clashing with mining executives, the town's past is filled with stories of vengeance and street justice. The aftermath of an 1885 lynching led directly to the establishment of the Copper Queen Library, too late to deter the infamous Bisbee Massacre of 1883. In Lowell, an argument about an alleged affair ended in murder, while the Fly-Swatting Contest of 1912 encouraged a different kind of killing. Author, journalist and historian Francine Powers uncovers the real-life dramas of Wild West Bisbee.
In October 1892 the notorious Dalton gang concluded their days of outlawry at Coffeyville, Kansas, with a bold attempt to rob two banks at once in broad daylight. The raiders--Bob, Grat, and Emmett Dalton, Bill Powers, and Dick Broadwell--were nothing more than common hoodlums, says author Robert Barr Smith. The real heroes of the day were the townspeople, who spontaneously turned out in haste and in force to dispatch the outlaws in a bloody downtown shoot-out. Smith sorts out the truth from the legends and suggests answers to some of the perplexing questions about the Coffeyville fight--including whether or not there was a sixth man who got away. In addition, Smith recounts the violent aftermath of the fight: the trial and later life of Emmett Dalton, the only outlaw to survive the raid; and the bloody ends of the Dalton gang’s successors, Bill Doolin and Bill Dalton.
Billy the Kid, Wild Bill Hickok, Belle Starr, Wyatt Earp, the Younger Gang, the Dalton-Doolin Gang and Bat Masterson--these real-life lawmen and lawbreakers have been the basis of so many Hollywood Westerns that it has become difficult to discover where the truth ends and the legend begins. All actually became larger-than-life characters during their lifetimes, as contemporary newspapers and books embellished their deeds for their own purposes. But it was in Hollywood that the line between reality and myth was completely blurred. Each chapter-length entry here first focuses on the known facts of the people's lives and how each became truly legendary during their lifetimes. The reality is then compared to how they have been portrayed in the movies.
American Cycle, a sequence of long poems inspired by our folklore and past, was written over forty-seven years. Its themes are love, local mythology, history, justice, memory, accomplishment, time. "The books are extraordinary, sustained explosions of authentic American language and energy. Each is entirely different from the others in style, voice, form and narrative content; each so rich in imagery and nuance and texture and event and so finely crafted. . . " —Paul Williams, author of Bob Dylan: Performing Artist.American Cycle holds Spanish words loaned from Old California, rough colloquialisms in Paul Bunyan, the power of African-American vernacular English in John Henry, bare oratory in Chief Joseph, old west phrases in Wyatt Earp, circus ballyhoo in P. T. Barnum, aviation jargon in Amelia Earhart, backwoods dialect in Blue Ridge. As Walt Whitman says, "I hear America singing, the varied carols. . .”
Outlaws on Horseback concentrates on the long, unbroken chain of crime that began in the late 1850s with the Missouri-Kansas border warfare and ended in Arkansas in 1921 with the killing of Henry Starr, the last of the authentic desperadoes. Harry Sinclair Drago shows links among the men and women who terrorized the Midwest while he squelches the most outlandish tales about them. The guerrilla warfare led by the evil William Quantrill was training for Frank and Jesse James and Cole and Jim Younger. Drago puts their bloody careers in perspective and tracks down the truth about Belle Starr the Bandit Queen, Cherokee Bill, Rose of the Cimarron, and the gangs, including the Daltons and Doolins, that infested the Oklahoma hills. The action moves from the sacking of Lawrence to the raid on Northfield to the shootout at Coffeyville.
From a rediscovered collection of autobiographical accounts written by hundreds of Kansas pioneer women in the early twentieth century, Joanna Stratton has created a collection hailed by Newsweek as “uncommonly interesting” and “a remarkable distillation of primary sources.” Never before has there been such a detailed record of women’s courage, such a living portrait of the women who civilized the American frontier. Here are their stories: wilderness mothers, schoolmarms, Indian squaws, immigrants, homesteaders, and circuit riders. Their personal recollections of prairie fires, locust plagues, cowboy shootouts, Indian raids, and blizzards on the plains vividly reveal the drama, danger and excitement of the pioneer experience. These were women of relentless determination, whose tenacity helped them to conquer loneliness and privation. Their work was the work of survival, it demanded as much from them as from their men—and at last that partnership has been recognized. “These voices are haunting” (The New York Times Book Review), and they reveal the special heroism and industriousness of pioneer women as never before.
Recalling his early life as a young cowboy, sixty-two-year-old Madison Carter remembers his first love: her name was Estrella O’Sullivan, and he met her the summer he turned sixteen back in 1873. The summer of 1873 marked Madison’s last drive up what is now called the Chisholm Trail. It was the first time he tasted oysters and the only time he pinned on a badge. It was the summer of longhorns, miserable heat, friendship and betrayal, and murder. In the end it was the summer the whole world came crumbling down on the United States, and Madison’s world crashed too. The summer of 1873 was the year Madison watched a bunch of men die. One of them was a man he killed, an encounter one never forgets.
For every Wild Bill Hickok or Billy the Kid, there was another western gunfighter just as deadly but not as well known. Robert K. DeArment has earned a reputation as the premier researcher of unknown gunfighters, and here he offers twelve more portraits of men who weren’t glorified in legend but were just as notorious in their day. Those who think they already know all about Old West gunfighters will be amazed at this new collection. Here are men like Porter Stockton, the Texas terror who bragged that he had killed eighteen men, and Jim Levy, who killed a man for disparaging his Irish blood, though he was also the only known Jewish gunfighter. These stories span eight decades, from the gold rushes of the 1850s to the 1920s. Telling of gunmen such as Jim Masterson, the brother of Bat Masterson, or the real Whispering Smith—the man behind the fictionalized persona—whose career spanned four decades, DeArment conscientiously separates fact from fiction to reconstruct lives all the more amazing for having remained unknown for so long. The product of iron-clad research, this newest Deadly Dozen delivers the goods for gunfighter buffs in search of something different. Together the Deadly Dozen volumes constitute a Who’s Who of western outlaws and prove that there’s more to the Wild West than Jesse James.