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The Sargasso: a vast, unclaimed region of galactic space that somehow traps passing starships into its mysterious veil. Only the bravest and most foolhardy of crews would dare venture into such a hazardous stellar graveyard to solve its deepest, darkest mysteries. In order to fulfill a matter of honor, the Nepenthe ventures into this dangerous sector to transport a group of religious pilgrims in search of their promised land. As they attempt to unlock the enigma of this strange and deadly area, the intrepid crew stumbles upon an amazing discovery: a massive alien structure, hidden in an unknown world. But will this find turn out to be a wondrous opportunity, or will a destructive power be unleashed upon the universe?
"A considerable tour de force by any standard." ?New York Times Book Review"
A woman encounters a life filled with desires and emotions when she returns to Paris after suffering from a bout of depression and alcoholism in London.
Relying on a thorough understanding of the role of ideology, discourse, and framing, this volume discusses ISIS as an Islamist ideological organization, and examines its philosophical scaffolding within the material conditions produced by neoliberal capital. As Raja asserts, it is this nexus of specifically retrieved Islamic history and the current global economic system that creates the kind of social identity ideally suited for ISIS. The combination of the historical narratives and the contemporary means of communication enables ISIS to frame and spread its message, recruit its adherents, and replicate itself. While many scholarly and journalistic works on ISIS provide a wealth of information, not many elaborate on the terms that are often invoked in these writings. For example, scholars often use the term "Salafi-Jihadi" but they do not provide a comprehensive explanation of such concept within the same text. This book not only provides an explanation of the instructive terms used to explain the ISIS phenomenon, but also asserts that only one school of thought in Islam [The Sunni Wahabis] is likely to be the ideal target for ISIS recruitment. This claim, of course, does not rely on an essentialized pathology of Wahabi Sunnis, but provides an explanation of the Wahabi Islam as a proverbial "slippery slope," as an absolutely necessary first step for an individual's transformation into an ISIS fighter. Written in a clear and direct style, this volume provides scholars and lay readers alike with a deeper understanding of ISIS and its strategies of recruitment and self sustenance.
The relationship between women and houses has always been complex. Many influential writers have used the space of the house to portray women's conflicts with the society of their time. On the one hand, houses can represent a place of physical, psychological and moral restrictions, and on the other, they often serve as a metaphor for economic freedom and social acceptance. This usage is particularly pronounced in works written in the nineteenth and twentieth century, when restrictions on women's roles were changing: "anxieties about space sometimes seem to dominate the literature of both nineteenth-century women and their twentieth-century descendants." The Metaphor of the House in Feminist Literature uses a feminist literary criticism approach in order to examine the use of the house as metaphor in nineteenth and twentieth century literature.
Award-winning author Caryl Phillips presents a biographical novel of the life of Jean Rhys, the author of Wide Sargasso Sea, which she wrote as a prequel to Charlotte Brontë’s Jane Eyre. Caryl Phillips’s A View of the Empire at Sunset is the sweeping story of the life of the woman who became known to the world as Jean Rhys. Born Ella Gwendolyn Rees Williams in Dominica at the height of the British Empire, Rhys lived in the Caribbean for only sixteen years before going to England. A View of the Empire at Sunset is a look into her tempestuous and unsatisfactory life in Edwardian England, 1920s Paris, and then again in London. Her dream had always been to one day return home to Dominica. In 1936, a forty-five-year-old Rhys was finally able to make the journey back to the Caribbean. Six weeks later, she boarded a ship for England, filled with hostility for her home, never to return. Phillips’s gripping new novel is equally a story about the beginning of the end of a system that had sustained Britain for two centuries but that wreaked havoc on the lives of all who lived in the shadow of the empire: both men and women, colonizer and colonized. A true literary feat, A View of the Empire at Sunset uncovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by offering a look into the life of one of the greatest storytellers of the twentieth century and retelling a profound story that is singularly its own.
The dissolution of the French Empire and the ensuing rush of immigration have led to the formation of diasporas and immigrant cultures that have transformed French society and the immigrants themselves. Transnational Spaces and Identities in the Francophone World examines the impact of this postcolonial immigration on identity in France and in the Francophone world, which has encompassed parts of Africa, the Middle East, Southeast Asia, and the Americas. Immigrants bear cultural traditions within themselves, transform ?host? communities, and are, in turn, transformed. These migrations necessarily complicate ideals of national literature, culture, and history, forcing a reexamination and a rearticulation of these ideals. ø Exploring a variety of texts informed by these transnational conceptions of identity and space, the contributors to this volume reveal the vitality of Francophone studies within a broad range of disciplines, periods, and settings. They remind us that the idea and reality of Francophonie is not a late twentieth-century phenomenon but something that grows out of long-term interactions between colonizer and colonized and between peoples of different nationalities, ethnicities, and religions. Truly interdisciplinary, this collection engages conceptions of identity with respect to their physical, geographic, ethnic, and imagined realities.
Contributions review a diverse range of works, from postcolonial revision to postmodern fantasy, from imaginary after-lives to science fiction, from plays and Hollywood movies to opera, from lithographs and illustrated editions to comics and graphic novels.
Argues that by meeting the vast administrative challenge of the British Empire - thorough maps and surveys, censuses and statistics - Victorian administrators developed a new symbiosis of knowledge and power. The book draws on works by Rudyard Kipling, H.G. Wells and Bram Stoker.
Ob-scene Spaces in Australian Narrative is an exhaustive survey of Australian literature proposing itself as a journey through time and space. With a careful selection of texts which recount Australian history from the early days of white colonization to the present, this study endeavours to cast light on the process of socio-topographic construction that the settlers imposed upon the continent.As suggested by the title, the textual inquiry conducted in this book is driven by the stimulating ambiguity that lies between physical space and its discursive construction. A selection of canonical and non-canonical texts by authors ranging from Henry Lawson to Christos Tsiolkas aims to reveal the relationship between the space of the city (the scene) and the outback (the ob-scene space beyond the metropolitan area) and its role in the process of spatial construction that, through the last two centuries, has shaped Australia.Pablo Armellino’s distinctive approach to Australian literature makes Ob-scene Spaces in Australian Narrative a very interesting work. Using a carefully selected range of novels, linked together using social and literary theory, it recounts the history of colonization in Australia in a particularly approachable manner. Through the analysis of each text the reader seamlessly learns about the expansion of the frontier, the creation of an ob-scene space beyond it and the use the Discourse makes of this mechanism. These characteristics would appeal to both an academic audience, which would appreciate the detailed text analysis, and a general audience, which would enjoy the historical and thematic aspect of the book.– Professor Carmen Concilio and Professor Pietro Deandrea, Facoltà di Lingue, Università di Torino